New Poetry by Conway: “They Have a Cave”

My prison pen pal “Conway” continues to wait for a hearing on his early release petition, three years after California retroactively repealed the “three strikes” law mandating long sentences for nonviolent crimes. If you have enjoyed his work on this blog, feel free to send me a letter of support that I can forward to his attorney.

Meanwhile, his artwork graces the cover of Carolyn Howard-Johnson’s just-published book of political poetry, Imperfect Echoes. Check out her sample poem, “Antigua’s Hope”, at Winning Writers, and read Conway’s new poem, “They Have a Cave”, below the graphic.

They Have a Cave

Have you been in a cave?
Blackened by shadowed bars; strip searched
like a newborn puppy, probed to prove a gender.
Paraded down concrete corridors, jingling in chains
like an untrained beast. Un-named, then re-numbered.

I despise this neverness, this severed distress
from the world of incorporated man.

I have survived too long in this cave,
while they have waved away time (The Administration.)
To claim the one key to freedom’s peace.
To fleece my mind, and control the doors
lashed to the mouth of each cave.

These caves have been built for your poor.
But, no-one they love. Only those
they claim to care about.

You can have my hollow cave.
I have saved nothing from its stark desperation,
from the stripes of separation
that have
stomped out this conversation…

Tarot Spreads for Novel Writers

The Tarot, in the school of thought that I’m currently studying, is a tool for asking questions and receiving insights from one’s own intuition, from a higher consciousness, from the psychological emanations of other people, and/or from spiritual beings. This is also how I write fiction. So naturally, in working with Tarot, I haven’t confined myself to asking questions about my own life. I’m even more interested in Tarot readings for my characters.

More so than craft-based writing prompts, a randomly (?) drawn card has a Zen quality of surprise and mystery that confounds my intellect and jolts me out of the well-worn groove of my plans for the story. In addition, combining my writing exercise with a spiritual practice reminds me to stay open to the Holy Spirit’s guidance. After a year of final revisions on the Endless Novel, which were challenging but predictable, I am entering the wide-open space of the Endless Sequel, where everything is up for grabs except the main character dynamics. Tarot helps me enjoy that freedom of unknowing, while making some concrete progress in filling in the space.

Not every card produces a fruitful or understandable clue. The confusing cards nonetheless serve a purpose. They encourage me to explore plot twists that I hadn’t considered, though I may ultimately reject them as dead ends. (This is an advantage of Tarot over my Christian Writer phase: no guilt or fear about disagreeing with, or misunderstanding, the Message From Above.) The hard work of interpretation flexes my creative muscles. Sometimes, weeks later, in the light of other readings, I’ll finally understand why that card was in that position.

For instance, in my first Tarot reading about the Endless Sequel, I asked “Who is the narrator?” and was flummoxed by the answer, the 8 of Wands reversed. Traditional meanings include blockage, confusion, too many choices. In the standard Rider-Waite deck, it’s one of the few cards with no human figures on it at all!

I knew that my main character had a dis-integrated personality because of trauma and that a major plot thread would involve him reconnecting and healing those parts. But a narrator with fragmented consciousness generates a confusing, overwhelming experience for reader and writer alike. I never could get through those kinds of experimental novels in school, and I didn’t want to write one.

Perhaps the card represented my own failure to make a decision, offloading too much responsibility onto the cards or the character? I was afraid I didn’t have the skill to coax this secretive, self-deprecating character to talk about his feelings in a way that sounded authentic to us both. It would also be a challenge to differentiate his voice from the narrator of the Endless Novel (his boyfriend), whose campy, chatty style was almost too easy for me to slip into. Below these intellectual concerns was a non-literary one, the primal fear that I would lose myself in his “parts”. The first few years of the Endless Novel were written deep in PTSD territory, so my gut memory associated first drafts with losing my pony in the Swamps of Sadness.

Meanwhile, to refresh my writing skills while I haggled with myself over plot, I started working on a completely unrelated short story, and remembered why I loved that form. I can deal with unknowing for 30 pages, better than 400. It’s publishable now, not 10 years from now. I can see all the way around the structure: it’s a statue, not the Parthenon.

“Oh!” I said in the middle of the night. “The Endless Sequel is a novel in stories.”

Thanks to this working hypothesis, all the questions that had stopped me from writing lost their importance: Where should I begin in the story? Who is the narrator? If there’s only one narrator, how can I depict things that happen to each of the main characters when the other is not present? Just start anywhere! It’s possible that one of the stories will take on such momentum that it becomes a single book-length narrative, with material from the others as flashbacks or interludes between chapters. Or it could become a multi-vocal, multi-genre work. Whatever happens, I won’t be wasting my time by experimenting with different points of view. And I don’t think this solution would have hit me with such clarity, if part of my mind hadn’t continued to work on the enigma of the 8 of Wands reversed.

Want to try this for yourself? Here are links to some useful layouts I found by Googling “Tarot spreads for novel plotting”. Barbara Moore’s Tarot Spreads shows you how to adapt or design your own spreads. For meanings, I rely on Rachel Pollack’s 78 Degrees of Wisdom and Mary K. Greer’s Tarot Reversals.

The Tarot Parlor: Basic Plot Development Tarot Spread

Happy Fish Tarot: Tarot Spreads for Writing

Write to Done: The Tarot as a Tool for Writing Your Novel

(From my new favorite deck, So Below Deck: Book of Shadows, Vol. 2. The contemporary settings make it helpful for plotting a realist novel. Multi-ethnic characters and a few who could be interpreted as lesbian. Interpretations of traditionally sad or violent cards, like the 10 of Swords, are more upbeat than in Rider-Waite. In general I find that modern decks prettify the no-nonsense medieval toughness of the RWS images, so it’s good to keep the old standby around for balance.)

Two Poems from Carmine Dandrea’s “In a Kept World”

Carmine Dandrea is a retired English professor, Korean War veteran, and world traveler whose diverse life experiences inform his award-winning poetry. The work he has published with us at Winning Writers spans a train ride across India, a pilgrimage along China’s historic Silk Road, and a child’s memories of an Italian-American family funeral.

In contrast to these world travels, his latest chapbook from Finishing Line Press, In a Kept World, takes the reader on an inner journey of introspection, grief, and hope. This 17-poem cycle is voiced by a solitary older man inside a house in Michigan in deep winter. As the “prime suspect” of his own examinations, he reflects on mortality and time wasted. Women from his past reappear as nameless sirens and ghosts, arousing both desire and regret that he did not value their intimacy enough. Despite the assaults of unforgiving weather and the temptation to succumb to darkness, he also finds moments of sensual joy and radiance in the ordinary furnishings of his monastic cell. The recurring image of the garden comes to represent not only the literal promise of spring but the “seeds of love” and “sureness of life” that he wants another chance to cultivate in his soul.

Carmine has kindly allowed me to reprint the two poems below.

 

Snow’s Role

A heavy wind is blowing
off Lake Michigan;
there is nothing but darkness
to stop it on its way;
it roams the corners of the house
like some fast beast of prey
unleashed until the break of day.

The wind has done strange things
with snow,
has made it go in ripples
through the field,
has molded it peculiarly,
fitting it like fleece
to the bark-dark trunks of trees.

Snow is a warfare for my mind.
It lies here,
a barrier to the world.
I want to close my mind to it,
to let it stay outside
the tight parameters of light
around my planted fields;
yet I know that snow
must have its role
in plotting gardens,
even though it slows
the heart that’s beating
in the summer sun.

But I must remember
that day has passed
into the night.

The snow has filled the ugly field
across the ugly street;
the railroad tracks beyond
are slick runners
disappearing out of sight.

********

Fire in the Cave

How cold the darts of winter rain
that cut up light—
points that pierce naked bone
and make the bone like stone,
sore with winter weather.

The sun shining through
persimmon curtains casts
that semblance
of the fire in the cave
where my mind,
intent on artifacts,
is ecstasized with little things:

the chaste silver catching light
upon a slender throat;
the slight uncertain gleam
seen in an eye half-closed;
the degree of pressure
in another’s touch;
a soft finger on the lip,
an eyelash trembling
on a cheek,
a slight lilac breath
caught in the ear’s conch.

Reiter’s Block Year in Review: 2014

2014 has been a year of self-transformation. I became a redhead and got a lion tattoo. I finished a major revision of the Endless Novel. I hope to finish-finish it for real in early 2015, after I nail down the details of my new poetry book launch and marketing plan. My second full-length poetry book, Bullies in Love, is forthcoming in March from Little Red Tree Publishing. Even the blog got a makeover, migrating from GoDaddy to WordPress with the expert assistance of design firm Tunnel 7.

jendi_finishing_MS_2014

Rearranging my poetry manuscript on the office floor, December 2014.

Why has this year been so good for my creativity and personal growth? Folks, trauma recovery really works. Trust yourself. Phase out relationships with people who gaslight and invalidate you. Find a spiritual practice that makes a safe container for you to feel anger, grief, and the love of God. And try to spend some time roughhousing with a toddler. (Kittens work too.)

Here are some more highlights from this year’s reading, writing, and other discoveries.

Best Poetry Books:

I’ve read so many fine collections this year, it’s hard to choose. Some favorites by Charlie Bondhus, R.T. Castleberry, Heather Christle, Ruth Thompson, and Pam Uschuk have been reviewed and excerpted on Reiter’s Block this year. Other notable books that I didn’t get to feature:

L. Lamar Wilson’s Sacrilegion (Carolina Wren Press, 2014) is a passionate, musical exploration of intersecting identities: black, gay, Southern, Native American, Christian.

Brian Teare’s debut collection The Room Where I Was Born (University of Wisconsin Press, 2003) uses dark fairy-tale and gritty Southern Gothic tropes to tell, undermine, and complicate a confessional narrative of sexuality and trauma.

Nin Andrews’s Why They Grow Wings (Silverfish Review Press, 2001) lets loose the divine feminine in magical-realist scenarios that are both playful and politically edgy.

Best Fiction Book:

Donna Tartt, The Goldfinch (Little, Brown & Co., 2013). This Pulitzer-winning doorstop of a novel received equally intense yays and nays from critics. Based on Northrop Frye’s classic taxonomy of genres, I think Tartt’s detractors make the mistake of treating her books as realist novels when they’re really romances, notwithstanding the super-abundance of contemporary detail. I loved this book because it captured the feeling of growing up in New York City with more dreams than money. Tartt’s New York, like mine, is home to many social classes and subcultures living in close proximity but rarely intersecting. The first half of the book emphasizes the distance between these worlds and the illusions we spin about those who seem more fortunate than ourselves. Then a series of tragicomic twists brings the protagonist out of his grandiose isolation and into a humbled awareness of our common fate.

Best Nonfiction Book:

Michelle Alexander, The New Jim Crow: Mass Incarceration in the Age of Colorblindness (The New Press, 2010). This comprehensive study of racism in the criminal justice system is a must-read, particularly now, following the outcry over police brutality in Ferguson, MO.

Favorite Posts on the Block:

The Priesthood of All Survivors
I want to give and receive the support, spiritual insight, and deep friendship that a shared faith journey can offer. However, as I work towards higher levels of psychological integration and adulthood, I have to be part of a community that’s consciously working the same program. As I choose to break familial patterns of nonconsensual intimacy, I have to be part of a community that’s organized by consent and choice, not guilt-tripping the unchurched.

Why Believe in a Need-less God?
It’s a leap from “God doesn’t need Hir ego stroked”* to “God doesn’t need anything from us.” This doctrine, which we take for granted as orthodoxy, has hidden negative political and pastoral consequences. Because of what I’ve learned from feminist and disability theology, I am compelled to question the equating of “need” with weakness, imperfection, or immature egotism.

Becoming Church: My Field Trip to an Intentional Christian Community
Becoming Church is an umbrella organization for small-group churches (a dozen people maximum) that follow the Church of the Saviour model of “journey inward/journey outward“. Grounded in their faith in Christ, members support each other’s personal spiritual transformation and work together on service projects in [Washington, DC]. Their vision for social change is both radical and humble. Radical, because they want to be used by the Spirit to attack systemic injustice. They’re not content to provide palliative care to the less fortunate, or as they prefer to say, “the under-resourced”. Humble, because they try to operate on God’s timetable, not their own, and eschew ambitious arms’-length initiatives in favor of intensive long-term relationships with a few needy individuals at a time.

Most Useful Discovery:

Peggy Olson cures PTSD.

I’ve binge-watched all 6 1/2 seasons of Mad Men since July. This show’s deep resonance with me deserves its own blog post in the near future. For now, let me just say that Peggy, played by Elisabeth Moss, is the first female character on TV that I really identify with. She’s socially awkward, ambitious, creative, blunt-spoken, willing to make enemies, unashamed of her climb from working-class Brooklyn Catholic schoolgirl to Manhattan ad executive, has a weakness for ugly plaid outfits, and secretly wonders whether she’s failed to perform femininity properly. Near the end of Season 7A, she anticipated the concept of “family of choice” to sell fast-food hamburgers to modern women.

I used to be afraid of my chronic nightmares. Now, before I fall asleep, I imagine Peggy showing up in my dreams to kick ass. That recurring dream about being stranded on the highway? No problem. Peggy will give me a ride and bring bail money, just as she did for Don Draper when he crashed his car on a drunken joyride with his mistress. I’m sleeping much better now.

World’s Cutest Toddler:

shane_reindeer_2014

Happy holidays from Shane!

A Long-Overdue Education in Racism: Where to Begin?

As my readers doubtless know from the national news, the killing of unarmed African-American men and boys by white police officers has sparked protest movements across the country, challenging us white Americans to confront our participation in a racist law enforcement system.

On Aug. 9 in Ferguson, MO, Officer Darren Wilson shot unarmed 18-year-old Michael Brown; the grand jury declined to indict Wilson on Nov. 24, even though the conflicting testimony about what happened during the police stop would seem to warrant a jury trial. On July 17 in Staten Island, NY, police stopped Eric Garner for allegedly selling contraband cigarettes. Officer Daniel Pantaleo used a chokehold on him that was banned by NYPD rules, suffocating the unarmed and asthmatic Garner. Last week the NY grand jury declined to indict Pantaleo.

Meanwhile, on Nov. 22 in Cleveland, OH, a cop shot and killed 12-year-old Tamir Rice for playing with a toy gun at a playground. Twelve years old. A toy gun. Just think about that for a moment.

These are just two of the many unarmed black men and boys who are killed by the police each year in our “post-racial” society. Activists on Twitter have been posting their names in hashtags but can’t even keep up.

I honestly have not known what to write about this because there isn’t much I can say except “FUCK” and “I’m sorry”.

I’m not bringing this up now to get cookies for being an ally (a title I still have to earn). It’s just reached the point where not saying something would be a sign of not caring. As a white person, I have the dubious privilege of prioritizing other issues. But I don’t want to get off the hook.

I know how much I appreciate it when men believe women about sexism, or when people who’ve had normal families work to overcome their misconceptions about trauma survivors. In doing activism around the issues that affect me personally, I’ve gotten a glimpse of how it feels to suffer from other kinds of prejudice. I want to turn that empathy into effective action, and that starts with listening to African-American voices.

So I’m using the rest of this post to recommend some of the books, websites, and Twitter feeds that are helping me begin my education in racism and racial justice. Please feel free to share your own favorites in the comments.

Important advice: If you’re new to this issue and decide to check out these blogs and Twitter feeds, don’t jump into the conversation right away. Spend a good amount of time just reading and learning how this community sees the world, whether or not you agree. Remember that people are the experts on their own experience. No one is right all the time, but people of color have better attunement to racism than white people do, because they’re on the receiving end.

Books

Michelle Alexander, The New Jim Crow: Mass Incarceration in the Age of Colorblindness (The New Press, 2010)
Civil rights law professor lays out a devastating case that the criminal justice system created by the War on Drugs is rigged against men of color, at every stage from stop-and-frisk to sentencing.

Roxane Gay, Bad Feminist (HarperCollins, 2014)
Witty novelist and pop-culture critic explores the intersections and contradictions of our cultural myths around race and gender.

bell hooks, Ain’t I a Woman: Black Women and Feminism (South End Press, 1981) and All About Love: New Visions (William Morrow, 2001)
hooks’s passionate first book argues that black women have been doubly marginalized by white feminists and by black men trying to gain status in a patriarchal society. The first chapter, describing the systemic sexual abuse of black women under slavery, is harrowing but a must-read. All About Love is an incisive and uplifting book that proposes that real love is inseparable from justice, seeing and being seen authentically.

Websites

Colorlines is a daily news site about racial justice issues in politics, the arts, and the media, offering award-winning original reporting and news analysis. (Twitter: @Colorlines) Check out this article about how white Americans can unlearn racism.

The Crunk Feminist Collective features black women writers on topics such as media representation, discrimination and micro-aggressions in the workplace, police brutality, and abuses in the criminal justice system. (Twitter: @crunkfeminists)

Dear White People is the Tumblr companion to the 2014 movie, an excellent satire about black students at an elite university and the different strategies they use to navigate around cultural stereotypes and double standards. A book is forthcoming.

Gradient Lair is a womanist blog about black women and art, social media, social politics, and culture. (Twitter: @GradientLair and @TheTrudz)

Political Jesus is a multi-authored Christian theology blog with interests in social justice, science fiction, pop culture, and racial issues in the church. (Twitter: @Political_Jesus)

Twitter

@Karnythia (Mikki Kendall, fiction writer and blogger at hoodfeminism.com)

@ProfessorCrunk (Brittney Cooper, columnist at Salon)

@TaNehisiCoates (Ta-Nehisi Coates, columnist at The Atlantic, author of their 2014 cover story on slavery reparations)

@TheFerocity (Saeed Jones, poet and Buzzfeed LGBT columnist)

@TressieMcPhd (Sociology professor at Emory University, writes about racial issues in academia)

@WritersofColour (Media Diversified, a UK think tank tackling the lack of diversity in media)

Videos from Dead Poets Remembrance Day

This past October I participated in Dead Poets Remembrance Day, an annual reading series organized by Walter Skold of Dedgar.org. Walter is on a mission to host tribute readings at all the graves of notable poets in the U.S. He is working on a documentary that will incorporate video of these readings and other anecdotes of the poets’ lives.

I live across the street from a historic cemetery where Kashmiri-American poet Agha Shahid Ali is buried. Ali, who was a beloved professor at U Mass Amherst, introduced American writers to the classical Indo-Islamic poetic form known as the ghazal. On the afternoon of my reading, there was a torrential rainstorm, which was the perfect (if noisy) backdrop for two poems from Call Me Ishmael Tonight: A Book of Ghazals: “Even the Rain” and “After You”.

We are left mute and so much is left unnamed after you–
No one is left in this world to be blamed after you.

Someone has disappeared after christening Bertha–
Shahid, will a hurricane ever be named after you?

Now from Miami to Boston Bertha is breaking her bones–
I find her in the parking lot. She says, “I’m blamed after you.”

The Deluge would happen–it was claimed–after you
But the world did go on, unashamed, after you

ANDREW BERTHA CHARLES DAVID ELLA FLOYD GEORGE
but S comes so late in the alphabet that although
SHAHID DEVASTATES FLORIDA is your dream headline,
no hurricane will ever be named after you.

Agha Shahid Ali “Even The Rain” at his grave from Walter Skold on Vimeo.

Summer Reads: Some Gay Romances

One perk of having a Kindle is the unlimited supply of M/M romance e-books that I can now enjoy, free from concerns about privacy and shelf space. I’ve read a couple of standouts that I’ll discuss below, and meanwhile have been thinking about some peculiarities of the genre.

I was never really a fan of hetero romance novels–I didn’t look anything like the girls on the covers, and more importantly, I wasn’t attracted to the kind of meaty alpha males who conquer these ladies with a blast of pheromones. I don’t relate to the genre’s near-universal construction of female sexual response as surrender, or the notion that falling in love happens on an instinctual level where chemistry overpowers rational free choice.

I’d guess that this critique resonates with the large population of semi-straight women, like me, who read and write stories about two men in love. Besides our simple enjoyment of the male anatomy, maybe we’re looking for alternatives to the genre’s traditional gender hierarchies. We might appreciate some fantasies where we’re just spectators, not worrying how we measure up to the leading lady.

Gay men in love, at least in theory, have the opportunity to meet each other as equals. Because homophobia is often one of the obstacles to their eventual happy ending, the characters are compelled to be more reflective about the nature of desire–how do they know what their “real” feelings are, and how much weight should they give to eros compared to other moral and social values? Not all M/M romances allow political consciousness to intrude, but the best ones, in my opinion, allow it to deepen the story.

The funny thing is, though, that M/M frequently carries over some of the weird patriarchal themes of the old bodice-rippers. Our imaginations are so thoroughly conditioned that we don’t take full advantage of the genre’s potential for gender liberation.

I first noticed this phenomenon in yaoi, the Japanese manga subgenre also known as “boys’ love”. These romance comics featuring male couples are primarily written by and marketed to women. However, the gender hierarchy is alive and well. There are generally clearly delineated “top” (seme) and “bottom” (uke) characters, with the latter being drawn as a more effeminate or androgynous youth. In fact, sometimes the uke is literally a teen boy involved with an adult man, which echoes another problematic theme of traditional romance fiction–the borderline non-consensual sex that the victim winds up enjoying.

Among the yaoi books I’ve read so far, Tetuzoh Okadaya’s The Man of Tango distinguished itself because both partners are depicted as adult men who switch roles, in bed and out, mutually guiding one another to open up new dimensions of themselves. As for the sex, let me just say that this book was sold in a sealed shrink-wrap and totally lived up to it.

Okadaya’s fellows also have a close female friend who is a sympathetic, three-dimensional character. The same cannot be said for a lot of works in this category, such as Youka Nitta’s hot but silly Embracing Love 1 & 2, about male porn stars who go gay for each other. Too often, women in M/M are either absent or mere foils for the men. They’re needy girlfriends, cold ex-wives, or disposable sex-dolls, who only enter the narrative to prove the male character’s virility and the inadequacy of the relationships preceding the male leads’ pairing. Considering that women are in charge of this genre, why are we building “GIRLZ KEEP OUT!” clubhouses for our sexy boys?

This brings me to another odd trope of gay romance, so common that it has its own acronym: GFY, or “gay for you”. (My mom-of-choice, who has become an expert on foreign lesbian soap operas on the Internet, reports that it’s all over the place in girl-girl plots too.) A typical romance pairs an experienced, comfortably out gay person with a partner who has never had a same-sex lover. The more plausible books (relatively speaking) at least set up some backstory that the GFY had previous gay desires but didn’t act on them because of spiritual conflict, social pressure, or trauma.

In Jamie Fessenden’s amazing Billy’s Bones, for example, the man exploring his first adult same-sex relationship is alienated from his own sexuality because of repressed memories of child abuse. Not only doesn’t he know what he wants, he doesn’t remember what he’s already done. His partner, a therapist, has to learn how to support his recovery without caretaking and controlling him. The result is a genuinely egalitarian partnership between adults. I can’t say enough good things about this book’s responsible, well-informed, and compassionate treatment of a topic that is usually sensationalized or shrouded in denial. Check out Jamie’s blog for insightful discussion of love between men, in books and real life.

Another beautiful novel, Tim Bairstow’s The Shadow of Your Wings, explores the mentor-novice theme via a love triangle among three men with a fraught relationship to the Church of England. (The book takes place in England in the 1990s, when gay priests had to be celibate, although straight priests could get married.) Jack is an elderly monk whose life has been warped by repression of his same-sex attractions. He becomes obsessed with Felix, a beautiful, virginal youth who is staying at the monastery to prepare for ordination to the priesthood. Felix has never dared to act on his sexual orientation. The third player is Jonas, the groundskeeper, a savvy young man who loves Felix and helps him see through Jack’s spiritual manipulations. This book is not heavy on the sex; it spends far more time mapping the emotional terrain of love, self-knowledge, and spiritual awakening. A must-read for theology nerds everywhere.

Felix’s loss-of-virginity plotline, the GFY trope, and the plethora of coming-out stories in M/M made me reflect on how a romance novel establishes that the central relationship is “special”. Here, too, I smell the lingering influence of purity-based morality from traditional heterosexual norms.

Romantic convention provides two main tracks for setting up this specialness, both of which I find problematic. The more experienced partner (the male in hetero romance) has had a lot of meaningless flings, but now he’s going to behave better because he’s found The One. (E.g. Jonas in Shadow, Angie in Man of Tango.) The less experienced partner is letting down his defenses for the first time because he’s found The One.

In hetero storylines, I call this the “not like other girls” delusion–an actual quote from high school stud Jake’s pursuit of virginal Marley on the TV show Glee, which consciously referenced John Travolta’s pursuit of “Sandra Dee, lousy with virginity” in the musical Grease. In both cases, he tries a little harder not to be a dick because she is purer than other girls, not because…uh, every girl should be respected? Being a dick is bad? In real life, this is not a man who is ready for a healthy relationship. He hasn’t done any of the inner work to transition from pick-up artist to husband. The clever but frustrating Steve Carell rom-com Crazy Stupid Love makes this point, but then throws it away in the interest of tying up all the plotlines with a happy ending.

“The right person will change you” is apparently very deep-rooted in the romance genre, regardless of gender and sexual orientation. While I enjoy these books, I think it’s disappointing that gay men (and their female fans) aren’t given more role models for relationships between two sexually experienced, mature adults.

Then again, my sample is limited. More research is needed. Gee, is it getting hot in here…?

Two Poems from Ruth Thompson’s “Woman with Crows”

Of the numerous poetry books I’ve read this year, Ruth Thompson’s Woman with Crows (Saddle Road Press, 2013) is the most personally meaningful to me. I just turned 42, undeniably middle-aged, and my son starts preschool this fall. All around me, it seems, are warnings and laments that youth is fleeting, and we must cling to each moment lest it pass us by unnoticed. Woman with Crows is an antidote to fear.

This poetry collection, earthy yet mythical, celebrates the spiritual wisdom of the Crone, the woman with crows (and crows’ feet). Because of her conscious kinship with nature, the speaker of these poems embraces the changes that our artificial culture has taught us to dread. Fatness recurs as a revolutionary symbol of joy: a woman’s body is not her enemy, and scarcity is not the deepest truth. For her, the unraveling of memory and the shedding of possessions are not a story of decline but a fairy tale of transformation. One could say that, like Peter Pan, she expects that death will be a very big adventure!

If this all sounds terribly sentimental and “uplifting”, don’t worry. She’s not a sweet, neutered old granny. There are fireworks here, and snakes, and “ooze shining and blooming and with sex in it.”

Ruth has kindly allowed me to reprint the poems below. “Fat Time” was first published in New Millennium Writings as the winner of their 2007 poetry prize. Visit her website for more great work.

Fat Time

Under purest ultramarine the raised
goblets of trees overrun with gold.
We should be reeling drunk and portly as groundhogs
through these windfalls of russet, citron, bronze, chartreuse.

Everywhere color pools like butter, like oil of ripe nuts,
like piles of oranges under a striped tent.

Oh, let us be greedy of eyeball,
pigs scuffling in this gorgeous swill!
Let us cud this day
and spend the winter ruminant.

Let us write fat poems, and be careless.

Let us go bumbling about in wonder, legs
coated with goldenrod and smelling of acorns.

Let us be unctuous with scarlet and marigold,
larder them here, behind our foreheads
to glow in the brain’s lamps
in the time of need.

Each tree a sun!
Let us throw away caution,
emblazon our retinas
with the flare and flame of it

so that in the unleavened winter
this vermilion spill, this skyfall,
these oils of tangerine, smears of ochre and maroon
will heat a spare poem, dazzle the eye’s window,
feed us like holy deer on the blank canvas of snow.

****

Travel Instructions for Elmwood Avenue

You leave the sepia light of the tea restaurant,
lapsang and peony, earth and green twig,
continuo of quiet human voices.

Outside is rain, fat frying, damp exhaust, sputum,
spit of tires on a wet street, brakes tuned
to the pulse of streetlights: green, amber, red, green.

You blunder, glasses fringed with rainbows,
until your own hands swim out before you—
greeny in the headlights, strange as ectoplasm.

Light laps from shattered planes of reflection,
emerges and re-emerges from sheeting brilliance.
Dimension becomes dimension, a turned fan.

Now darkness hums like a bowed string,
anchored somewhere you cannot see,
one end floating here in the spinning world

and what has always sung from around the corner
is no longer apart from you—
it is here, upon you—that blaze of tenderness!

Two Poems from Diana Anhalt’s “Lives of Straw”


Poet and political historian Diana Anhalt moved to Mexico with her family in 1950, where her parents joined a community of left-wing expatriates who’d left the U.S. to escape Senator Joe McCarthy’s anti-Communist persecutions. She would live there for the next 50 years. The full text of her nonfiction book A Gathering of Fugitives: American Political Expatriates in Mexico, 1948-1965 (Archer Books) is available online here.

Her new poetry chapbook from Finishing Line Press, Lives of Straw, movingly depicts Mexican cultural traditions and characters from the economic margins. The opening and closing poems are from her perspective, first as a young girl adapting to a foreign country and language, and then her equally disorienting return to America half-a-century later. Within that frame, Anhalt lets her Mexican characters speak for themselves, in colorful, musical, yet often blunt persona poems that show many facets of the struggle for survival. Fortune-tellers, street vendors (including one selling poetry), herbal healers, death-defying construction workers, and con artists must devote all their creative genius to earning their next meal. Diana has kindly permitted me to reprint the poems below.

Dancing Alone

A summer’s night in Veracruz. The Rico Perez band plays a bolero
in the plaza principal. Lanterns thread the trees. I thread my way
through the sidelines. Edge past an ice cream vendor, girls in silk
and denim, dog walkers, two bald babies in headbands–to the center.
Couples shake and shuffle to the music. Some women dance alone,

reminding me of women in Pinochet’s Chile who danced the cueca,
partnered with snapshots of their desaparecidos–husbands, mothers,
sons. Here, an elderly woman in a pearl gray dress, struts, twirls
to the music, flexes her hands, nods her head, pauses to tighten
an earring. I suppose that everywhere, after violence, illness, divorce

women congregate on dance floors, raise their arms above their heads,
swing their hips to a merengue, beat out the rhythm of a cha cha cha,
and dance alone. This woman in gray resembles my mother-in-law,
now dead, who never would have. Me? I only pray, should–
dios no lo quiera–heaven forbid–that day come, I would.

****

Querencia,

a word that inhabits my Spanish-speaking mouth,
lies under my tongue and smells of evergreens,
and rainy Mondays, smoke. From the word querer

to want, desire, wish. It refers to bulls
who seek their place of solace in the ring.
For the waif in every living creature. I think

of the neighbor’s dachshund hunkered under the porch,
the sparrow haunting a fallen tree, the child
afraid to stray too far from his mother’s side.

We took to driving the Cuernavaca highway
and parked in the clearing with that Mexico City view.
As the air turned hazy with cigarette smoke,

we’d drink wine from the bottle, talk and listen to danzones
on the radio. We drove away soon after, took
our memories with us, haven’t returned.

After years away, our key no longer fits
the lock. And our home, grown used to strangers’ feet,
is home no more.

Thoughts from the Great Book Purge of 2014


This year, I resolved to lose 200 pounds. Of books.

We are surgically attached to our iPhones in this house, so much so that Shane’s first instance of imaginative play was holding a block up to his ear and pretending to talk to it. However, I haven’t been able to warm up to reading e-books. Reading screen-by-screen feels like driving at night, with no way to see what’s outside the small range of my headlights. I like to be able to orient myself, at a glance, about what came before and how far along I am. If a book isn’t lying on my bedside table, kitchen table, bathroom shelf, dining room table, or desk, I forget that I’m reading it. As a result, my ever-growing collection is shelved in archaeological strata rather than any thematic order.

Last summer, I undertook the Great Closet Purge. Out went the uncomfortable lawyer shoes and matronly satin blouses, the miniskirts from my single year of stress-induced slenderness, and the flowery print dresses that had served my mother’s fantasy of molding a 1980s teenager into a Victorian ingenue. Something had shifted inside me, letting me understand that I could release these past selves while still honoring them.

The Great Book Purge has a similar intention. Besides de-cluttering my space, I’m seizing this opportunity to face and accept the changes in my worldview over the past two decades.

It’s making me very uncomfortable.

How did my idea of a good book go from Dinesh D’Souza’s Illiberal Education to Richard Labonte’s Best of Best Gay Erotica 2? Why do I no longer have the patience to read sentences like, “This is a form of postmodern liberationist hermeneutics in which the non-relativist convictions of a liberation ethic stand in uneasy tension with the assumption that hermeneutics has no critical-objective element”?[1]

When I was first drawn to Christianity as a teenager, the elegant complexity and logical coherence of Christian theology comprised a big part of the appeal. Right now, I happen to be in a stage of development where those same features feel like intellectual defenses against the direct apprehension of God in my heart and my body. I believe that head and heart will come into greater equilibrium down the line, so I’m not tossing all my academic books. The other night I opened to a random page in Paul Hessert’s Christ and the End of Meaning, a book I’ve owned for two decades and never read, and wrestled with a passage about the gap between “God” as a religious concept and THE LORD as an actually experienced Presence.[2] That’s what I’m talking about — or not talking about!

Rather than the accessibility of the writing style, the weightiest factor in my book purge is whether the author is conscious of the limitations and privileges of his subject position, as Hessert appears to be. Because I’m bringing the personal and empathetic aspects of religion into the foreground as never before, I have to feel a relationship of trust toward an author, and that requires a certain measure of political self-awareness and psychological transparency on his part. (I’m deliberately using the male pronoun.)

Thus, I have trouble getting past a passage like this one, although the rest of the book seems reasonably progressive and egalitarian for a Baptist professor. The author is posing a hypothetical to illustrate how a pastor might apply the Biblical rule against divorce when a parishioner is being beaten by her husband:

“I must (among other things) make at least some tentative moral judgment about what levels and kinds of spousal violence warrant divorcing a violent spouse…I can analogize from my presumptive rule against divorce only if I can establish for myself the kinds of cases of spousal violence under which the rule against divorce ought to be observed.”[3]

I’ll make it easy for you, Chuck: NONE OF THEM.

To me, this quote reveals an unexamined sense of entitlement to pass judgment on a survivor’s determination of her own safety, in the name of “Biblical rules”. Christianity has a big problem with this, both because of its history of patriarchal leadership and because the Cross is a tricky symbol that can be misunderstood to encourage non-redemptive suffering. I believe a person has an absolute right to escape abuse, and we grossly misconceive religious morality when we treat it as a source of competing interests to “balance” against her survival.

Because of my greater understanding of trauma and the false beliefs it induces, most of my heavily Calvinist-evangelical books are also destined for a new home. That sense of pervasive badness and helplessness, in myself and humanity generally, now seems like an artifact of my unsafe upbringing. The further I get from that self-concept, the more I feel clear, energized, compassionate, creative, and loved by God. But I honor that worldview as a transitional resting place on the way to where I am now. Liberals, if you know a Calvinist, be nice to her. Someone probably messed with her pretty badly. Don’t brush her off with the feel-good foolishness that “sin is just an illusion”. That’s why Who Told You That You Were Naked? is also on the discard pile (despite its enticing title), with my margin notes from the 1990s saying “No, abuse is real!”[4]

And while we’re on the subject of wishful thinking, my newfound determination to dispel all psychological illusions is making me generally suspicious of theology, and even of faith itself. Both liberal and conservative religious books seem united in pushing people’s attention away from themselves and out toward some more-worthy “other”, either a morally superior deity or the unfortunate neighbor in need of our charity. From an Alice Miller perspective, this looks like a concerted effort to avoid feeling our own trauma and caring for the neglected child inside. Mainstream theology tells us: “We are bad but God is good…we are helpless but God is in control…we are selfish but others deserve the sacrifice of our lives.” What is that except a collective elaboration of the protective denial that forced us to idealize our abusive parents?

Truth be told, my magical-thinking machine hasn’t worked right since 2009, when I underwent a painful break with my evangelical friends over “the Gay Issue” at the same time as a longed-for adoption match fell through. Bitterly, I saw in retrospect how I’d ignored the warning signs in both situations, taking at face value the selective facts that supported my longing for love and connection.

And now that I do have a child at last, I’m even less sure what to make of God’s role in all this. Like the Psalmist, I want to thank and praise God for fulfilling God’s promises–but while I was wandering in the wilderness, it wasn’t apparent that anything had been promised to me. I wasn’t Sarai, Hannah, Elizabeth or Mary. I received no prophecy, no guarantees. When friends would say, “I believe God will send you the child who’s meant to be yours,” I wanted to scream, How do you know anything about it? The folks in my life who had slung God-talk most confidently were also the ones whose God was cruel and arbitrary toward non-heteronormative love. Why shouldn’t I fear that my infertility, like a same-sex attraction, made me one of God’s cast-offs? My subsequent good fortune feels equally random, unless I can find the error in this whole way of thinking about God’s sovereignty and human suffering.

Hessert’s distinction between “God”-as-concept and THE LORD suggests a way out of dead-end theodicies. We can’t think our way through the problem of pain, but we can recognize the struggle as the holy ground where we encounter God. He writes:

“LORD,” then, is not synonymous with “God” in the language of order or “Supreme Being” (or some other concept) of Western philosophy. We are likely to misinterpret “The LORD works vindication and justice for all who are oppressed” (Ps. 103:6) as “There is a Supreme Being who controls history providentially so that social justice is divinely assured, whatever people may do.” This is patently not the case…

[W]e can avoid begging the question as to whether or not there is a “Supreme Being” and to what extent this Being controls history. We can say simply that the working of social justice, vindicating the oppressed, is one of those contexts in which “the LORD” is to be named. We may not always see vindication and justice where we should like to. But where they are evident, the awe attending the mystery bordering our experience is called forth.[5]

That’s the kind of faith that attracts me now: A practiced readiness to notice the in-breaking of God’s presence, but without any required conceptual filters or compulsory emotions (optimism, self-abasement) that interfere with clear perception of what is actually happening in my world.

Bauckham & Hart’s Hope Against Hope (which I also haven’t read yet) is on the keeper pile because of this passage:

Not all hopelessness is bad for us, let alone dehumanizing. Hopelessness can be a perfectly healthy condition and, correspondingly, hope can be pathological…Hope has its legitimate limits, and it is vital that we identify them correctly lest we mistakenly invest ourselves in a dead end, an option with no future…

[H]ope is no mere heroic subjective disposition of the individual, an attitude which, regardless of what faces it, soldiers on, refusing to accept defeat long after the battle has been lost, convinced that through its striving and contrivance things may yet be turned around. Real hope is far less focused on its own capabilities. It is not concerned with some supposed right or capacity to choose and to create for itself the reality which it desires. Real hope is essentially rooted in the qualities and capacities of otherness, of that which lies beyond itself in other people, in the ‘real world’. It is, in [Jesuit writer William] Lynch’s words, ‘an interior sense that there is help on the outside of us’…In [George] Steiner’s sense it is a wager on transcendence, on something which lies beyond us, as yet unseen but, we believe, real enough.[6]

You had me at George Steiner.

“When the word of the poet ceases, a great light begins.”

****
[1] Charles H. Cosgrove, Appealing to Scripture in Moral Debate: Five Hermeneutical Rules (Eerdmans, 2002), p.164.
[2] Paul Hessert, Christ and the End of Meaning: The Theology of Passion (Element, 1993), pp.68-75.
[3] Cosgrove, p.71.
[4] John Jacob Raub, Who Told You That You Were Naked? (Crossroad, 1992).
[5] Hessert, pp.73-74.
[6] Richard Bauckham & Trevor Hart, Hope Against Hope: Christian Eschatology at the Turn of the Millennium (Eerdmans, 1999), p.62.