Visual artist Tom Taylor, a/k/a The Poet Spiel, is a creator of varied personae, with a 66-year career spanning genres from graphic design to mixed-media collage and installation art, poetry, and now memoir. His new book, Revealing Self in Pictures and Words, is an impressionistic retrospective of his personal journey and the dramatic shifts in his style and materials over the decades.
Boldly colored reproductions of his artwork are interspersed with vignettes, aphorisms, dreamlike or nightmarish memories, and previously published poems reformatted as prose paragraphs. These written sections are set off in quotation marks, like tantalizing snippets of an overheard conversation, and formatted in a multi-hued script that creates the impression of an artist’s journal. (This font was admittedly a challenge to read in large amounts, but the necessity of slowing down may have helped me absorb more of the meaning.) Instead of traditional narrative transitions, third-person summaries of the action, in a more businesslike sans-serif font, serve as occasional signposts to situate the samples of his creative work within the chronology of his life and travels.
And what a life: Born in 1941, Spiel was a maverick from the start. He grew up on a Colorado farm on the Great Plains, a repressive environment for a gay artistic boy with migraines and manic-depressive tendencies. The early pages of his book speak candidly, in intense and hallucinatory flashbacks seared with humor, about the burden of his mother’s mental illness and her violation of his intimate boundaries. His bond with animals and nature kept his soul alive, a connection he would later channel into successful commercial posters and landscape paintings of wildlife, inspired by his travels in Zambia. In the 1990s his work took a surreal and expressionist turn, protesting social conformity and war. His life as a gay man in America has given him an outsider perspective on the hypocrisy of conventional mores, and a rage against the stifling of his authentic life force. These themes show up in his raw, satirical, unpretentious poems. Revealing Self invites the reader to experience Rimbaud’s maxim that “A Poet makes himself a visionary through a long, boundless, and systematized disorganization of all the senses.”
Spiel has kindly permitted me to reprint this poem, first published in his chapbook Human (Pudding House Press, 2003).