The icons on the beach, drifted over with
kicked sand:
that starving boy, the first
to wish evolution would give him a hand,
clap him on the back like an elder
brother, say: You won’t be bad, kid, when
you’re grown.
Bucks die with horns locked in the distant forest
falling tangled like trees. You’re not one of those.
Here comes the girl,
the type who’s always ready
to play Fortune in the pictures
supine in borrowed silks, her eyes asking
What have you done for me lately?
Black bikini now, teeth so white
her smile’s one continuous crescent, like the moon.
The bully barrels in, plump as a steer,
pissing on everyone’s picnic.
He’ll run to fat when he’s older,
go deeper into the forest
shattering nests with shot
and ripping the silence away like a roof,
his days on the beach forgotten.
The burning cloud of history
doesn’t show in the sky.
The end of the tale’s well-known:
in just one panel
the runt improves himself, becomes a man
with tight buttocks and a hammer fist,
the wedge of his chest blocking the sun.
His highest ambition was to hit back,
or to know he could.
And what’s wrong with that? Too many victims
tinkled out the sonatas of their homeland
on a piano of bones,
quibbled over matchstick games of cards
and honorable regulations till the total fires
swept everything flat like a smoothing hand.
Dagny Taggart’s trains
run nevertheless, though pulling boxcars
of short-weight goods and heads full of error
in the passenger cars. They deserve to die
when they smash up, says Rand, for winking at
the drunken signal-men, the corrupted routes.
Two trains can’t run on the same track.
No patronage repeals the laws of force.
Mac can’t throw
the brute off the beach till he becomes one
with the other man’s mechanism, his simple
switches.
The morals of a mad world
are the power of goodbye.
Dagny sees this at last,
slams the door behind her
on her way to Galt’s Gulch
where copper sunlight sets on silver metal
and all the women have heroes,
where every one
smokes Marlboros and stays out of each other’s
personal space.
And the girl on the beach, what does she want?
It would be a mistake
to peg her as a bimbo, she could be
a communications director or a veterinarian,
like Barbie.
All the more reason
why she craves a man who’ll overcome her,
who doesn’t need a manager or mother
to hide in like soft sand.
The people behind them
tan themselves in his cartoon halo,
trying to forget that
soon summer will be over and the factory
has fallen down. Someone tried to run it
as if need were the measure of one’s wages,
ability the weight of one’s chains.
As if need were anything
but the stern carver’s adze
that polishes you or grinds you down.
The trains rust on the abandoned siderail.
Somebody just like you
could still write away for the booklet
that works you into strength, for two holy dollars.
The dollar-sign over Rand’s coffin
might be translated: To call virtue priceless
means no one is willing to pay for it. “That was
the end
of the noble plan and of the Twentieth Century.”
from A Talent for Sadness (Turning Point Books, 2003)
Poem: Against Nirvana
Coming awake:
The quiet tongues of the orchids.
The well-meant fruit in its wicker cradle.
Think of something other
than your breast. What is yours, what is not yours.
The light without calendars:
at the window, a rainy square of day.
You were dreaming in the flooded forest,
tucked like a worm into the earth’s brown blanket.
You were dreaming the milky whisper
of your flesh, a snowbank, dissolving.
The awakened one sees no difference
between his arm and the arm of another.
No difference between himself and the wind
breathing in, breathing out.
Your arm is wired to life,
the forest twitter of blinking, peeping machines.
Where did you go when your body slept?
They could have broken you apart
and passed around the pieces like peppermint.
Who would you be then?
The same as ever:
nothing yesterday, no less today.
If craving is suffering,
as the mad cells crowding
your breast like refugees might prove,
don’t wonder where it lies,
collapsed like an orange rind, pithed like a frog.
It changes nothing to call it yours.
But what else but craving — sour, red
and rough as wine, cracking like the claws
of lobsters plundered for sweet meat —
wakes you lost in lullaby snow
to remember your body, the dumb turning
toward heat that defines your cells as living?
Cruel therapy dangles your wants before you.
Nothing but the dirty needs of morning,
the bladder, the belly,
could reassemble you from cool white sleep.
published in Mudfish, issue 14 (2005)
That’s MISTER Jesus to You
From the Christian parody website LarkNews:
PASTOR TRIES INAUTHENTICITYOr, as contemporary philosopher Roger Scruton once said, “If sincerity means showing what you really are, it’s good to be sincere only if it’s good to show what you are.”
For years pastor Terry Bradley of New Life Community tried to be entirely real with everyone.
That experiment is now over.
“Authenticity is bogus,” he says. “It’s never real. Nobody knows himself well enough to be fully authentic, and trying to self-divulge all the time breeds shallow relationships because it denies the complexity and mystery of human personalities.”…
“I don’t see much benefit in everybody knowing everything about me,” says Bradley. “Jesus’ example is to be guarded and realistic about human nature….”
Read more….
Whip It Good (Da Vinci Code 1)
The day after Christmas seems like a good time to defend corporal mortification. (Memo to world: stop giving me cake unless you’re going to reinforce my office chair.) Anyhow, with the shining obliviousness to social trends that has always been my hallmark, I am just now getting round to reading The Da Vinci Code, and finding it both as exciting and as annoying as I expected.
I mean, poor Silas. In case you don’t know, he’s the tormented albino monk who likes to whip himself when he’s not assassinating people. The book makes a little effort to arouse our sympathies about his abusive childhood, but the overall tone is voyeuristic and superior. Just as in Chocolat, a film that made fun of the Lenten fast, we’re supposed to apply our little pop-Freudian insight that anyone who would deny himself bodily pleasure (or worse, deliberately undergo suffering) for the sake of spiritual formation must be repressed and neurotic at best, a lustful hypocrite at worst. By implication, nothing that this character believes should be taken seriously.
I’m not a big fan of extreme ascetic practices, as they can feed un-Christian ambitions to bring about perfection by our own efforts. Meditation, therapy and a sense of humor about one’s inevitable weaknesses are a healthier path for most everyday struggles with temptation. BUT — a little respect, please, for anyone who loves righteousness so much that he’s willing to tear his own flesh to conquer the devil within.
Ask yourself: would Dan Brown mock a vegan? a bodybuilder? an anorexic? a U.S. Marine? a Buddhist monk who set himself on fire to protest the Vietnam War? Like Silas, and unlike me most of the time, these folks have made some extreme physical sacrifices, sometimes for a noble goal, other times for a questionable one (you do the match-up yourselves, kids). I’m with Simone Weil, who saw something godly in every effort to transcend one’s self through discipline, even a mundane one like doing your math homework when you hate math. Christianity needs its freaks.
The Pedestal Magazine Celebrates 6th Anniversary
The Pedestal Magazine, an appealing online journal of literature and art, celebrates its 6th anniversary this week. Highlights of the latest issue include a poem by Ed Frankel, who won our Winning Writers War Poetry Contest this year, and a review of Mitzi Szereto’s anthology Dying for It: Tales of Sex and Death, to which I contributed a story.
Jendi to Read at Housing Works Cafe in NYC, Jan. 18
I’ll be reading my poetry at Housing Works Used Books Cafe in Manhattan on Jan. 18 along with John Yau and Sara Femenella, in an event sponsored by the Saint Ann’s Review. Housing Works is located at 126 Crosby Street. The show begins at 7 PM. Find out more here.
John Yau is a leading art critic, poet, essayist, and prose writer whose books include The United States of Jasper Johns (1996), Borrowed Love Poems (2002), and Ing Grish (2006). He has received awards from the National Endowment for the Arts, the Academy of American Poets and the Guggenheim Foundation. Sara Femenella is currently an MFA candidate in Poetry at Columbia University. I’m very excited to be reading with these talented writers, and hope to see lots of poetry fans there. Spread the word!
The Gospel of Johnny
Chris Tessone at Even the Devils Believe has an excellent series of posts up about the theology of the late, great singer Johnny Cash (starts here). Chris says:
There is no doubt that Johnny Cash believes the Law must be taken seriously. Many of his songs about prisoners and the condemned are conspicuous in the fact that their narrators or main characters take full responsibility for their crimes; some of them even die for those crimes. Sam Hall does so defiantly, while the narrator of “I Hung My Head” is stunned and terrified by the consequences of his actions, but both go to the gallows without protest all the same.
But Cash also espouses what might be called a liberal position on sin as social failure, too, without sensing any contradiction with his more “conservative” ideas about personal responsibility. In “Man in Black”, he expresses sympathy for and solidarity with “the prisoner who has long paid for his crimes, but is there because he’s a victim of the times.” The song that haunts me more than any other in his corpus is “Drive On”, which discusses the social alienation felt by Vietnam veterans returning to the United States — there’s little question that in singing this song, Cash is blaming American society for the reception those men received.
These two themes are woven throughout Cash’s performances. The interplay between these two sources of human evil permit him to feel solidarity not only with the wrongly-imprisoned, but with the voice of his famous “Folsom Prison Blues”, a convict who “shot a man in Reno just to watch him die.” Cash reports in his autobiography that this struck him as one of the most depraved things one human being could do to another. It’s clear he holds this fictional presence responsible to the fullness of the Law and yet still regards him as a human being deserving the care and concern of other people.
As for me, if it were my last day on earth, Cash’s “The Man Comes Around” is the album I’d be playing over and over again.
Book Notes: Jonathan Edwards, America’s Evangelical
I’m currently reading Philip F. Gura’s brief, lively biography Jonathan Edwards: America’s Evangelical, which holds special interest for me because the great 18th-century theologian and preacher spent the first two decades of his career in my adopted hometown of Northampton, Mass. The issues of church discipline and unity that Edwards confronted seem uncomfortably familiar, 250 years on.
Casual students of church history know Edwards only as the author of the infamous “spider” sermon, “Sinners in the Hands of an Angry God,” where he thunders that God’s unmerited mercy is the only thing keeping Him from dropping your loathsome soul into the pit of hell. This leads modern readers to picture Edwards as a dour, witch-burning sort of fellow, because we’re no longer comfortable with the theology of damnation that was pretty standard in his day. According to Gura’s very sympathetic portrait of the Puritan minister, Edwards’ true passion was not fire-and-brimstone but awakening sincere “religious affections” in a church that had become hidebound and hypocritical. He preached and wrote copiously on the beauty of God’s holiness and the love and joy that arise in a heart transformed by grace.
Because he was a Calvinist, however, he insisted that spiritual transformation happened solely on God’s initiative. He fought all his life against Arminian tendencies in the New England churches, as Enlightenment philosophy and the colonists’ increasing economic security made people more inclined to trust their own efforts to attain salvation. Ironically, the spiritual revival known as the Great Awakening, which Edwards helped spark, also released a spirit of resistance to church authority that made the absolutely sovereign God of Calvinism seem less appealing.
Gura reveals the power struggles behind Edwards’ ouster from his Northampton pulpit, which is sometimes misperceived as a triumph of liberalism over repression. Two teenage sons of prominent families were getting their kicks from a forbidden textbook on female anatomy, and the congregation was not happy with Edwards’ attempts to discipline them. It’s easy to side against Edwards as Puritan censor, when the material in question seems laughably tame by our standards. When Gura points out that the boys were using the book to sexually harass young women, and that the underlying issue was the minister’s moral authority over wealthy and powerful laymen, one feels more sympathy for the beleaguered cleric. Edwards reportedly had a happy marriage (with 13 children, surely no prude), and respected his wife’s piety so much that he made her born-again experience a central feature of one of his narratives of the revival.
Despite the very different cultural context, Edwards’ story closely mirrors some important tensions that persist in the churches today. One such is the role of communion (a/k/a the Mass or the Eucharist). Is it a privilege reserved for those with certain beliefs or religious experiences, or is it more like an altar call? In the 17th century, the Puritan churches had required testimony of a born-again experience before one could be admitted as a full member with communion privileges – a status that had social and political implications as well as spiritual ones. Edwards’ grandfather and predecessor in the Northampton pulpit, Solomon Stoddard, had eliminated this requirement as not based in Scripture, arguing also that it inappropriately set men up as judges of one another’s spiritual state. Stoddard opined that the experience of taking communion might trigger a spiritual transformation in itself. Edwards continued this policy until late in his Northampton career, when he was deeply disappointed to see that many who had been caught up in the revival enthusiasms quickly backslid into immoral behavior. Requiring born-again testimony was his way of distinguishing the victims of temporary hysteria from those whose hearts had really been changed by God. Unfortunately, it also cost him his job.
Nowadays, we see the same tension between two visions of the Lord’s Supper, and by extension the church. One impulse leads us to form a community of the pure; the other stresses radical openness. So, on the one hand, you have the Catholic Church, which restricts communion not only to Christians, but to Catholics, and within that sect, to those who do not openly defy church teaching in selected areas (particularly abortion). On the other hand, you have my Episcopal parish, which extends communion to “all who are worshipping with us,” baptized or not. The looming schism in the Anglican Communion over homosexuality similarly forces us to ask how much doctrinal variation and error we can tolerate and still remain one body. (FYI, I am in favor of full acceptance of gays and lesbians; that and the 1982 Hymnal are the only things keeping me away from Mother Rome’s embrace.)
Picking heroes and villains in this debate misses the point. The church needs both impulses in order to fulfill its mission. Communion and membership rules should always be informed by Jesus’ willingness to mingle with sinners before they became cleansed. (Having briefly attended a church where you were expected to be “slain in the spirit” every week, I’m suspicious of demands for Christians to work up a particular emotion on cue.) On the other hand, if one can fully participate in church life without having made a commitment to Christ, the church edges toward irrelevance; it becomes hard to answer the aging boomer who asks “Can’t I worship God just as well looking at the sunrise from my hot tub?”
How should that “commitment to Christ” be manifested, then? Baptism has the virtue of being an objective, bright-line rule, compared to the fuzziness and potential emotional dishonesty of experiential signs. Again, Edwards’ trajectory is instructive. His efforts on behalf of the religious revival stemmed from his perception that many people’s faith had become empty formalism. However, once the Holy Spirit is on the loose, it’s hard to put Him back in the bottle again. Edwards found himself struggling to reassert his moral authority as a clergyman after God had seemed to speak directly through low-status laypeople such as women and children. The balancing act between openness and leadership never ends.
I wasn’t expecting to find this much common ground with Edwards, since I instinctively recoil from the Calvinist doctrine of predestination (all people deserve hell but God arbitrarily saves a few). Gura’s book summarizes Edwards’ creative attempt to reconcile this doctrine with free will and moral responsibility. According to the Puritan preacher, we are all free to do whatever we want to do, and therefore morally accountable for doing it. But what we want to do is determined by the good or evil disposition that God predestined us to have. Thus Jesus, for instance, was simultaneously free to sin but incapable of sinning.
This analysis made me realize that the problem I have with Calvinism is not that it’s unfair, but that it’s unkind. The whole idea of calculating our moral deserts is sort of beside the point if you believe in salvation by grace. Let’s even assume Edwards is right that we all deserve damnation. However, if God has decided to save some people anyhow, out of the goodness of His love, why wouldn’t he choose to save everyone, if it were totally up to Him? Isn’t His love infinite?
Edwards’ psychology also makes me uneasy. At least by Gura’s description, he believed our dispositions were fixed, unless changed instantaneously by God’s
grace. This all-or-nothing mentality stands in stark contrast to contemplative traditions like Buddhism or medieval Catholicism that heavily emphasized spiritual practice; through cultivating good spiritual habits, they say, one can gradually change one’s character and reorient one’s affections. This seems healthier to me than the bipolar cycle of revivalism. Evangelical Protestantism’s move away from “slow and steady” spiritual disciplines, in favor of emotional moments of decision, may be both a symptom of its co-optation by anti-intellectual and subjectivist tendencies in American culture, and a reason why its critique of this culture is less effective than it might be.
Ezra Pound: “Ballad of the Goodly Fere”
Simon Zelotes speaketh it somewhile after the Crucifixion
Ha’ we lost the goodliest fere o’ all
For the priests and the gallows tree?
Aye lover he was of brawny men,
O’ ships and the open sea.
When they came wi’ a host to take Our Man
His smile was good to see,
“First let these go!” quo’ our Goodly Fere,
“Or I’ll see ye damned,” says he.
Aye he sent us out through the crossed high spears
And the scorn of his laugh rang free,
“Why took ye not me when I walked about
Alone in the town?” says he.
Oh we drunk his “Hale” in the good red wine
When we last made company,
No capon priest was the Goodly Fere
But a man o’ men was he.
I ha’ seen him drive a hundred men
Wi’ a bundle o’ cords swung free,
That they took the high and holy house
For their pawn and treasury.
They’ss no’ get him a’ in a book I think
Though they write it cunningly;
No mouse of the scrolls was the Goodly Fere
But aye loved the open sea.
If they think they ha’ snared our Goodly Fere
They are fools to the last degree.
“I’ll go to the feast,” quo’ our Goodly Fere,
“Though I go to the gallows tree.”
“Ye ha’ seen me heal the lame and blind,
And wake the dead,” says he,
“Ye shall see one thing to master all:
‘Tis how a brave man dies on the tree.”
A son of God was the Goodly Fere
That bade us his brothers be.
I ha’ seen him cow a thousand men.
I have seen him upon the tree.
He cried no cry when they drave the nails
And the blood gushed hot and free,
The hounds of the crimson sky gave tongue
But never a cry cried he.
I ha’ seen him cow a thousand men
On the hills o’ Galilee,
They whined as he walked out calm between,
Wi’ his eyes like the grey o’ the sea,
Like the sea that brooks no voyaging
With the winds unleashed and free,
Like the sea he cowed at Genseret
Wi’ twey words spoke’ suddently.
A master of men was the Goodly Fere,
A mate of the wind and sea,
If they think they ha’ slain our Goodly Fere
They are fools eternally.
I ha’ seen him eat o’ the honey-comb
Sin’ they nailed him to the tree.
(Read Pound’s bio and more poems here.)
Co-ed Dorms: Sign of the Apocalypse?
ABC News’ Boston affiliate reported this week that Clark College in Worcester will soon become the 21st nationwide to have co-ed dorm rooms, as if co-ed residence halls hadn’t already done enough to eliminate whatever modesty America’s 19-year-olds possess:
“Having a policy that bans men and women from living together — it’s a double standard because if you think about it, same-sex couples are allowed to live together already,” said [sophomore Jeffrey] Chang.Folks, I support same-sex couples as much as anyone, but they’re 10% of the population at most. Is that a good enough reason to impose a culture of cohabitation on everyone else in the dorm who finds it offensive? I hate this kind of phony “neutrality” because this is a situation where there really is no neutral option. Either the school creates an atmosphere that protects the privacy and psychological vulnerability of young people who don’t want to live in the middle of an orgy, or it does not. Just ask the Yale Five how much that august institution respected their lifestyle.
“I think what it has done instead is to be affirming of different lifestyles and allowing students to have the option to live with someone with whom they will truly be compatible,” said Clark Dean of Students Denise Darrigrand.
UPDATE (12/19): Gender studies prof Hugo Schwyzer has a more sympathetic assessment on his blog that’s worth a read. Says Hugo:
Part of being a young feminist woman or pro-feminist man is learning to live at odds with cultural expectations for femininity and masculinity. While feminism doesn’t have a mandatory dress code, or a stated policy on hair removal, or a blanket prohibition on loving NASCAR or football, there’s little question that in order to live as a feminist, one has to reject certain aspects of a profoundly sexist culture. To a very great extent, particularly for young collegians, most of whom are just finishing adolescence, embracing feminism or pro-feminism is a dramatic rejection of broader cultural norms. To be a pro-feminist man is to choose to “not be one of the guys”; to be a feminist woman is to choose to be publicly and privately critical of sexist expectations for the “fairer sex.” And that kind of rebelliousness means encountering a lot of hostility from one’s own gender.I suppose I’m more cynical in assuming that most of the co-ed dorm proponents simply want to make shacking-up easier. Perhaps my impression of modern college life relies too much on I Am Charlotte Simmons. Real-world input, anyone?
Anecdotally, I hear the same thing from young feminists of both genders: “It’s easier to get along with the opposite sex.” Many of the young folks I work with have spent years being ostracized and judged for failing to adequately live up to the standards for their gender; their same-sex peers have humiliated and hurt them deeply. In their woundedness, it’s not surprising that many of them find other-sex friendships (which presumably are less competitive and judgmental) to be much easier to find and maintain. And the students at NSGC seem to be arguing that students like this should be able to live together as opposite-sex roommates — an attractive option to many young feminists/pro-feminists in particular.