Reflections of a Former Keller Girl

Complex feelings about this Christianity Today obituary/profile of Tim Keller, the Presbyterian pastor who defied conventional wisdom by founding a conservative megachurch in Manhattan. Keller died this week of pancreatic cancer at age 72.

In 2004, new to Christianity and Northampton, and looking for community, I became the protégé of an older female writer who started a Bible study group based on Keller’s sermon recordings. She had a sharp sense of humor about everything except the gospel, so my proposal to name ourselves the Kellerettes never caught on. When she wasn’t around, we sometimes spoke of ourselves as the Keller Girls. I thought I was female at the time. In a different life–one where she hadn’t been raised neo-Puritan and clung to it as the only apparent bulwark against emotional chaos–we might have been gender-nonconforming autistic fellow travelers to this day. We valued each other’s frankness and spiritual intensity, up to the very end, when she concluded that “we worship different Gods,” despite using the same language for our faith. I do appreciate someone who can conduct an honest breakup.

Technically, the bloom came off the Keller rose circa 2008 because I was blossoming into some as-yet-unidentified variety of queer. But 2008 was also when I realized I was a child abuse survivor, which suddenly made a lifetime of theological solutions to self-hatred seem terribly beside the point.

CT’s Keller profile begins with a pull quote summarizing his message: “We are more sinful and flawed in ourselves than we ever dared believe, yet at the very same time we are more loved and accepted in Jesus Christ than we ever dared hope.”

I used to take the first statement for granted. In fact I was relieved that the unnameable could be named. So the second half was good news–perhaps the only possible good news, as traditional Christians argued.

However, when I stopped being in daily contact with a mother who blamed me for her unmet childhood needs (while trying to break up my marriage and sabotage my adoption plans), Romans 7:18-25 no longer seemed like an inevitable description of the human condition:

For I know that good itself does not dwell in me, that is, in my sinful nature. For I have the desire to do what is good, but I cannot carry it out. 19 For I do not do the good I want to do, but the evil I do not want to do—this I keep on doing. 20 Now if I do what I do not want to do, it is no longer I who do it, but it is sin living in me that does it.

21 So I find this law at work: Although I want to do good, evil is right there with me. 22 For in my inner being I delight in God’s law; 23 but I see another law at work in me, waging war against the law of my mind and making me a prisoner of the law of sin at work within me. 24 What a wretched man I am! Who will rescue me from this body that is subject to death? 25 Thanks be to God, who delivers me through Jesus Christ our Lord! (NIV)

Life doesn’t have to be a no-win situation. Just remove one psycho.

Similarly, Keller’s core argument spoke to me and many other anxiously high-achieving New Yorkers, but now I want to deconstruct the pessimism that sets you up for the altar call.

At his church in Manhattan, Keller told the nation’s cultural elites that they worshiped false gods.

“We want to feel beautiful. We want to feel loved. We want to feel significant,” he preached in 2009, “and that’s why we’re working so hard and that’s the source of the evil.”

Keller explained to New York magazine that this was, in a way, an old-fashioned message about sin. But when many people hear “sin,” they only think of things like sex, drugs, and maybe stealing. The modern creative class that he was trying to reach, however, was beset by many more pernicious sins jostling to take the place of God’s love in their lives.

The task of “relevance” was to identify the idols that had a hold of people’s souls. And then tell them that they could be free.

The people of Manhattan “had lived their whole lives with parents, music teachers, coaches, professors, and bosses telling them to do better, be better, try harder,” Keller reflected in 2021. “To hear that He Himself had met those demands for righteousness through the life and death of Jesus, and now there was no condemnation left for anyone who trusted in that righteousness—that was an amazingly freeing message.”

When preachers jump to the conclusion “nothing can be done about this, so you need Jesus” they demonstrate a dangerous incuriosity about the psychological sources of our precarious self-worth. Alice Miller’s Prisoners of Childhood (later reissued as The Drama of the Gifted Child) attributes this syndrome, not to idolatry, but to the pain of growing up with a narcissistic parent. Because the child is not seen and loved for himself, but only insofar as he functions as a projection of his parent’s ego and her needs, he starts trying to earn the attachment that should be his by right.

Once I started trauma therapy and faced this dynamic in my past, I didn’t need to re-enact it with Tim Keller’s God.

I used to believe spreading the gospel was the most important thing I could do, because I defined “the gospel” as freedom from obsessive perfectionism and the shame that drives it. Today, same mission, different gospel. A relationship with Jesus can be a stepping-stone to working on your trauma, as it was for me. But don’t let it be a substitute.

 

February Links Roundup: Sims and Saints

Happy February! Tomorrow is Imbolc, the midpoint between winter and summer. Of Celtic origin, the name means “in the belly of the Mother” because the seeds of spring are germinating in Mother Earth.

At Reiter’s Block, every day is trans awareness day. EA Games came out with an update to The Sims 4 yesterday to make my favorite game even queerer:

Top Surgery Scar

Under the same Body category, all players can find a Body Scars category with an option for Teen and older male Sims (masculine or feminine frame) to add a Top Surgery Scar to their Sims.

Binders and Shapewear

With this update, players can find two new assets in Create a Sim. Under the Tanks, in the Tops category, you will find a Binder top asset for your Teen and older Sims. In the Underwear category for Bottoms, there is a new shapewear asset for your Sims as well!

They’ve also added hearing aids and glucose monitors so you can create realistic characters with disabilities.

At Medium, Jude Doyle surveys transmasculine “Patron Saints”, from medieval monks assigned female at birth, to Pauli Murray, “the first Black person assigned female to be ordained to the Episcopalian priesthood.” Doyle notes that the cloistered life was far from a perfect refuge for gender outlaws. It’s good to know that people like us existed, and were considered holy, but we shouldn’t romanticize the compromises they had to make.

Escaping into the church was a privilege, and a gendered privilege at that; we know of dozens of transmasculine monks, but there are no transfeminine nuns on record. Trans girls who ran away from home, fleeing “bandits” or marriage or parents, did not have this option…

At Salon, feminist writer Amanda Marcotte is following the unfolding story of Florida Gov. Ron DeSantis’s book bans.

[T]eachers in Manatee County, Florida were told that every book on their shelves was banned until otherwise notified. Failure to lock up all their books until they could be “vetted” by censors, teachers were warned, put them at risk of being prosecuted as felons.

The facts of this situation are straightforward: A Florida law signed by DeSantis requires that every book available to students “must be selected by a school district employee who holds a valid educational media specialist certificate,” in most cases, the school librarian. This may sound reasonable on its surface, but as the situation in Manatee County shows, in reality, it’s about creating a bottleneck preventing books from getting into the hands of students. Even more importantly, it’s about establishing the idea that books are inherently dangerous objects, to the degree that no student can be allowed to handle one without heavy-handed surveillance…

…In Duval [County], a principal warned teachers that allowing students to read books could result in felony prosecution.

Marcotte perfectly sums up the philosophy behind censorship:

Authoritarians hate reading for the same reason they hate sex, or any private behavior that allows people to experience thoughts and feelings outside of the authoritarian’s control. Learning to sit quietly and read by yourself is, for most people, the first step towards being able to sit with your own thoughts.

Go make Ron DeSantis mad! Read Electric Literature, a smart online journal edited by (gasp!) a Black trans woman, the fantastic Denne Michele Norris. Some pieces I’ve enjoyed recently include Benjamin Schaefer’s essay “We Need to Talk About Professional Jealousy” and [sarah] Cavar’s poem “My Autism Has a Mighty Appetite”.

In the December 2022 issue of The Baffler, Kristin Martin offers an unsettling exposé of Christian foster care influencers. “Wards of God” describes the latest iteration of the colonialist project to “rescue” children from marginalized communities and use them as props for white evangelism. Two-thirds of kids in foster care are there because social workers found parental “neglect,” a broad term that includes the effects of poverty on families with no abuse history. Instead of helping the whole family achieve stability, the foster care system is geared toward child removal. Foster parents receive payments while birth families have to meet draconian requirements to see their children again, let alone reclaim them. Most children characterized as “orphans” by Christians with a savior complex have living parents who were either struggling to meet their material needs, or deceived about the permanent nature of international adoption. “Scrolling through evangelical foster momfluencer accounts, with their testimonials about how God gets them through the hard seasons of care, and how they get too attached to the children in their homes, you can almost forget about the families on the other side: families that didn’t need to be policed and broken apart in the first place,” Martin concludes.

Hilarious gay advice columnist John Paul Brammer a/k/a Hola Papi! has excellent counsel for a queer writer stuck in a pearl-clutching peer group. Read his latest Substack post, “I Hate My Writing Group”. (Sorry Papi, I don’t know how to add the upside-down exclamation point in this blogging platform.)

Incuriosity is thriving at the moment. People seem incredibly proud of publicly renouncing critical thinking in favor of asserting a frustratingly simplistic “thing good or thing bad” mindset…

Worse yet, we’ve come to think of art—all art—as commercial goods that warrant this calculation of the “Moral Nutrition Facts” to ensure we’re not feeding anything “bad” to our brains. So we arrive at a place where art is constantly screaming its own virtues at us. All the rough edges get sanded away, and the lines between “good person” and “bad person” are boldly drawn with one of those ridiculously large Sharpies in mass-produced, infantilizing literature that reassures us that we are good people for putting it on our shelves.

Archives can be subversive. As DeSantis and his fellow authoritarians know, erasing a people’s history makes them isolated and vulnerable to political elimination. I recently had the privilege of touring the David Ruggles Center, an abolitionist history museum in Florence, MA. Their Black history library is available for on-site use only, since their all-volunteer staff can’t keep up with running a lending library. I was sad that all this knowledge never reaches the average middle school or high school classroom. Heck, I went to expensive private schools and colleges in liberal cities and didn’t learn most of the stuff I’m discovering from The 1619 Project on Hulu.

At Nursing Clio, a blog about social justice issues in gender and medicine, Amanda E. Strauss writes about being the director of a new archive about childhood sexual abuse at Brown University’s John Hay Library. The project was barely underway when COVID lockdown hit, Strauss’s father died, and she recovered her incest memories.

I disclosed my truth – “I am a childhood sexual abuse survivor” – one by one to the colleagues and students working most closely on the collections. I led discussions on ethics and spoke with the voice of a well-trained archivist, a confident leader, and that of a survivor. It was the practice of years that kept me going during these conversations as my vision tunneled and the room began to tilt. As during the early months of COVID, the careful boundaries and personas I created to partition my past from the present and my personal from the professional evaporated, and the ground shifted under my feet. I would later learn the clinical word for this phenomena – integration. I like to think of it as healing.

October Links Roundup: Change the Conversation

Welcome to the beautiful, spooky month of October. Remember, masks aren’t just for Halloween anymore.

(Get your own man face at AxeandCo on Etsy)

Sci-fi novelist Isaac R. Fellman wins the Internet for 2020 with his July newsletter post, “Peggy Olson Is a Gay Trans Man”, which explains why she was the only female TV character I’ve ever fully identified with.

Peggy is so utterly dissociated from the flesh of Peggy that she can carry a baby to term while pretending, even to herself, that she is just putting on weight…

This is seeing your body as an imprecise instrument which you must learn to use. It’s seeing your body as a thing out of your control, so that anything else it does, or that you may happen to make it do, has no meaning. It’s just topology.

It’s not just that Peggy is willing to endure all kinds of things — Joan’s cruelty about her body, a pregnancy without medical care, the logistics of a new wardrobe, the bearing and giving up of the child, becoming a temporary ward of the State of New York — in order to avoid more conventional humiliations. It’s also that she endures them, does her usual hard course of work, gets through it stoically, because the alternative is acknowledging the life of the body…

Peggy rather famously spends the whole series trying to figure out how to be a woman. I would argue that her process here — which, like her process of fucking, is all about patterning and identity theft — nonetheless has a very different vibe from her relations to men… [T]he series is littered with the bones of women Peggy has tried to bond with, with all the sincere good will and feminist consciousness in the world. Peggy likes women, is politically aligned with women, makes a career of selling products to women. Peggy’s friends are men.

In this September interview in the New Statesman, gender-theory heavyweight Judith Butler cogently debunks J.K. Rowling’s brand of transphobic “feminism”:

If we look closely at the example that you characterise as “mainstream” we can see that a domain of fantasy is at work, one which reflects more about the feminist who has such a fear than any actually existing situation in trans life. The feminist who holds such a view presumes that the penis does define the person, and that anyone with a penis would identify as a woman for the purposes of entering such changing rooms and posing a threat to the women inside. It assumes that the penis is the threat, or that any person who has a penis who identifies as a woman is engaging in a base, deceitful, and harmful form of disguise. This is a rich fantasy, and one that comes from powerful fears, but it does not describe a social reality. Trans women are often discriminated against in men’s bathrooms, and their modes of self-identification are ways of describing a lived reality, one that cannot be captured or regulated by the fantasies brought to bear upon them. The fact that such fantasies pass as public argument is itself cause for worry…

We depend on gender as a historical category, and that means we do not yet know all the ways it may come to signify, and we are open to new understandings of its social meanings. It would be a disaster for feminism to return either to a strictly biological understanding of gender or to reduce social conduct to a body part or to impose fearful fantasies, their own anxieties, on trans women… Their abiding and very real sense of gender ought to be recognised socially and publicly as a relatively simple matter of according another human dignity. The trans-exclusionary radical feminist position attacks the dignity of trans people.

Did you know that the notable 20th-century writer and critic Dorothy Parker was a civil rights activist? Me neither, till I read this news item from the NAACP:

For over three decades, the NAACP headquarters in Baltimore, Maryland, served as the resting place for Dorothy Parker. Forever etched into the NAACP’s history and legacy, the American poet, writer, critic and satirist was a fierce supporter of civil rights and social justice during a critical era in our nation’s history.

At a time when the country was in the midst of a social movement for civil rights and equal protection, Parker gave to a cause she believed in by bequeathing her estate to the Rev. Dr. Martin Luther King Jr., and providing that upon his death, the estate would pass to the NAACP. The NAACP continues to benefit from her gift by licensing the use of her works.

Born in Long Beach, New Jersey, Parker rose to prominence for her literary works published in such magazines as The New Yorker and as a founding member of the Algonquin Round Table, a group of New York City writers and critics. In 1932, Parker found success in Hollywood as a screenwriter. Among her accolades, she received two Academy Award nominations and worked on more than 15 films.

Throughout her life, Parker grew to be a vocal advocate of civil liberties and civil rights. In 1988, under the leadership of then-NAACP President Benjamin Hooks, Parker’s remains were interred at the NAACP national headquarters in Baltimore and remained there for 32 years.

Preserving the legacy of Dorothy Parker has been an essential part of the NAACP’s history. At the request of her family, which coincided with the NAACP’s planned moved to Washington, Mrs. Parker’s remains were re-interred in a family plot at Woodlawn Cemetery in New York on Aug. 22, 2020.

What might Parker have said about Rowling? Perhaps “She runs the gamut of emotions from A to B.” Or, “Heterosexuality is not normal, it’s just common.”

At the Forward, a venerable Jewish magazine, Abigail Pogrebin asks the provocative question, “Does God’s gender matter?” A journalist and former producer for “60 Minutes” and “Charlie Rose”, Pogrebin is also the daughter of Ms. Magazine co-founder Letty Cotton Pogrebin. Here, she talks with Rabbi David Ingber of the progressive congregation Romemu in Manhattan.

The text he sends before our interview, (I ask each teacher to choose one) is a midrash, or rabbinic commentary, from the 6th century, in which a sage known as Rab Kahana analyzes the First Commandment: “I am the Lord, your God.”

Kahana suggests that when God asserts, “I am the Lord,” it’s to clarify not only that God is one, but God is all. We should not assume the Lord takes one shape or is found in just one place.

Ingber builds on Kahana’s analysis: if the Lord our God has multiple iterations, the Lord is therefore not one gender at all times.

It’s not because of some feminist principle that Ingber seems to suggest this, though he’s known for an egalitarian approach to traditional observance. Instead, Ingber says that asking whether God is male or female is the wrong question. God takes any form you need God to take. And the midrash gives us permission to find — or feel — God in whatever form speaks to us.

Later in the piece, Rabbi Ingber says:

Why would the first thing God tell the people of Israel be, I am the Lord your God? There must be a hidden reason. The rabbis are imagining a God who is really concerned that the people not be confused by the polymorphic nature of God. Will the real God please stand up?

So this text is decidedly trying to say, ‘I appear in multiple places, in different ways, but they’re all me.’ God is saying, ‘You can see me as your aunt or uncle, your father or mother. You can see me as a God who at one time feels like a stern disciplinarian and another time feels as a loving, compassionate comforter. All of these faces are legitimate expressions of who I am.’

Covenant is the weblog of the Living Church Foundation, an independent nonprofit ministry within the Episcopal Church. Hat tip to Scott Gunn, executive director of Forward Movement and one-half of the Lent Madness team, for tweeting this Covenant article by lay theologian Elizabeth Anderson: “The Priesthood of All Believers: The Uses and Abuses of a Doctrine”. Anderson critiques a phenomenon that I’ve noticed as well. Despite the Protestant belief that everyone has a ministry, non-clergy are often kept in social service roles, not allowed to influence the church’s theology or offer spiritual direction. “[A]ll of these false binaries — sacred/secular, spiritual/material, contemplation/action, Church /world, clergy/laity — imply a kind of dualism that is fundamentally incompatible with orthodox Christianity.”

Tor has a relatable new post at Speaking While the World Sleeps: “Defined by Future Regret: Survivors’ Autonomy”. As child abuse survivors, we question (and are constantly questioned about) how we can know ourselves well enough to transition. I often say that the “always already a boy” narrative doesn’t fit me, because there was never a time when I had access to an uncontested selfhood.

The idea that there is a “before” we could get back to, should get back to, makes no sense when talking about a lot of trauma, especially child sexual abuse. What’s the “before” when that would be when I was a child?

But I think the difficulty here is that it’s not just a “before” people expect us to get back to. They also assume an “underneath.” Underneath the trauma is you, underneath the trauma is what you actually think, want, hope, desire, and dream.

Tor observes that these questioners are far too concerned about us regretting non-heteronormative choices, while the real thing worth mourning is the years of authenticity we lost.

As much as people fixate on survivors who talk about, say, transitioning, and regretting it because it was “just because they were abused” I’m betting it’s far more common that trans survivors are like me, wishing they can been capable, emotionally, and mentally, of going on hormones years ago. But our regret only matters when we make active decisions about our life, when we assert our will over our bodies, not the passive regret that at least makes us fall in line within socially acceptable parameters of existence…

…This means that rather than helping survivors confront, grieve, and move past our regret, we’re instead taught to value it, to see it as something live by, more than any other emotional experience, more than any other aspect of our trauma.

And in doing so, we make it difficult for survivors to grasp at the normalcy of regret.

What I mean is: when you get to the end of your life, you’re always going to have choices you wish you’d taken and choices you wish you hadn’t. That’s what it means to be capable of choices. But survivors are encouraged to see their every regret as an aspersion on their capacity for reason, their decision-making as fully autonomous human beings…

Part of coping with abuse is understanding that there isn’t an “underneath” self who would make perfectly correct choices, who knows with pure clarity exactly who they are, who is so self-assured that they will never guess wrong about their own needs or desires, if only there wasn’t the trauma mucking things up. It’s understanding that messiness is a part of being human. And so is regret.

Understanding the Lectionary Through Witchcraft

I went to church two weeks ago for All Saints’ Day and revisited the familiar sensation of being baffled by contradictory extremes in the Bible. The Episcopal lectionary readings were Psalm 149 and an excerpt from Jesus’ Sermon on the Mount in Luke 6. Thus, in quick succession, we heard this:

Let the faithful rejoice in triumph; *
let them be joyful on their beds.

Let the praises of God be in their throat *
and a two-edged sword in their hand;

To wreak vengeance on the nations *
and punishment on the peoples;

To bind their kings in chains *
and their nobles with links of iron;

To inflict on them the judgment decreed; *
this is glory for all his faithful people.
Hallelujah!

And then this:

Love your enemies, do good to those who hate you, bless those who curse you, pray for those who abuse you. If anyone strikes you on the cheek, offer the other also; and from anyone who takes away your coat do not withhold even your shirt. Give to everyone who begs from you; and if anyone takes away your goods, do not ask for them again. Do to others as you would have them do to you.

Honestly, neither of those sound like the healthiest attitudes, you know? I could get into the Psalm by praying for Trump’s impeachment. As a call for accountability for corrupt leaders, rather than for God to aid our amoral conquest of other nations, these words fit the justice-seeking spirit of the Hebrew Bible. I am very wary of the supercessionist narrative among progressive Christians, who explain away anger and violence in the “Old Testament” by treating ancient Judaism as a primitive, inferior precursor of “New Testament” sweetness and light. Read Amy-Jill Levine for fresh alternatives to the subtle anti-Semitism of common Bible interpretations.

The gospel message was even more disconcerting to me. I’ve been in too many relationships where appeasement of “those who abuse you” improves neither their behavior nor their character. How is it loving to enable someone’s bad habits of greed and violence? I don’t think I’ve ever seen a good outcome from this.

Insight came the following day when I took my monthly online class from the Temple of Witchcraft, “Exploring Four Archetypes of Mature Masculinity”. Our source text is Robert Moore and Douglas Gillette’s King, Warrior, Magician, Lover (HarperOne, 1990), one of the Jungian-inspired texts of the 1990s Men’s Movement (remember Robert Bly’s Iron John?). The original book is heteronormative and sometimes oddly whiny about feminism, but instructor JT Mouradian is doing a great job of updating their ideas for a more gender-expansive era. During our session on “The Warrior”, we discussed this anecdote from the book:

There is a story about a samurai attached to the household of a great lord. His lord had been murdered by a man from a rival house, and the samurai was sworn to avenge his lord’s death. After tracking the assassin for some time, after great personal sacrifice and hardship, and after braving many dangers, the samurai found the murderer. He drew his sword to kill the man. But in that instant the assassin spit in his face. The samurai stepped back, sheathed his sword, and turned and walked away. Why?

He walked away because he was angry that he’d been spat on. He would have killed the assassin, in that moment, out of his own personal anger, not out of his commitment to the ideal his lord represented. His execution of the man would have been out of his Ego and his own feelings, not out of the Warrior within. So in order to be true to his warrior calling, he had to walk away and let the murderer live. (pgs. 84-85)

Look again at the gospel passage. In all of Jesus’ examples, the action is reactive: what to do after someone abuses you, hits you, or robs from you. One could say he was instructing us to have the equanimity and self-transcendence of the Warrior, who may need to use force in service to a goal larger than himself (e.g. clearing the money-changers from the temple), but never lets himself be overcome by wounded pride, defensive fear, or the “red mist” of rage that clouds one’s vision. Maintaining self-discipline is more important than settling scores in that moment, even if the aggressor will get off too easy.

Even so, I don’t wholly agree that the ability to tolerate infinite amounts of bullshit is a virtue. But it’s a more nuanced and defensible interpretation of the gospel than the usual idealization of codependent pacifism.

I Take the Necronomicon Literally But Not Seriously

The spooky season of October seems like a good time to post my reflections on NecronomiCon 2019, the H.P. Lovecraft and cosmic horror fan convention we attended this August in Providence. Offered in odd-numbered years, this con delves into scholarly and popular media in the Lovecraftian tradition, while critiquing the xenophobic views of its progenitor. While the Young Master and Daddy explored Rhode Island’s beaches, I attended panels on such edifying subjects as the history of insane asylums and pop-culture depictions of shrunken heads. However, nothing I saw was quite as grotesque and unsettling as the SpongeBob cartoons that Shane made me binge-watch in our hotel room.

The Innsmouth Tabernacle Choir served up some new parodies of deep cuts from the Protestant hymnal, which unfortunately were unfamiliar to most of the Cthulhu Prayer Breakfast cultists. I for one am glad they recognized the ghoulish potential in “I Am the Bread of Life”.

Presiding over the breakfast, Cody Goodfellow, Anthony Teth, and Scott Jones opened with a rap battle about the relative merits of Dagon, Mother Hydra, and Shub-Niggurath, followed by sermons warning against blind faith and oversimplified ideologies. Like queer “camp”, which paradoxically employs the excesses of self-parody as a vehicle for intense and genuine emotions, modern Cthulhu-ism inhabits a liminal space, refusing to resolve itself into either mere satire or alternative religion.

The sermons made me wonder: What really is the difference between NecronomiCon and the Episcopal Church? (Not the outfits, certainly!) Minus the references to “Great Dragons Nug and Yeb,” I expect my fellow mainline parishioners would nod enthusiastically at the paeans to liberal open-mindedness. The Innsmouth Choir is merely more explicit about the same story we tell in the Bible readings and 1982 Episcopal Hymnal: the end times are coming, we’re all going to die, the earth will be destroyed, and we may go on to a strange new afterlife in transformed bodies if we appease the right wrathful deity.

In this apocalyptic political moment in America, the cultists’ honest acknowledgment of evil and impermanence was oddly reassuring. Refreshingly, Cthulhu-ism has a sense of humor about the absurdity of all human social structures–even the most powerful dictator or Pope is puny in cosmic terms–whereas the liberal church wants you to take its performances seriously even as it concedes that it has no divine authority over you.

I also wondered how many attendees were sincere believers in magic and monstrous gods, and how many were like me, dancing on that line between genuine faith and the defensive retreat into “just kidding!” when we fear that someone will try to exploit our new belief system as a tool of social control. One of the speakers on the Edward Gorey panel observed that the eccentric artist had a reputation as a difficult interview subject because he dodged any questions that tried to pin down the meaning of his enigmatic books. His work gains its power and lasting relevance from tension that is never resolved by a revelation. That could be one way I would define the queer aesthetic–allowing subtext to remain subtext, so that it can’t be stolen from you by reductionist interpreters. Indefinability as resistance to hegemony, perhaps?

Two Poems from Garret Keizer’s “The World Pushes Back”

Garret Keizer is a widely published essayist, former Episcopal priest and English teacher, and the author of eight books. His nonfiction works Help: The Original Human Dilemma (HarperOne, 2004) and The Enigma of Anger: Essays on a Sometimes Deadly Sin (Jossey-Bass, 2004) were both transformative and comforting for me during a fraught period in my life. His nuanced meditations on what we owe each other gave me permission to feel all my feelings about a family situation that in the end, I could not resolve, only walk away from. Now, at age 65, he has released his debut poetry collection, The World Pushes Back (Texas Review Press, 2019), winner of the 2018 X.J. Kennedy Award.

Critics often compliment a book by calling it “ambitious”, but such an ego-driven word would be untrue to the spirit of this collection–audacious as it is to be a progressive Christian moralist in a culture where hard-hearted reactionaries claim a monopoly on faith. As he says in the closing poem, “The Last Man Who Knew Everything”:

In the best world every man
would know everything
that was worth knowing
and would know that others knew
as well as he, and would also know
that things worth knowing are few.

Keizer gently but pointedly warns his fellow American bourgeoisie not to mistake the contentment of privilege for true happiness, the latter requiring the soul-searching and pain of being born again into a humbler interconnectedness to others. This vision is embodied in “Cousin Rick”, a real-life example of Henri Nouwen’s ideal of “downward mobility”. Not spoiling the tale with any heavy-handed “Go and do likewise,” Keizer recounts the bare facts of his cousin’s life and death as a missionary in New Guinea, with affection and quiet bewilderment at the saints hidden among us.

Since reading this book, I’ve been conducting an argument in my mind with the poem “For Those Who Talk of Growth”. The speaker, at the start of spring, is clearing his lawn of the sand that the snowplow threw there in the winter, and a perhaps-too-facile metaphor comes to him:

The sand is what served me
for a time, some friend, some
creed that gave me traction
once, but now only burdens
the life I must rake free of it.

However, he immediately corrects himself. Snow will inevitably come again “and I shall go/nowhere without the sand.”

Certainly there are many who worship modernity for its own sake and think themselves clever for upgrading their creeds like new iPhones. I’ve confronted this bias in liberal Christians’ dismissal of the supernatural. But this poem rubbed me the wrong way, because it echoes a common threat leveled against us former Christians: “just you wait, when things get tough, you’ll come crawling back.” For some of us, the sand became quicksand. We didn’t leave because we thought life was easy, we left (or were kicked out) because the old answers were inadequate to meet the revelatory crisis that split our lives into before and after. It actually takes a lot of maturity to look back and admit that the sand did serve us for a time, and be grateful rather than bitter as we say goodbye.

The rabbis say that a person should carry two notes in their pockets: one, “The world was created for me,” and the other, “I am dust and ashes.” A similar balance is at play in the poem “Divine Comedy” (below), which expresses the exquisite difficulty of creating art with a mindset of gratitude rather than scarcity. Transcending praise and blame is a daily spiritual discipline where I often fall short.

The poems below are reproduced with permission from Texas Review Press (Huntsville, TX), copyright Garret Keizer.

THE STARS ARE NEAR

The stars are near,
and it struck me how near
tonight, how superstitious I have been
to take their exponential distances on faith,
like a man dubious about driving a nail
because he’s heard of empty space
between the molecules
in the hammer’s head.
They are near, the stars.
They will always be
near. I have neighbors
whose porch lights are more distant.
A man who believes himself estranged
from his father, because they quarreled
when he was young,
sees the day when he is no longer
young, and no longer estranged,
and no more distant from the nearest star
than from his final breath.
He vows, as I do,
that he will not have his distances
dictated to him any more.

****

DIVINE COMEDY

1.

Hell is eternal publication.
The damned never write a word
except their names at book signings,
never read anything but reviews
of books they can’t remember writing.

They are stuck on the radio for ages,
talking about their goddamn books—
so long they forget they’re on the air.
They call themselves on the call-in line
and ask, “So how did you get published?”

2.

Heaven is eternal publication.
The redeemed never write a word
not quickened by their inscribing:
“For Jane Doe, who graced this event,
and is the truth I sought by writing.”

They are guests on the radio for ages,
talking to God, who just loved the book—
so long they forget they’re on the air.
Again they drift to ground and find
their first acceptance, too good to be true.

March Links Roundup: Sacred Arts, Imperfect Mediators

Just as today we debate “separating the art from the artist” when an influential creator’s bad behavior comes to light, the early Christians were split over the standards for mediating their own sacred inspiration. A purist breakaway group in North Africa in the fourth century contended that clergy had to be morally blameless, or else their ministry, prayers, and administration of the sacraments were not effective. Because church authorities (rather conveniently) rejected this position, we know it as the “Donatist heresy”.

The official line has pragmatism to commend it: it’s bad enough when “all your faves are problematic”, but if you have to start worrying that your baptism or absolution is invalid, your eternal fate might depend on the unknown misdeeds of your priest. That’s too much stress and uncertainty for the flock. On the other hand, I think we’re seeing nowadays that the clergy abuse crisis is retroactively undermining many Christians’ experiences of God in church. The truths they thought they knew, the love they felt in the worship and sacraments–was it all a lie? When someone or something formative for us is exposed as predatory, we may even doubt the goals, beliefs, and affections that once seemed synonymous with our “self”.

In this October 2018 article from Vox, Constance Grady asks some literary critics to weigh in on “What do we do when the art we love was created by a monster?” On social media, there’s a predictable cycle of declaring that some creator is “cancelled” because of anything from an unfortunate remark to serial predation, followed by a flurry of equally simplistic rants against political correctness. Separating art from artist was the premise of early 20th century New Criticism, which has stuck with us because it makes English-class papers easier to write without historical background. Postmodern “death of the author” theory, meanwhile, can empower readers to reclaim the text from its problematic origins. I see a similarity to the way that progressive Christians claim personal authority to talk back to oppressive Bible passages and carve out a place for marginalized people in the tradition. On the other hand, New Historicists warn that the reader is also embedded in a context that may include the same vices that plagued the creator, like racism and rape culture. We need to look at ourselves as critically as the text.

The critics differed, however, on the question of whether it’s ever reasonable for a critic to decide not to engage with art made by a predator. There are two basic arguments here. One of those arguments…says that engaging critically with a work of art is completely different from endorsing the morality of the artist… The other argument says that our time is limited, we cannot devote equal critical attention to every work of art out there, and it’s reasonable for critics to curate their choices a little…

The issue here is not just “Is this artist monstrous?” but “Is this work of art asking me as a reader to be complicit with the artist’s monstrosity?” It’s the same argument that has come up repeatedly with R. Kelly, who writes songs about sex and consent and age differences between lovers, and who has also been accused of sexually assaulting very young women and girls.

I agree with Grady’s conclusion that there’s no one-size-fits-all theory that’ll determine when to disengage from questionable art or artists. Like a dysfunctional family where love is also possible, or a church that can be both oppressive and liberating, staying or going is a very individual decision.

Over at Into Account, a new blog for lifting up the voices of abuse survivors in church, Stephanie Krehbiel has a message for anyone who’d override that discernment process: “Godly Men, Be Quiet”. Conservative church leaders lately have been making noise about #MeToo because they can’t ignore it, but their pronouncements aren’t followed by structural change or repentance. Survivor-led reform isn’t happening. Too bad:

The vast majority of church leaders have absolutely no business trying to be leaders in the movement to end sexual abuse. Part of how church leaders mess up–particularly in strongly patriarchal traditions invested in male headship (and let’s get real, for all the change that’s happened, that’s still most of Christianity)–is in assuming that they do.

Their business is not to lead; it is to follow. Not for a designated period of penance. Not as part of a healing ritual that they can subsequently advertise. Not as a finite disciplinary sentence.

FOR THE REST OF THEIR LIVES.

Patriarchal Christian masculinity is a powerful drug. It makes many church men believe that the world desperately needs their perspective on everything. It makes their followers believe that asking such men to step aside from leadership is somehow tantamount to cruelty. God is always calling these men to lead someone or something, even when what they know about that thing may be approximately two cents less than nothingParticularly in the evangelical world, the spiritual quality that seems to most define men like this is their ability to imagine that they hear God in the voice of their own ambition…

I am not asking men in church leadership positions to do nothing about sexual abuse. I’m asking them to devote themselves to the task of following people who have less social power than they do.

Which, you know, sounds a lot like what Jesus told us to do…

In the New York Times last month, Elizabeth Dias’ investigative feature on gay Catholic priests, “It Is Not a Closet. It Is a Cage,” is a heartbreaking look at scores of mostly-anonymous clergy trying to live their vocation while crushed by hypocrisy, secrecy, and loneliness. Being sexually active, apparently, is less scandalous than being honest about one’s orientation while celibate. The atmosphere is even more stifling now because church leadership is erroneously scapegoating gay clergy for the sexual abuse crisis.

Fewer than about 10 priests in the United States have dared to come out publicly. But gay men probably make up at least 30 to 40 percent of the American Catholic clergy, according to dozens of estimates from gay priests themselves and researchers. Some priests say the number is closer to 75 percent…

…The church almost always controls a priest’s housing, health insurance and retirement pension. He could lose all three if his bishop finds his sexuality disqualifying, even if he is faithful to his vows of celibacy.

This topic is in the news again because of the new book In the Closet of the Vatican: Power, Homosexuality, Hypocrisy, an exposé by French journalist Frédéric Martel. On the Nonviolent Atonement blog, gay Catholic theologian James Alison offers a sensitive and well-thought-out analysis of the problem and the way forward. Alison’s work helped me tremendously a decade ago when I was tormented by the gay/Christian question.

Alison describes the book, for which he was interviewed, as “the first attempt of which I am aware at a properly researched answer to the question: ‘How and why is it that the principal institutional obstacle to LGBT rights at the worldwide level appears itself to be massively staffed by gay men?'” This is not a book about the child abuse crisis per se, but rather, about how a culture of duplicity and blackmail is conducive to all sorts of abuses and cover-ups. Most people in the system are not even aware of the big picture:

We’re not talking about one single big lie, where all these men butch it up in public until they get back behind the Vatican walls ― at which point all can relax together in a theatrical green room, let down their hair and call each other Monica, Morgana or Mechthilde while swapping hot takes about their respective beaux. Rather we are talking about endless small lies, defensive manoeuvres, acts of hiding of self, adoptions of positions, fear of loss of livelihood, betrayals of friends, disguises of love, hints of blackmail, bizarre alliances, coded exchanges and resilient creations of habitable bubbles. We are also talking about the ways this system of mendacity reproduces itself through newcomers joining in playing the game. All involved are lying to and about themselves and each other; and yet, at the same time, they both know and don’t know what each other knows.

Furthermore, many are tortured by their own duplicity, not yet having achieved the perfection of polished cognitive dissonance at which some of those whom Martel interviews have obviously arrived. This matches what I have myself observed: the most venomous anti-clericalism and hatred of the Vatican comes from the mouths of its own clerical employees.

Meanwhile, the cognitive dissonance is amplified as sexual diversity has become mainstream in the outside world. Honest discussion of sexuality is the norm–except in the Church. Alison notes (a point that also emerged in the New York Times article) that unlike heterosexual men, many of the gay priests took their vows of celibacy without real understanding of their sexuality or options for healthy romantic partnership.

Church authority still teaches that a young gay person cannot appropriately be socialised into the humanisation of their emotional and sexual urges while dreaming of being married to someone they love. Indeed, far too many Catholic high schools, especially in the United States, are viciously legalistic in their attempts to apply these teachings to their employees and young charges. Further the authorities teach that such a young gay person does not have freedom of choice concerning whether to opt for marriage or a single life. They have a solemn obligation to singleness, with the threat of Hell a powerful enforcer….

Yes, the authorities really do deny there to be such a thing as an emotionally and psychologically balanced openly gay person who, therefore, might make a free choice between marriage or celibacy and so become a straightforward, honest candidate for seminary.

Now, that the official position is a lie is obvious to everyone, and scarcely applied anywhere. Even hard-line Bishops claim that they do not discriminate on the basis of sexual orientation, but instead on the basis of something they call “emotional and affective maturity.” But that effectively means that they do not believe their own teaching, for they are admitting people who their own official teaching claims not to exist. Such candidates are automatically implicated in the dishonesty of their superiors simply by being there. Furthermore, any gay candidate need only learn how to pretend not to be gay, for which many of them have had a whole adolescence-worth of training, and they will certainly find enough seminary officials who will induct them into playing “wink wink, nudge nudge,” having themselves become masters at the same game.

In short, long before any issue of a candidate’s sexual practice comes up, whether in the past, the present or the future, he finds that the one thing that is impossible is straightforward, first-person narrative honesty.

…Imitation is a much stronger force than instruction, and any gay candidate for seminary will see many others like himself already in the seminary, and will be interviewed by others like himself on the seminary staff. If in the midst of this he is presented with the instruction “You are required to be honest about being gay, and if you are gay and honest, your vocations counsellor is required to tell you that you cannot join,” he is not really being presented with a straightforward moral choice. In context, he is being presented with a hurdle, and his capacity to jump it will show whether or not he will be a suitable game player like all the others. Just in case the hurdle seems a little high, and if the vocations director likes the candidate, he may suggest that the kid is not really gay, just suffering from a transitory form of “same-sex attraction” or some other ecclesiastically convenient fiction. If the vocations director doesn’t like him, then, indeed, the fact that he is gay can be used to keep him out.

A dishonest system cannot demand honesty from its recruits, since in a dishonest system even the demand is dishonestly made and will be dishonestly received.

Alison concludes with a call for the Church to be honest with its children about God’s love for them regardless of orientation, and to bring its doctrines in line with the current evidence of science and psychology that queerness is a “regularly occurring, non-pathological minority variant in the human condition.”

I’m afraid I’m not optimistic. But if Christianity survives as anything worthwhile, it’ll be because of folks like Alison.

Rest in Power, Rev. Dr. James Cone

The Reverend Doctor James Hal Cone (1938-2018), the founder of the Black Liberation Theology movement, passed away last week at age 81. From the Liberation Theologies website:

The hermeneutic, or interpretive lens, for James Cone’s theology starts with the experience of African Americans, and the theological questions he brings from his own life. He incorporates the powerful role of the black church in his life, as well as racism experienced by African Americans.

Cone’s theology also received significant inspiration from a frustration with the black struggle for civil rights; he felt that black Christians in North America should not follow the “white Church”, on the grounds that it was a willing part of the system that had oppressed black people. Accordingly, his theology was heavily influenced by Malcolm X and the Black Power movement. Martin Luther King, Jr. was also an important influence; Cone describes King as a liberation theologian before the phrase existed.

Cone’s thought, along with Paul Tillich, stresses the idea that theology is not universal, but tied to specific historical contexts; he thus critiques the Western tradition of abstract theologizing, by examining its social context. Cone formulates a theology of liberation from within the context of the black experience of oppression, interpreting the central kernel of the Gospels as Jesus’ identification with the poor and oppressed, the resurrection as the ultimate act of liberation.

Despite his associations with the Black Power movement, however, Cone was not entirely focused on ethnicity: “Being black in America has little to do with skin color. Being black means that your heart, your soul, your mind, and your body are where the dispossessed are.”

Our Episcopal church’s small group studied his pioneering work, Black Theology and Black Power (New York: The Seabury Press, 1969), this past autumn. I’m not alone in wishing we had contacted Dr. Cone to tell him how his book challenged and inspired us. I think I was afraid of seeming like a would-be white ally in search of cookies. It’s a lesson not to let embarrassment stop us from reaching out to our heroes and prophets. After all, as Ijeoma Oluo says in her essential new book, So You Want to Talk About Race (Hachette Book Group, 2018), people of color don’t have the option to not deal with racial tension. White folks have to accept that we’ll screw up many of our interracial conversations, and just sit with the discomfort.

Below are some highlights from my analysis of the book for our small group curriculum. (If you would like to use the whole curriculum in your church, email me.) Text in quotes is by Cone, other text is my summary of his arguments. It’s quite sobering to see that many of the white counter-arguments he debunks are still deployed against contemporary civil rights movements such as Black Lives Matter.

****

“Black Power” is a phrase that provokes strong reactions. Cone defines it as “black people taking the dominant role in determining the black-white relationship in American society.” In other words, black people acting as subjects instead of objects, creating a value system that centers their wellbeing and particular experiences in society—just as white people have always done.

Some Christians, black and white, see it as too radical a departure from Christ’s message of love and unity. However, for Cone it is “Christ’s central message to twentieth-century America.” Where else would Christ be, if not in the midst of our country’s most urgent social justice struggle?

Cone criticizes would-be allies who say they support racial equality but not “violence”, or who call for “objectivity”. There is no neutral position on our complicity with oppressive social structures. Theology can’t set feelings aside, because feelings—specifically the pain and anger of black people—are essential data about the moral issues involved. “Dispassionate, noncommitted debate” is the privilege of someone who has no stake in the matter.

Though it makes space for feelings of anger and even hatred toward the oppressor, Black Power is fundamentally not about hate. Black people are not trying to take something away from white people, but to force recognition of what all people—black, white, and other races—already have: human dignity and equality. “Therefore it is not the intention of the black man to repudiate his master’s human dignity, but only his status as master.”

Throughout the book, Cone develops parallels between the anti-racist liberation struggle and the sacrificial life of Christ and his followers. The true ally enters into the condition of the oppressed, to such an extent that their stigma also falls on him—just as Jesus did for sinful humanity. The true ally is willing to risk her life for black people’s freedom—because black people are already risking their lives. Protests, violent or nonviolent, may be a modern version of martyrdom for a spiritual ideal that is more important than life itself, namely that all people are created in God’s image.

The primary expression of love for our neighbor is to proclaim the gospel of freedom and to work against the powers that hold people captive.

Christian love is a motive, not a checklist of actions. The human condition is messy and uncertain. Neighbor-love sometimes looks like confrontation, because it’s loving to try to bring our neighbor back into right relationship with God and others. It is loving to insist on the God-given dignity of all people, which is poured out equally as a gift of grace.

With respect to the ideal of nonviolence in Christianity, how we define “violence” already says a lot about racial politics. We take it for granted that certain kinds of self-defensive or even aggressive violence are justified in a Christian society. When the disenfranchised rise up, we call that violence and ask how it’s consistent with Jesus, but we accept the authority of the police to use force against such uprisings, or the nation’s right to use violence in defense of its international interests.

“The attempt of some to measure love exclusively by specific actions, such as nonviolence, is theologically incorrect.” We act from Christian love when God is the essence of our lives, but because of our limited human understanding, the right choice in any given situation may be unclear. Loving action involves risk and ambiguity.

Being “born-again” occurs when a person becomes “repelled by suffering and death caused by the bigotry of others,” even to the point of being ready to die in solidarity with the oppressed, as Jesus did. And that person may not be explicitly “Christian”—it’s manifested in their actions, as in Matthew 25. Salvation is not a formula to win God’s approval. It’s an inner sense of being aligned with The Real.

“There are no rational tests to measure this quality of being grasped in the depths of one’s being. The experience is its own evidence, the ultimate datum. To seek for a higher evidence, a more objective proof—such as the Bible, the Fathers, or the Church—implies that such evidence is more real than the encounter itself.”

All theology is grounded in the life situation of the group that writes it. Their lives matter, and their experiences determine which questions are important and how to answer them.

Up till now, only white people have had this authority within Christianity—the power to make theology that centers their point of view and their wellbeing. “Black Theology” is not any less universal than the white Christianity we already have. Black people will not be completely free until they too claim the authority to do theology from their own standpoint, with their full humanity as the goal and underlying assumption.

White Christianity has spent a lot of time debating the ultimate source of religious authority. For instance: the Pope versus Martin Luther’s sola scriptura (Bible alone), or fundamentalists’ infallible Bible versus liberals’ appeals to reason. But these abstract debates often fail to have any impact on people’s daily lives.

For Black Theology, the core question of authority is: Does this doctrine free us or not?

Because the essence of Christ is his identification with the oppressed, this is still a Christocentric standard of authority.

“Black Theology knows no authority more binding than the experience of oppression itself… Concretely, this means that Black Theology is not prepared to accept any doctrine of God, man, Christ, or Scripture which contradicts the black demand for freedom now.”

“Everything Must Burn”: Thoughts From My Lenten Journal

Spoken-word poet Emily Joy went viral on Twitter in 2016 with her powerful video “How to Love the Sinner & Hate the Sin: 5 Easy Steps”, a satire that indicts the heartlessness of anti-LGBTQ Christians using their own catchphrases. “Religious freedom means never having to say you’re sorry/ You can love people and take away their rights.” She’s also been a prominent critic of sexism and victim-blaming in Christian purity culture.

For my Lenten discipline this year, I wrote in the journaling workbook she created, Everything Must Burn: A Spiritual Guide to Starting Over. Designed for survivors of fundamentalism and spiritual trauma, the simple 8-week program covers topics such as Sexuality, Shame, Hell, and Creativity, with brief questions that prompt us to articulate our old and new beliefs, and affirmations of God’s inclusive love. Here are a few of my musings, lightly edited for clarity:

What do you believe about the nature of God?

I often believe that God is unknowable and too tremendous for our consciousness to interact with without exploding. (Very Lovecraftian!) When I try to live into the hope that God is a goodness and love that wins out over cruelty and entropy, the closest I can get to awareness of that God is…the “deep and dazzling darkness” of Henry Vaughan’s poem.

…I’m not ready for God’s heartbreaking love. To feel the grief of not being loved that way for all of my youth.

…I’m going to try to be less fearful of God by identifying “God” with the magic-filled universe.

What is the place of anger in your spiritual and creative life?

In my creative life, anger is often the dynamite that knocks down the writer’s block of self-doubt and shame. That Anaïs Nin quote about staying in the bud being more painful than blossoming–for me it’s like, the time comes when my hair is too much on fire to give a flying fuck what anyone thinks of me.

…I’m angry that I no longer trust spiritual teachers and religious institutions because I feel they’re trying to sell me something–the belief that their system or community is complete and necessary for my well-being. At bottom, they all want me to feel unable to live without them and guilty of disloyalty for drawing on other support systems–just as my mother did! Am I just triggered? No, I am genuinely angry at hegemony as a human impulse.

…I feel really sad when I reflect on all of this. I sense in myself a deep need to be seen, consoled, and vindicated (Psalm 17). In the olden days, I’d say “God is the one to meet that need”, but now I react with suspicion to that facile doctrine–it’s a handy excuse for other people to avoid mutuality in relating to me–or for me to despair of asking for support from anyone outside my own head. And I guess I’m angry that there’s no venue or vocabulary in mainstream church culture or progressive theology to even address this as an issue.

Do you believe that God is the sort of being to send creatures they love to hell? What were some of the messages you received about hell growing up?

I’m lucky that I was never raised with the concept of salvation/damnation dependent on what religion you believed in… I didn’t need any worse concept of hell than being seen for my true self and deemed unworthy of love. Hell was being cast out from the presence of love, inescapably confronted with the truth of my loathsomeness forever.

I didn’t pick up this primal dread from Christianity, but Christianity found a hole in me for this fear to root in. I was vulnerable to this shitty theology that grace is merely a legal fiction (simul justus et peccator) whereby God pretends not to notice how awful you are.

That’s not love, but Christianity manipulates you into thinking you have to settle for it–then blames you for not feeling loved or loving God back. Negging as evangelism!

…I think that hellfire theology motivates you to see the worst in people because you know deep down how unfair it is–so you have to look for reasons why every sin is a bigger deal than it really is.

Do you see a difference between shame and guilt? Do you think God wants you to feel shame?

Can we distinguish, more than “grace alone” Protestants do, between shame and guilt? Grace sets us free from shame by telling us that our essence isn’t repulsive and nothing can separate us from God’s love. But if we say it also sets us free from guilt, we shirk the responsibility to make amends and take our sins seriously. I don’t think God wants us to feel shame, because shame is so intolerable for the ego that it takes away the base of safety that we need to change our ways.

…My faith, as I once knew it, can’t recover from the realization that my shame was the product of abuse, not genuine depravity. Protestantism will never let people actually live in the grace that it promises, because of its false claim that we are right to be ashamed–that self-loathing is factually based in unspeakable guilt, instead of being an illusion from imperfect parental attachment.

What do you believe love is?

Two things I have a problem with in how “love” is deployed in Christianity: (1) “Love” as an excuse to say coercive, scary, erasing things to people “for their own good”; (2) “love” as obligatory toward, or more praiseworthy when directed toward, people who intend harm to us.

Today I took a walk on the bike trail to enjoy the spring sunshine. I admired a young woman’s cute little dog. The woman, with a teary joyfulness, told me she takes every opportunity to talk to people about her near-death experience and how Jesus cured her cancer, because she now knows Jesus is the only way, and she’s worried I won’t make it to heaven. I thanked her pleasantly and noncommittally, and walked away feeling sad, breathless, homesick for a kind of peaceful certainty I’ve never had. What is God’s love, really? It’s the shameless innocence of the dog running through the woods, oblivious to the fearful system his mistress has embraced to solve a self-created problem.

…Now I feel like taking a page from this woman’s book and commemorating Transgender Day of Visibility by standing on a street corner and asking people if they’ve read the Good Word of Judith Butler. “I just want everyone to know that gender is socially constructed! The truth will set you free!”

…It’s so fucking hard to love one’s friends and family properly, I’ve got no time for hugging neo-Nazis! Cynical aside: perhaps for some people it’s easier to “love” an enemy because there’s no feedback mechanism. It can all be a self-flattering illusion. Your enemy can’t call you out, like a real friend does, because you’ve already decided to ignore their opinion of you.

What does it look like to live creatively?

To live creatively is to trust myself to follow my instincts into unknown territory. To pursue what excites me (or take a rest when I need it) without having to know how it turns out or explain why this is what I’m doing.

I fear that “creativity” gets confused with “productivity” such that my self-image as a creator must be constantly proven with output. Or that creativity becomes a burden, like the “devotion” my mother supposedly gave me–a privilege that can never be repaid, a duty to prove that I’m grateful all the time and not squandering my potential.

…I try to follow Elizabeth Gilbert’s advice in Big Magic that I should revel in the freedom of my unimportance, but that doesn’t work well for a naturally depressed person. I am still searching for what it would mean for my work to “matter”–what’s a healthy, non-egotistical, inner-directed way for that need to be met? I sense that as long as I look to someone else for that validation, I’ll live in fear–even if the someone else is God, because a good parent God would not base their love on my achievements. What would make my work matter TO ME?

Jack Gilbert (no relation) had it right–go live on a fucking island with your goats and your three wives and let your friends drag you out to publish a book every 10 years. He was like the Ron Swanson of poetry.

…I’m starting to develop evidence-based faith that I can manifest changes in my life that I once despaired of. And that is creativity–thinking outside the limits of what the literal mind takes to be impossible… Being trans is one of the most creative and magical things I’ve done. I’m willing a new gender into existence.

VaLENTine Poem: “To Roses You Shall Return”

Happy Valentine’s Day and a blessed Ash Wednesday to my readers. For the first time since 1945, the holidays fall on the same date. I wrote the poem below in 2014, when they were one day apart. This blog template has trouble with indents, so imagine that the second line of each stanza is indented. Or buy a copy of Bullies in Love and read it in proper format!

I’m giving up being female for Lent. Hit me with some pronouns, let’s see which one feels right.

To Roses You Shall Return

When I see petals on the pavement
on the day after Ash Wednesday

May there be a pause in my hearing of tongues
of torn-out girls

When crinkled crimson holds the kiss
of boot heels

May I walk on
no trail of barefoot flight

Let there be no broken lips
or shadow of palms

Pierced in spring
let me infer only the generous florist

Scattering the currency of coupling
on the stony path to his fragrant store

 

Remember that you are dust
and to dust you shall return
KISS ME

 

When you see ashes on my forehead
on the day before Valentine’s Day

Will your torched ancestors still whisper
of riders in spotless robes

Will the flooded firstborn mouths
give up their bubble songs

When you see my face marked
by the dirt cross I chose

Will you only bend deeper
to the slap of your imitation sacrifice

Will you stuff your crone’s mouth with roots
as ordered by pig-roast priests

Tell me the seven wounds of roses
let our arms become the burnt horizon

Let our foreheads be graves where laughing girls
paint their sisters’ legs with mud

 

Almighty and everlasting God
you hate nothing you have made
BE MINE