Two Poems by Louie Crew


The poet Louie Crew (a/k/a “Quean Lutibelle”) is an Emeritus professor of English at Rutgers University, and a widely published advocate for GLBT Christians in the Episcopal Church. He has kindly permitted me to reprint the two poems below, which were recently featured in issue #99 of Caught in the Net, a poetry newsletter from the UK-based writers’ resource site The Poetry Kit. Thanks also to The Poetry Kit’s Jim Bennett for permission.
Check out Louie’s list of recommended poetry publishers here.

Don’t Hang Up

Don’t hang up,
I’m not a heckler.
I NEED your help
but I can’t tell you my name.
I’m in a phone booth
while mom buys groceries,
so I won’t take long.
I heard your talk show
and I’m scared. Last summer,
when I was just thirteen,
I balled with a guy
I met at the bus station.
Now I’ve got these purple spots
all down my stomach.
I drink five shakes a day
and I have lost fifteen pounds
in just three months!
I’m afraid to go to our doctor
cause he’s my dad.
He’d beat the shit out of me
for liking guys.
Can you tell me somebody else
to call?
Cripes! Here comes mom. Bye!

****

Fay

My one earring stores my powers.
It charms my lover into bed.
Worn aisle-side on buses and trains,
   
it reserves me a double seat
    until all others are filled.
On campus it keeps me off all
   
but the most enlightened committees.
It is 99% foolproof in protecting me
   
from wasting time on racists.
At times it has made otherwise sane folks
   
dangle from dormitory windows to giggle,
   
“Where’s your husband?”
Worn with a cap and gown, it wards off
   
any threat of Respectability.
In class, it assures that students question
   
what I say and not vainly agree
   
because of who said it.
In church, it has made stranger priests
   
spill me a double portion of the Mass….
When I take it off, people take me
   
for any other mortal.

Massachusetts Considers Punitive “Three-Strikes” Law


Even as pressure builds in California to overturn their “three-strikes” criminal sentencing law, the Massachusetts legislature is trying to slip a similar bill under the public’s radar. Three-strikes laws impose harsh mandatory minimum sentences for repeat offenders, regardless of the seriousness of the third crime. Thus, for instance, a person with two prior felonies can be sentenced to 25-to-life for a nonviolent offense such as drug possession or petty theft. My pen pal “Conway” is one victim of this system.

This unreasonable policy has contributed to such severe overcrowding in California prisons that the US Supreme Court recently ruled that conditions there violate the Eighth Amendment ban on cruel and unusual punishment. Why would we want to bring this problem to Massachusetts?

A letter that ran Tuesday in our local paper, the Daily Hampshire Gazette, eloquently makes the case against this proposed law. It was authored by Leslie Walker, the executive director of Prisoners’ Legal Services of Massachusetts, and Lois Ahrens, the director of The Real Cost of Prisons Project of Northampton.

Unless recent legislation that fast-tracked both the Massachusetts House and Senate is slowed down and reconsidered, Massachusetts prisons will rapidly move into the ranks of the most overcrowded and expensive in the nation.

The two “Three Strikes and You’re Out” bills, which passed in the final moments of the November legislative session, will make a bad situation worse.

Look at two examples:

MCI-Concord, meant to hold 614 prisoners, is jammed with 1,345 men for a 219 percent occupancy rate.

MCI-Framingham was meant to hold 388 women and now houses 445 – a 115 percent occupancy rate.

Worst of all is MCI-Framingham’s Awaiting Trial Unit, where 215 women who have been convicted of no crime are crammed into a space designed for 64 – more than 330 percent the intended occupancy.

The number of prisoners in Department of Correction custody is at an all-time high. Overcrowding averages 143 percent over capacity. The corrections department has reported that parole releases have dropped by 56 percent in 2011, mostly due to parole practices and policies promoted by the Patrick administration. Even without the new law, Massachusetts faces increased corrections costs of approximately $100 million dollars a year.

An analysis performed on sentencing data provided by the Massachusetts Sentencing Commission illustrates how costly implementation of a “Three Strikes” law would be to taxpayers: an annual burden of between $75 million to $125 million could be added because between 1,500 to 2,500 prisoners could be sentenced to life with parole.

This means that the commonwealth will have to build new prison space at a cost of $100,000 per cell since our prisons are far beyond capacity. We are already paying $1 billion a year simply to incarcerate men and women, with each costing taxpayers almost as much as a year’s tuition at one of the Valley’s private colleges – approximately $50,000.

We will also keep paying the annual costs to house the same prisoner over and over because the current system is too strained to take steps that might keep prisoners from committing another crime – only 2.4 percent of the corrections department budget is spent on programming.

Education – the more one has, the more effective it is – has been proven to be one of the most successful ways of keeping people from returning to prison, but like other programs proven to rehabilitate, it is hampered without funds.

The chance for a Massachusetts prisoner to leave crime through such programs is nearly zero.

The current “Three Strikes” bills are not cost effective because they are too broadly drawn. For example, the Senate version of the bill sweeps in nonviolent convictions and mandates the third strike maximum punishment even if the previous cases were not serious enough to require a sentence of more than a day in jail. The bills would not allow judges to consider how long ago the offenses occurred or any mitigating circumstances. This would continue to overfill our prisons.

No government official wants to be labeled as “soft on crime.” But officials in other states have advocated for smart prison reform that have saved millions for taxpayers and increased public safety.

Malcolm Young, of Northwestern Law School’s Bluhm Legal Clinic, writing in The Crime Report notes, “Several states are moving ahead with carefully researched plans and strategies grounded in “best practices,” bent on reducing prison incarceration and corrections costs. Among them are Ohio, South Carolina, Georgia, Kentucky, Louisiana and Mississippi.”

These and other states, like New York, Michigan and New Jersey, have also reduced their prison populations with shorter sentences for nonviolent crimes, elimination of mandatory minimums for low-level drug offenses and creative alternatives to prison. The result is hundreds of millions of dollars in reduced corrections spending and lower recidivism rates.

If the current “Three Strikes” bills pass, we’ll be wasting millions of dollars while doing nothing to cut crime in Massachusetts – and continue to crowd prisons. Forget education. Forget rehabilitation.

Without such tools, those we sentence to prison will get out with even fewer resources than they have now and that means compromising the public’s safety. We urge legislators to take several steps back and consider the consequences of the hurriedly made and costly decisions which will be with us for decades.

To get involved, visit www.smartoncrimema.org. Write or call your state representatives (see House and Senate websites to find your legislator’s contact information).


Hermann Hesse: “Stages”


This graceful poem by Hermann Hesse offers permission to let our beliefs evolve as we acquire new experiences and capacities. It feels like a good introduction to the new year, and to a hoped-for series of blog posts about how my understanding of Christianity has changed during my shift from a guilt/forgiveness framework to a trauma/recovery framework for organizing my experiences.

Text courtesy of the Poemhunter website, which unfortunately does not give the translator’s name.

Stages

As every flower fades and as all youth
Departs, so life at every stage,
So every virtue, so our grasp of truth,
Blooms in its day and may not last forever.
Since life may summon us at every age
Be ready, heart, for parting, new endeavor,
Be ready bravely and without remorse
To find new light that old ties cannot give.
In all beginnings dwells a magic force
For guarding us and helping us to live.
Serenely let us move to distant places
And let no sentiments of home detain us.

The Cosmic Spirit seeks not to restrain us
But lifts us stage by stage to wider spaces.
If we accept a home of our own making,
Familiar habit makes for indolence.
We must prepare for parting and leave-taking
Or else remain the slave of permanence.
Even the hour of our death may send
Us speeding on to fresh and newer spaces,
And life may summon us to newer races.
So be it, heart: bid farewell without end.

Cindy Hochman: “Self-Portrait in a Concave Knife”


When the Big C meets the Big D, all you can do is laugh. At least, that’s where poet Cindy Hochman’s survival instinct takes her. Packed with more puns than a Snickers bar has peanuts, her chapbook The Carcinogenic Bride (Thin Air Media Press, 2011) brings energetic wit to bear on those modern monsters, breast cancer and divorce. She kindly shares a sample poem below. To order a copy ($5.00), email Cindy at po******@*ol.com. Hat tip to Gently Read Literature for bringing this book to my attention.

Self-Portrait in a Concave Knife

Here comes the carcinogenic bride!
Here comes the survivor-in-chief!
Wanna see my balance sheet?
This will be my Checkers Speech!
There goes my stale mate
We once lived in an altared state
He cleaned my slate, I cleaned his plate
Here is love in fission
body in remission, missionary position
Here is my inner elf,
     
my quirky self, my non-existent wealth,
      in sickness and in health
Here are my hickeys, my hearses, my hoopla,
   my histrionics
Here is my whole hierarchy of hernias
Say some Hail Marys and kenahoras
For tumors come and gone.
Here is the lion’s share, my blonde hair, my thin air,
   my health care.
Ass-kisser, go-getter, phone-dodger, night-
  blogger, flip-flopper, vow-breaker
Here is my Chinese fan
Here is my oil can
Here is my Yes We Can!
Here is my bellyflop, my pet rock, my co-op, my
 writer’s block
     my Last Supper
     my Mea Culpa!
Here are my brittle bones, my mortgage loans
My dulcet tones, my low moans
Here is my picket sign, my witty line, my glass of
  wine (or two . . .)
Here is my income tax, my credit max, my panic attacks
Here is what I’ve held in escrow:
     my pens, my posse, my potbelly
     my strokes and daggers
Here is my handle
Here is my spout
     my gamin face, my apocalyptal pout
    
cranky bitch with perfect pitch
Here is my tea rose, my stuffy nose, my broken
  toes,
my spiritual quest, my daily stress, my scarred
  breast
Here’s to my every OY,
My utter JOY
There’s my life through a poetic prism
(or maybe just my narcissism)

Reiter’s Block Year in Review, Part 2: Best Fiction


For me, there are two things that take a good story to the next level of greatness: fully human characterization, and a connection to wider moral-philosophical themes. And not just any themes. I want a narrative that is aware of tragedy without being defeated by it. A narrative that values equality and diversity, and hints at how we can move in that direction, without glossing over the contrary impulses in every human heart. Throw in an appreciation of art’s power to undermine dehumanizing ideologies, connect it to God somehow, and you’ve got me hooked. The books below were not only my favorite novels of the year, but will also be favorites for years to come.

Russell Hoban, Riddley Walker (first published in 1980; expanded edition from Indiana University Press, 1998)
Imagine the Bhagavad-Gita as a Punch-and-Judy show. What do the legend of St. Eustace and particle physics have in common? In this unique novel, part mystical treatise and part fantasy-horror fiction, two millennia have passed since a nuclear war knocked Britain back to the Iron Age, and a semi-nomadic civilization has preserved only degraded fragments of our science through oral tradition in the form of puppet shows. Our narrator, 12-year-old Riddley, at first joins forces with a shifting (and shifty) cast of politicos and visionaries who hope to bring the human race back to its former glory by rediscovering the recipe for gunpowder. But soon he’s on the track of bigger game: the nature of reality, and the causes of sin. Which is more fundamental, unity or duality? Why does Punch always want to kill the baby?

Vestal McIntyre, Lake Overturn (Harper, 2009)
This standout first novel paints a tender, comical portrait of an Idaho small town in the 1980s, where a motley collection of trailer-park residents yearn for connection (and sometimes, against all odds, find it) across the barriers of class, sexual orientation, illness, separatist piety, drug abuse, and plain old social ineptness. You’ll want to linger on the luscious writing, but keep turning the pages to find out what happens to the characters who’ve won a place in your heart.

Michael Chabon, The Amazing Adventures of Kavalier & Clay (Random House, 2000)
This Pulitzer-winning epic novel about the golden age of comic book superheroes is also a love song to New York City Jewish culture in the years surrounding World War II. Two boys, a visionary artist who escaped Nazi-occupied Prague and his fast-talking, closeted cousin from Brooklyn, lead the fantasy fight against Hitler by creating the Escapist, a  superhero who is a cross between Harry Houdini and the Golem of Jewish legend. However, their real-world dilemmas prove resistant to magical solutions, and can only be resolved through humility, maturity, and love.

Diane DiMassa, The Complete Hothead Paisan: Homicidal Lesbian Terrorist (Cleis Press, 1999)
Warning: castration fantasies, uppity women, cruelty to morons, and unapologetic feminist rage at rape culture. But our gal Hothead is about so much more. In her own traumatized, over-caffeinated way, she’s on a quest for healing and love–even if sometimes the only person she can trust is her beloved yoga-practicing cat, Chicken. This graphic novel will win your heart if you stick with it.

A Christmas Thought


Coming home from Midnight Mass last night, as I gazed up at the stars that shone brightly in the crisp cold atmosphere, I had the thought that there were two ways to interpret this sight. Intellectually, I knew that I was seeing immense orbs of fire burning light-years away, dwarfing our little planet, not to mention the quiet street where I stood. Emotionally, though, I felt that the canopy of stars was a cozy and hopeful sign for us down below, a celestial response to our joy.

What a miracle, I thought, that the earth’s atmosphere is made in such a way that we can see these faraway lights. How kind of them to stoop to communicate with us!

So too with the Christ child. God is infinitely powerful and huge, the creator of those stars and galaxies whose scope we cannot imagine. Yet God also comes down to us, offering us a way in, a point of connection that is on the scale of the human heart and mind.

Come, Lord Jesus.

Audre Lorde on the Spiritual Power of Eros


Audre Lorde (1934-1992) was a black feminist lesbian poet and activist whose work continues to inspire creative writers and political movements today. This essay of hers, “The Uses of the Erotic“, was reprinted on the alternative spirituality site Metahistory.org.

It resonated with me because of my experience of eros in my own writing, and how it led me to greater confidence in a queer-affirming theology. I believe that any ideology that alienates a person from her erotic self must eventually cut her off from personal knowledge of the divine. (I’m not talking about a true vocation to celibacy, but rather the shame-based repression of one’s erotic nature, whether acted upon or not. I would imagine that a healthy celibate person acknowledges and mindfully sublimates desire, without aversion or self-delusion.)

For me, the erotic is where I most completely will myself, commit myself despite risks, and wake up to the consciousness of myself, at the same point where I am also most completely dissolved into an interpersonal connection. To know God, to know the beloved, and to know myself–all these are essentially one.

From the essay:

…As women, we have come to distrust that power which rises from our deepest and nonrational knowledge. We have been warned against it all our lives by the male world, which values this depth of feeling enough to keep women around in order to exercise it in the service of men, but which fears this same depth too much to examine the possibilities of it within themselves. So women are maintained at a distant/inferior position to be psychically milked, much the same way ants maintain colonies of aphids to provide a life-giving substance for their masters.

But the erotic offers a well of replenishing and provocative force to the woman who does not fear its revelation, nor succumb to the belief that sensation is enough.

The erotic has often been misnamed by men and used against women. It has been made into the confused, the trivial, the psychotic, and plasticized sensation. For this reason, we have turned away from the exploration and consideration of the erotic as a source of power and information, confusing it with the pornographic. But pornography is a direct denial of the power of the erotic, for it represents the suppression of true feeling. Pornography emphasizes sensation without feeling.

The erotic is a measure between our sense of self and the chaos of our strongest feelings. It is an internal sense of satisfaction to which, once we have experienced it, we know we can aspire. For having experienced the fullness of this depth of feeling and recognizing its power, in honor and self-respect we can require no less of ourselves.

It is never easy to demand the most from ourselves, from our lives, from our work. To encourage excellence is to go beyond the encouraged mediocrity of our society is to encourage excellence. But giving in to the fear of feeling and working to capacity is a luxury only the unintentional can afford, and the unintentional are those who do not wish to guide their own destinies.

This internal requirement toward excellence which we learn from the erotic must not be misconstrued as demanding the impossible from ourselves nor from others. Such a demand incapacitates everyone in the process. For the erotic is not a question only of what we do; it is a question of how acutely and fully we can feel in the doing. Once we know the extent to which we are capable of feeling that sense of satisfaction and completion, we can then observe which of our various life endeavors bring us closest to that fullness.

The aim of each thing which we do is to make our lives and the lives of our children richer and more possible. Within the celebration of the erotic in all our endeavors, my work becomes a conscious decision – a longed-for bed which I enter gratefully and from which I rise up empowered.

Of course, women so empowered are dangerous. So we are taught to separate the erotic from most vital areas of our lives other than sex. And the lack of concern for the erotic root and satisfactions of our work is felt in our disaffection from so much of what we do. For instance, how often do we truly love our work even at its most difficult?

The principal horror of any system which defines the good in terms of profit rather than in terms of human need, or which defines human need to the exclusion of the psychic and emotional components of that need – the principal horror of such a system is that it robs our work of its erotic value, its erotic power and life appeal and fulfillment. Such a system reduces work to a travesty of necessities, a duty by which we earn bread or oblivion for ourselves and those we love. But this is tantamount to blinding a painter and then telling her to improve her work, and to enjoy the act of painting. It is not only next to impossible, it is also profoundly cruel.

As women, we need to examine the ways in which our world can be truly different. I am speaking here of the necessity for reassessing the quality of all the aspects of our lives and of our work, and of how we move toward and through them.

The very word erotic comes from the Greek word eros, the personification of love in all its aspects – born of Chaos, and personifying creative power and harmony. When I speak of the erotic, then, I speak of it as an assertion of the lifeforce of women; of that creative energy empowered, the knowledge and use of which we are now reclaiming in our language, our history, our dancing, our loving, our work, our lives.

There are frequent attempts to equate pornography and eroticism, two diametrically opposed uses of the sexual. Because of these attempts, it has become fashionable to separate the spiritual (psychic and emotional) from the political, to see them as contradictory or antithetical. “What do you mean, a poetic revolutionary, a meditating gunrunner?” In the same way, we have attempted to separate the spiritual and the political is also false, resulting from an incomplete attention to our erotic knowledge. For the bridge which connects them is formed by the erotic – the sensual – those physical, emotional, and psychic expressions of what is deepest and strongest and richest within each of us, being shared: the passions of love, in its deepest meanings.

Beyond the superficial, the considered phrase, “It feels right to me,” acknowledges the strength of the erotic into a true knowledge, for what that means is the first and most powerful guiding light toward any understanding. And understanding is a handmaiden which can only wait upon, or clarify, that knowledge, deeply born. The erotic is the nurturer or nursemaid of all our deepest knowledge.

The erotic functions for me in several ways, and the first is in providing the power which comes from sharing deeply any pursuit with another person. The sharing of joy, whether physical, emotional, psychic, or intellectual, forms a bridge between the sharers which can be the basis for understanding much of what is not shared between them, and lessens the threat of their difference.

Another important way in which the erotic connection functions is the open and fearless underlining of my capacity for joy, in the way my body stretches to music and opens into response, harkening to its deepest rhythms so every level upon which I sense also opens to the erotically satisfying experience whether it is dancing, building a bookcase, writing a poem, or examining an idea.

That self-connection shared is a measure of the joy which I know myself to be capable of feeling, a reminder of my capacity for feeling. And that deep and irreplaceable knowledge of my capacity for joy comes to demand from all of my life that it be lived within the knowledge that such satisfaction is possible, and does not have to be called marriage, nor god, nor an afterlife.

This is one reason why the erotic is so feared, and so often relegated to the bedroom alone, when it is recognized at all. For once we begin to feel deeply all the aspects of our lives, we begin to demand from ourselves and from our life-pursuits that they feel in accordance with that joy which we know ourselves to be capable of. Our erotic knowledge empowers us, becomes a lens through which we scrutinize all aspects of our existence, forcing us to evaluate those aspects honestly in terms of their relative meaning within our lives. And this is a grave responsibility, projected from within each of us, not to settle for the convenient, the shoddy, the conventionally expected, nor the merely safe.

Read the whole essay here.

Sunday Random Songs: Scrooge Edition


All the forced good cheer and baby Jesus kitsch on the airwaves this time of year grates on my barren little heart. If you agree, you may enjoy these seasonal travesties that you’re not likely to hear in Macy’s anytime soon.

John Denver, “Please Daddy (Don’t Get Drunk This Christmas)
This is not supposed to be funny. But I am a sinner.

 

South Park, “Christmas Time in Hell”
String up the lights and light up the tree, we’re damned for all eternity!

Kinsey Sicks, “God Bless Ye Femmy Lesbians”
From their hit album, “Oy Vey in a Manger

Suggest your own favorites in the comments box!

Mended Souls, Better Than New


A friend who is a sexual abuse survivor loaned me Renee Fredrickson’s Recovered Memories to help me be a better ally and represent these issues more accurately in my creative writing. I’d like to share these words from the book’s final chapter, as an inspiration to anyone recovering from trauma.

On display in the Freer Museum in Washington, D.C., are ancient Zen ceremonial bowls renowned for their delicate beauty and fine craftsmanship. Over generations of use these lovely porcelain bowls became cracked and chipped, and some had whole pieces missing. Rather than being discarded or devalued because of the damage, the porcelain was repaired with gold. The gold adds strength, beauty, and value to the bowls, and the sacred bowls are marvelously enhanced by the repair process.

So it is with survivors. You were damaged as you grew up, and the more abusively you were handled, the greater the damage. When you undertake to repair this damage, you replace bitterness and sadness with understanding and healing. You become stronger and more resilient when change comes. You grow kinder to yourself and more compassionate toward those you love. You, like the sacred bowls, are enhanced rather than diminished by the repair process. (pg.225)

(See images of repaired Zen bowls here and here.)

Gender-Policing Ron Paul


My best friend from Harvard is gradually winning me over to support Ron Paul’s presidential candidacy over Obama’s. The feisty libertarian is holding his own in the GOP race despite derision from self-styled experts in both parties and some suspicious poll-doctoring by the major news networks. Anyone with so wide a range of ideological enemies is probably putting his finger on some uncomfortable truths about our country’s asset bubble, military over-spending, creeping police state, and substitution of “culture wars” for genuine solutions. The site Ron Paul Myths gives a good overview of his actual positions and how they’ve been misrepresented.

This morning my friend called my attention to this generally favorable Washington Post article, which nonetheless treats the Texas congressman as something of a sideshow act. As Hillary Clinton found, gender-policing is one of the tools that commentators use to undermine a candidate, making it seem ridiculous, even unnatural, for this person to inhabit the office of Big-Daddy-in-Chief. Because we’ve unconsciously imbibed these stereotypes for so long, we don’t even realize the commentary is biased.

From the headline, “Ron Paul’s slight stature and high-pitched passions set him apart at debates”, a suspicion of effeminacy is cast over everything that follows. (Not that I perceive anything wrong with effeminacy, but most readers would.) Though the piece fairly summarizes his positions, and notes that he has the most enthusiastic supporters of all the GOP candidates, we’re told that “experts” have written him off, in part because he doesn’t perform masculinity in the same way as Romney and Gingrich. The article mentions his “high-pitched voice”, “smaller” and “weaker” build, and “excitable hands”. Hello, Dolly!

The reporter, Sarah Kaufman, isn’t actually saying that she thinks these traits make him un-presidential–merely acknowledging that the hypothetical average voter could feel that way. Nonetheless, by pointing out Paul’s image problem without discussing sexism as a factor, the article subtly perpetuates these slurs.

Ron Paul, you just became the queer candidate.