Marjorie Maddox: “How to Fit God into a Poem”


Part I

Read him.
Break him into stanzas.
Give him a pet albatross
and a bon voyage party.
Glue archetypes on his wings with Elmers,
or watch as he soars past the Slough of Despond
in a DC-10.

Draw wrinkles on his brow with eyeliner
until his beard turns as white as forgiven sin.
Explicate him.
Call him “Love.”
Translate him into Norwegian.
Examine original manuscripts
for proof of his kinship to Shakespeare.

Make him rhyme,
Cram him into iambic pentameter.
Let him read War and Peace ten times
and give a book report to third graders.
Edit out references to sin
and insert miracles.
Award him a Nobel Prize.

Then, after you’ve published him annually
in The New Yorker for thirty years,
crucify him. Proclaim it a suicide.

Part II

Let him whirl through your veins
like a hurricane
until your cells gyrate,
until you salivate at the sound of his breath.
Let him bristle your nerves like cat hairs
and laminate your limbs.
On All Saints’ Day, meditate
and wait patiently.
Then, he will come,
then, he will twist your tongue,
pucker your skin,
spew out his life on the page.


Read more selections from Maddox’s collection Weeknights at the Cathedral (WordTech Editions, 2006) here. Read a review in Arabesques Press here.

Signs of the Apocalypse: Sweet Jesus!


From Saturday’s New York Daily News:


A controversial artist outraged city Catholics yesterday with plans to display a nude 6-foot chocolate Jesus during Holy Week.

Cosimo Cavallaro’s anatomically-correct candy Christ, titled “My Sweet Lord,” was made from almost 200 pounds of dark chocolate. The sculpture is to be displayed in a street-level window at the Roger Smith Hotel’s Lab Gallery on E. 47th St. starting Monday.

Read the whole story here.

Much as I’m intrigued by the idea of three of my favorite things in one place, this kind of artwork stopped being avant-garde several decades ago. From Jesus’ standpoint, the most offensive aspect of this statue is probably the waste of good chocolate in a world where millions go hungry.

On the other hand, since the statue already exists, having a congregation dismember and consume it at Easter might be a powerful way to bring home to people the reality of Christ’s sacrifice and our sinfulness. Shouting “crucify him” is nothing compared to chopping up a life-size body of Jesus, with your very own hands. Now that would be avant-garde.

Saving Jesus (Episode 10): Bad News for People Who Love Good News


This week’s episode of the Saving Jesus DVD series at my church attacked the doctrine of the Atonement, a risky thing to do before Palm Sunday, especially when you’ve just installed an expensive cell phone tower in the belfry.

Debate and disagreement about Christian doctrine are essential for the health of the church, not to mention the world. My complaint is with the intellectual sloppiness and spiritual dishonesty of this series, which habitually misrepresents opposing views and portrays controversial positions as proven beyond doubt. The speakers pose as Christian theologians while forcing religion through the strainer of a secular-rationalist worldview that is never acknowledged as merely one epistemology among many. As far as I’m concerned, every episode should begin with the “South Park” disclaimer that “All characters and events in this show – even those based on real people – are entirely fictional…and due to its content it should not be viewed by anyone.”

Episode 10 begins with Rita Nakashima Brock and Rebecca Ann Parker, co-authors of Proverbs of Ashes, challenging the notion of redemptive suffering. They discuss the story of a woman who was told by her priest to remain in an abusive relationship because Jesus bore suffering patiently and so should we. Meanwhile, the violence against her and her children escalated. Brock and Parker rightly name this as bad theology: Jesus resisted evil, though nonviolently. He did not model helplessness in the face of oppression.

But then they leap from this story to rejecting the entire idea of Christ dying for our sins. According to Brock, “one version” of Jesus’ death is that he went willingly to the cross, his death being a supreme act of love. (Did I miss the “Angels with Dirty Faces” remix where he goes kicking and screaming?) But that model, she says, tells us that the way to imitate Christ is by passively accepting abuse. We should model ourselves on his life, not his death.

It’s never mentioned that this priest’s counsel is not even consistent with the orthodox views he presumably held. Precisely because Christ died for the abuser’s sins, his wife doesn’t have to. Recognizing that we are not the superhuman rescuer, letting go of our fear of being less than saintly, is often the only way to free ourselves from the enabler’s role.

Considering that more than a third of the video was spent on this story, it’s inexcusable that Brock and Parker allow this priest’s advice to stand as the only definition of “the atonement” before they throw the doctrine out the window. Christianity has recognized many theories of how the atonement “worked”, including some that leave it largely a mystery.

Theologian John Dominic Crossan highlights a single explanation, which sounds like a distortion to me. He notes that in the ancient world, it was taken for granted that blood sacrifice was the way to establish or repair our relationship with God or the gods. Crossan says this arose by analogy to human social rituals. When a guest came, you would kill an animal to make a meal for him, or give him an animal as a gift. Similarly, to show “hospitality” to God, a religious community would burn an animal on the altar (the gift) or slaughter it and symbolically share a “meal” with Him. Crossan notes that the suffering of the animal was not the point. Nor did it occur to people that the animal in some way substituted for a human who deserved to die instead. (He’s forgetting the ritual of the scapegoat.) So why extend these concepts to Jesus? Why claim that God wanted us to suffer but made His Son suffer instead?

Some Christian writers may have dwelt on Christ’s suffering in order to move people’s hearts and remind us of the seriousness of judgment for sin. I don’t find that sort of guilt-trip appealing myself, most of the time, but I’ve always assumed it was more of a rhetorical tactic than a belief that God values pain for its own sake.

Perhaps we err in trying to find timeless metaphysical arguments for the necessity of Christ’s blood sacrifice, when the form that the atonement took was simply determined by the historical moment. If Jesus understood himself to be the messiah (see N.T. Wright’s The Challenge of Jesus), he would enact his redemptive role in terms that the ancient Hebrews would understand: as the culmination of the Temple sacrifices that they had been performing to expiate the sins of Israel. Had the Son of God come to earth instead in contemporary America, when we have a much more individualistic understanding of how guilt is acquired and transferred, the atonement might have looked very different.

The basic question that separates Christian from non-Christian beliefs about the death of Christ is simply this: Is reconciliation between God and sinful humanity brought about by our good works, or by God’s unselfish act of love?

The speakers on this DVD would opt for the first answer, to the extent that they believe there is a moral gap between God and humanity at all. New Testament professor Stephen Patterson speaks derisively of the atonement as running up a debt on your credit card and believing Daddy will pay it. It’s called grace, people. There might be a parable or two about it, if you look really hard.

Crossan says Jesus’ death was no different from that of Martin Luther King Jr., or a firefighter who dies rescuing a child. It is a sacrifice not because God wanted somebody dead and you stepped in, but because all life is sacred and giving up your life for others makes it particularly holy. You lived in a heroic way, knowing it could cost you everything.

Bishop John Shelby Spong offers a surprisingly moving gloss on this theme, but unfortunately undermines it a moment later. The cross, he says, is the story of someone who reaches out to those in pain, even when being tortured himself (“father, forgive them”). Dying, Jesus was more alive than those around him, because he was still taking care of others. “You live to the degree that you possess yourself sufficiently to give yourself away.” Of course, Spong then adds, most of these stories aren’t literally true…. So instead of God dying for love of us, we have the largely imaginary story of a human role model. Pretty thin gruel, you ask me.

During the discussion period, my minister (though I have vowed not to darken this church’s doorstep till he leaves next year, I don’t know what else to call him, and I’m too much of a lady to name names) made a very revealing comment about the agenda behind this class. Countering a participant who professed belief that Christ’s sacrifice reconciled us to God in a way that no other human martyrdom could, the minister said that insisting on the uniqueness of the atonement was a path to religious intolerance.

Now, there are many Christians, myself included, who distinguish between “salvation through Christ alone” and “salvation through belief in Christianity alone”. No less an authority than the Catholic Church has come around to some version of this “inclusivist” position. C.S. Lewis could also be found in this camp.

But what I found most telling was that my minister was judging theological values in terms of political ones. He is deeply attached to the liberal creed of civility and compromise, and shapes his spirituality to fit it. The political realm is the one that for him is truly real; these religious ideas are epiphenomena at best, and at worst, threats to a pluralistic society where peace depends on a spiritual version of “don’t ask, don’t tell”.

This is why it’s such a travesty to be showing this DVD series under the auspices of a church. Its whole agenda and methodology are about subordinating Christianity to modernism, treating the faith as a wholly human creation to be reshaped for our changing purposes, not as a revelation from God that also reshapes us. If the church can’t make the case for God’s sovereignty, who will?

Helen Bar-Lev & Johnmichael Simon: Poems and Paintings about the Land of Israel


Israeli poets Helen Bar-Lev and Johnmichael Simon’s new book of poetry, Cyclamens and Swords, is now available from Ibbetson Press. This collection is beautifully illustrated with Helen’s watercolor paintings of Jerusalem and the Israeli countryside. I highly recommend it for anyone interested in the culture and landscape of the Holy Land, as well as poetry fans generally.

You can purchase your copy by emailing hb*****@***********et.il or j_*****@***********et.il . Prices are 65 NIS (including postage to Israel), US$18 (including postage to US or Canada), 14 euro (including postage to Europe or Australia), or 10 pounds sterling (including postage to the UK). Payment accepted by cash, check or PayPal.

See what the critics are saying about this book:

The achingly beautiful cover of timeless trees, earth, flowers and rock, is redolent of Israel’s destiny. This little land, so hallowed in human history, seems the literary and spiritual core of existence to most of humanity. If strife is ever present here, how can there ever be the peace of ancient promise? This land seems to symbolize the eternal quest for harmony where forces of turmoil march ceaselessly. Bar-Lev and Simon explore this theme for us. Cyclamens and Swords will become a treasured classic, echoing as it does so fluently, the longing, fearing and questing that marks these troubled times. Helen Bar-Lev’s poem Beauty sums up the reader’s feelings as we reluctantly finish this special book: “and I,/the ingrate,/ever insatiable,/implore you,/please,/ show/ me/more.”

–Katherine L. Gordon
Author, Editor, Publisher, Judge and Reviewer, Resident Columnist for Ancient Heart Magazine

Bar-Lev and Simon open the reader’s eyes and hearts to Israel as a land of dazzling, sometimes tragic juxtapositions. The timeless tranquility of Bar-Lev’s unpopulated landscape paintings gains poignancy alongside poems that show an equally ancient violence alwayslooming on the border. This elegantly designed book shines with love and gratitude for the small miracles of natural beauty and human kindness that flourish even in a war zone.

–Jendi Reiter, editor of www.winningWriters.com and author of A Talent for Sadness

There is a point where art transcends our daily lives and past experiences to touch deep the old stories from where all of humanity arose. In this volume Helen Bar-Lev and Johnmichael Simon have drunk deep from the wellhead of this locus to combine poetry and visual art into a Jungian statement that illustrates how, when portrayed at its artistic essence, the story of one place becomes a story of us all.

–Roger Humes, Director of The Other Voices International Project, Author of There Sings No Bird

Helen Bar-Lev and Johnmichael Simon bring the beauty of Israel to life in Helen’s lush watercolors and evocative monochrome paintings and in the sensitive poems they both write. Their verbal and visual depictions of the breathtaking scenery, flowers, birds, fish, deer and ants, testify to Israel’s magnificent natural environment. But like an undertow in a dazzling ocean, the ongoing undercurrent of conflict tries to steal the serenity of the scenery. Their book is simultaneously exhilarating and jarring. They reveal the beauty and the pain which live side by side in the compelling, complex reality that is Israel. One shares their hope that serenity will triumph.

–Rabbi Wayne Franklin, Providence, R.I. 

            ****

A selection from Cyclamens and Swords:

Waters of Gaza
by Johnmichael Simon

They moved out of Gaza
not without protest, not without prayer
feeling like ivy ripped off the walls
like irrigation pipes torn from the soil
they moved out on unwilling legs
on buses to nowhere
fathers, mothers, children
and children without fathers
without mothers

They moved into Gaza
not without covet, not without envy
feeling like water released from a dam
bursting into surrendering fields
carrying all before it, trees, houses
places of prayer, fences, gardens
waves breaking over alien temples
again and again till water covered all

After the water came briny hatred
lusting for a redder liquid
and the skies darkened again
lightning and thunder returned to Gaza
rained on this thin strip of unhappiness
writhing between the wrath of history
and the dark depths of the sea

      ****

Cyclamens and Swords
by Helen Bar-Lev

Life should be sunflowers and poetry
symphonies and four o’clock tea
instead it’s entangled
like necklaces in a drawer
when you reach in for cyclamens
you pull out swords

This is a country
which devours its inhabitants,
spits them out hollow like the shells of
seeds,
defies them to survive
despite the peacelessness,
promises them cyclamens
but rewards them with swords

It is here we live with
symphonies and sunflowers,
poetry and four o’clock tea,
enmeshed in an absurd passion for this land
entangled as we are in its history,
like butterflies in a net
or sheep in a barbed wire fence

Where it is forbidden
to pick cyclamens
but necessary
to brandish swords

Poem: “A Myth”


Before the dam was built our people slept 
   under the water
and worshipped the dark bird-shadows of 
   boat hulls
which passed overhead, seen through 
   the ripples of distance.
Our crops were the weeds and growths that 
   trailed like tears
out of the sunken skulls of fish.
We scarcely noticed the water
weighing on our chests like a stone:
how do you notice a burden that has never 
   been lifted?
Speech went nowhere, a breath released into 
   the thick silence
that bathed us and sealed us in.
To communicate, we handed each other objects
dropped down from boats — a spoon for kindness,
a chronometer for death —
the phrases the gods had set for us.
After the dam was built we lay naked on 
   our dry beds.
It was so light we could not rest.
We had to believe that an element we 
   could not see
was now our own. The shadows we’d 
   learned to worship
streamed from every object. Some of us 
   bowed down
to birds whose shadows flickered across 
   the grass,
some to waving clotheslines’ shadowy flags,
and some to clouds that passed over the 
   whole scene,
dimming our other gods
to nothingness for a moment.
The weight of water being lifted from 
   our chests,
we learned the terror of aspiration, 
   as balloons
soaring, knowing they may burst.
And our words carried through the 
   new spaces
almost more than we could bear — released 
   like us
to travel, to die at unimagined distances.

         published in The Christian Century

Prison Poet “Conway” Inspired by Blake

Some more excerpts from my correspondence with “Conway”, a prisoner at a supermax facility in central California who’s serving 25-to-life under the state’s three-strikes law for receiving stolen goods. For Christmas, I sent him some books he’d requested (Kipling, Thoreau, Blake), and he responded in January with this poem that was inspired by Plate 3 from William Blake’s The Book of Thel:


Bring Me Clouds

The clouds were dancing, playing
disappearing games in the sky
as they softly windswept flew
out of the corner of my eye
I had no recollection of their worth
when they quietly faded away
I wonder do they have a voice
if so, what do they say?
A lonesome tuft of pillowy white
against that bright blue field
floated a vale of powder across the sun
and turned into a shield
This shadow calm and quick did pass
in only but a moment’s time
when the sun peeked back his head
across his golden climb
Twas then I recognoticed [sic]
their silent voices dancing in my brain
though they were absent from my ears
sweet tears are singing inside the rain
hovering flittering without care
Till pregnant there, a storm does bring
a shower on the newborn spring
Those clouds make birds-n-flowers sing
so, you see it’s all by choice
all this is part of the clouds voice…

********

Conway sent me some more poems last month:

Lasher

This inhumane endeavor
inside the ashes of an expired world
dread realm of desired breath
The indignence of exile sucks
what’s right from our hungry sight
swallowing the souls last gasp
into the abyss drawing night
causing the wickedness in the world
to mix, blend and stir together
creating a forever decomposing maze,
cracked walls, sidewalks and
heavy unscribed tombstones
sucking at the soles every step
resenting every place ever known
bringing glory to the keeper
without rules except action
violent ruthless distraction
ruling without conscience.
I would rather be me
with empty cup
Than the whip lasher dead
from the shoulders up…

********

Ruin

   You can see the polished trails, and spots
where human feet, hands have longingly lingered, or
heads have rubbed, tossing-n-turning in exhaustion.
   That rough concrete smoothed and shiny, reflects
those souls lost in this bitter maze.
   Wandering, forever herded like cattle prodded
along in chains, jingling like slave bangles.
   As this wretched machine clinks and clanks, devouring
with steel doors chomping down bite after vicious bite.
   From the inside consummated, slowly
we view our digestion, realizing this concrete and steel
nightmare’s no deal.
   Dead are they, who observe this torment
unmoved from a far away place, with unspoken breath.
   What really is Death, if not dull
like the gray ashes dust, lifted and blown about
nakedly exposed inside a Sun’Ray dancing, for
only a moment away specs performing, reflected
with a stars bright sparkle.
   Those spectacles were once a wall, or being
about this tall, escorted chained, down to that
loathsome execution hall.
   Truly now, they live and play gay in a way,
face the day uninhibited.
   Unlike this steel door, or cold cracked
concrete floor, sucking hard on the lonesome footsteps
of a condemned creation’s last march to ruin…

Alegria Imperial: “Love-Lettered”


Another week slips into
the inevitable: the end of
a string of days. What is to
unravel or recall determines the
weight of this week’s end.
To your first week end
evening, dusk I hope
descended grace on its brow
instead of thorns on its
fingers as it props you up
struggling to haul your fatigue
onto a train.

Where is your stop, Caro?
Is if to the waiting
‘muneca’? Her seas tonight
I hope had ceased roiling and
holds a quiet bed of words
she wreaths you with, scented
lily-calm or cherry silken-ed
What awaits you bounding
on Madrid streets, love
in your instep to
her door I hope not sour drops
littered behind the door-click, mouth-
hurting pebbles that her thoughts
had become when thinking of
you ‘living your life as your life’
not ‘life with her as your life’.

Loving and un-loving
that have for fifteen moons
tossed and battered you–
even if at times washed you
kissed and brilliant in suns,
interminable moving suns, that
dip and set then rise
ir-recognizable even to you who
has a sun for a heart—I wish
soon ends this ‘fin de semaine’. A
new moon rising unseen as yet
I wish grips the seesaw lever
and balancing you on pole-ends
pulls you upright from the
ribs, coaxes a deep breath,
gifts you a glass-clear sense
not so much to know what’s right
but what you want from loving
or un-loving.

The fruit not the tree, you say,
Caro, seems to rot in your hands when it
finally falls. I say, it does, if your
desire ends in your hands—in it
a fruit unmasked shows hairs, dimples
or scars. Its essence is in its fruit—ness
not in that weight on your hands. A
woman like a fruit has her essence
hidden. More than a fruit, a woman
rots not. To want to hold her it is her
spirit you must bridle and if you could
you must sip and swallow or if not,
sip and spew. One other
secret: you have to let her imbibe
your spirit as you do hers. If to this
you demure, then turn away
for ends of weeks may not
turn around and loving will
remain un-loving.

Am I a Woman?


My brave husband and I have just returned from the radical feminists’ anti-porn conference at Wheelock College. My reactions to this event were so complex that they’ll take several posts to sort out, but I’ll start with a question that’s preoccupied me since I became a regular reader of Hugo‘s blog: Am I a feminist? Why or why not?

Before I begin to address this, I recognize that I have the privilege to even consider this question because of the efforts of many other activists who have self-identified as feminist. My criticism of the term isn’t meant to discount their efforts, just to question whether “feminism” is the best theoretical way to frame my identity and beliefs.

Though I’ve always believed in women’s full equality in every sphere of life, I shy away from the “feminist” label. In college, that was because I identified it with political views I didn’t share: abortion rights, devaluing the homemaker role, and a general disposition to cast men as villains and women as victims. Now I’ve become aware of a much greater diversity within feminism, but the label still doesn’t fit comfortably. I’m groping towards some reasons why that might be the case:


I don’t primarily think of myself as a woman. Sure, my biological gender is female, and I like collecting dolls and wearing pretty dresses. I talk about my feelings all the time, and I take too much responsibility for the feelings of others. But I could do all that equally well as a codependent drag queen.

When I think about what makes me me, I identify much more with my mind than with my body. I resist efforts to draft me into a collective interest group based on unchosen characteristics. When I was converting to Christianity, it bothered me that some folks would urge me to be loyal to my Jewish heritage, for purely tribal or historical reasons. The fact that my parents and grandparents believed something has no bearing on whether it’s actually true.

Similarly, sharing a gender with 50% of people on the planet doesn’t guarantee that our similarities will outweigh our differences. The most heartbreaking aspect of this weekend’s conference was how efforts at feminist solidarity kept breaking down into hostility and mistrust as soon as we tried to articulate why we opposed porn and what our ideal society would look like. There were many reasons for this, which I’ll explore in a future post, but one factor was that for many of us, our very diverse experiences of religion, sexual relationships, class and ethnicity were at least as constitutive of our identities as being female, if not more so.

To the pornographers, of course, we’re all just cum dumpsters, just as the Nazis didn’t discriminate among Orthodox and atheist Jews. But why can’t we concentrate on our common interests to collaborate on specific political projects, without trying to forge a spiritual or metaphysical identity around our vulvas? I’d like to depersonalize feminist politics so that it becomes more task-oriented and less about our feelings.

In other words, I’m a guy.

I don’t see gender as the human race’s moral dividing line. In fact, I don’t believe in such a line at all. In my Christian worldview, we’re all equally sinners. I oppose the oppression of women for exactly the same reasons as I oppose the oppression of prisoners, African-Americans, fat people, and boys named Percy.

I don’t believe in salvation through politics. Feminism, of whatever variety, believes that utopia comes about by rearranging the distribution of power. For me, this is a second-order problem. There is no system that can’t be subverted eventually by the clever predator that is Homo sapiens. I can’t base my identity on a political ideology because I think evil is ultimately a spiritual problem, and one that we can’t solve by ourselves.

Feminism itself doesn’t generate a theory of the good. Men are oppressed by women; so what? Why should we be outraged? Answers to that question come from religion and moral philosophy, not politics. I’d rather identify myself in terms of the foundational religious/moral lens through which I see the world, which is not gender-based.

Christian Wiman on Poetry and Religion


Christian Wiman, editor of Chicago’s venerable Poetry magazine, shares some brilliant thoughts on poetry and religion in the Winter 2007 issue of the Harvard Divinity Bulletin. This article (unfortunately not available online, so subscribe now!) is taken from his upcoming book Ambition and Survival: Becoming a Poet. Some highlights:


Language can create faith but can’t sustain it. This is true of all human instruments, which can only gesture toward divinity, never apprehend it. This is why reading the Bible is so often a frustrating, even spiritually estranging, experience. Though you can feel sometimes (particularly in the Gospels) the spark that started the fire of faith in the world — and in your heart — the bulk of the book is cold ash. Thus we are by our own best creations confounded, that Creation, in which our part is integral but infinitesimal, and which we enact by imagination but cannot hold in imagination’s products, may live in us. God is not the things whereby we imagine him.

      ********

You cannot really know a religion from the outside. That is to say, you can know everything about a religion — its history, iconography, scripture, etc. — but all of that will remain inert, mere information, so long as it is, to you, myth. To have faith in a religion, any religion, is to accept at some primary level that its particular language of words and symbols says something true about reality. This doesn’t mean that the words and symbols are reality (that’s fundamentalism), nor that you will ever master those words and symbols well enough to regard reality as some fixed thing. What it does mean, though, is that “you can no more be religious in general than you can speak language in general” (George Lindbeck)….I would say that one has to submit to symbols and language that may be inadequate in order to have those inadequacies transcended. This is true of poetry, too: I do not think you can spend your whole life questioning whether language can represent reality. At some point, you have to believe that the inadequacies of the words you use will be transcended by the faith with which you use them. You have to believe that poetry has some reach into reality itself, or you have to go silent.

(For an elegantly written book on the latter theme, check out George Steiner’s Real Presences.)

Blogging will be light this weekend because I’ll be attending the feminist anti-porn activists’ conference at Wheelock College. Of course the biggest question on my mind this afternoon is “What should I wear?” So far I’ve packed my leopard-print sequinned hat, camo pants and a crucifix. Let ’em wonder.

Episcopal Church USA Rejects Primates’ Ultimatum on Gay Bishops and Weddings


The House of Bishops of the Episcopal Church USA yesterday issued a pastoral letter expressing their continued desire to remain in the Anglican Communion, but declining to comply with the requests set forth in the Communiqué of February 19, 2007 from the Primates of the Anglican Communion meeting at Dar es Salaam, Tanzania. The money quote from that document is as follows:


the Primates request, through the Presiding Bishop, that the House of Bishops of The Episcopal Church
1. make an unequivocal common covenant that the bishops will not authorise any Rite of Blessing for same-sex unions in their dioceses or through General Convention (cf TWR, §143, 144); and
2. confirm that the passing of Resolution B033 of the 75th General Convention means that a candidate for episcopal orders living in a same-sex union shall not receive the necessary consent (cf TWR, §134);
unless some new consensus on these matters emerges across the Communion (cf TWR, §134).

If the US bishops did not comply by September 30, the Communiqué strongly suggested that the ECUSA would be ousted from the worldwide Anglican Communion. Yesterday’s letter brings us that much closer to that divorce.

Depending on your beliefs about Christianity and homosexuality, this is either a “profiles in courage” story or a sad tale of heresy. Either way, the US bishops’ explanation of their decision is nuanced and heartfelt, and may overturn some stereotypes about this debate:



With great hope that we will continue to be welcome in the councils of the family of Churches we know as the Anglican Communion, we believe that to participate in the Primates’ Pastoral scheme would be injurious to The Episcopal Church for many reasons.


First, it violates our church law in that it would call for a delegation of primatial authority not permissible under our Canons and a compromise of our autonomy as a Church not permissible under our Constitution.


Second, it fundamentally changes the character of the Windsor process and the covenant design process in which we thought all the Anglican Churches were participating together.


Third, it violates our founding principles as The Episcopal Church following our own liberation from colonialism and the beginning of a life independent of the Church of England.


Fourth, it is a very serious departure from our English Reformation heritage. It abandons the generous orthodoxy of our Prayer Book tradition. It sacrifices the emancipation of the laity for the exclusive leadership of high-ranking Bishops. And, for the first time since our separation from the papacy in the 16th century, it replaces the local governance of the Church by its own people with the decisions of a distant and unaccountable group of prelates.


Most important of all it is spiritually unsound. The pastoral scheme encourages one of the worst tendencies of our Western culture, which is to break relationships when we find them difficult instead of doing the hard work necessary to repair them and be instruments of reconciliation. The real cultural phenomenon that threatens the spiritual life of our people, including marriage and family life, is the ease with which we choose to break our relationships and the vows that established them rather than seek the transformative power of the Gospel in them. We cannot accept what would be injurious to this Church and could well lead to its permanent division.

That last paragraph offers an interesting retort to those who would write off the US bishops’ position as irresponsible American individualism or an anti-family agenda. It’s times like this when I’m almost proud to be an Episcopalian again. Now if they’d only go to the mat like this for the Trinity, I could go back to my church. Evangelicals just don’t understand coffee hour.