Everything You Need to Know About Emotional Abuse in 2 Minutes (With Music!)

Forget Ariel, Belle, and Tiana. For me, the supreme Disney princess is Rapunzel from Tangled (2010). Underneath the lush colors and catchy songs, this retelling of the fairy tale is a profoundly serious and truthful depiction of a young woman’s escape from a cult-like family system.

From the IMDB summary: “After receiving the healing powers from a magical flower, the baby Princess Rapunzel is kidnapped from the palace in the middle of the night by Mother Gothel. Mother Gothel knows that the flower’s magical powers are now growing within the golden hair of Rapunzel, and to stay young, she must lock Rapunzel in her hidden tower. Rapunzel is now a teenager and her hair has grown to a length of 70-feet. The beautiful Rapunzel has been in the tower her entire life, and she is curious of the outside world. One day, the bandit Flynn Ryder scales the tower and is taken captive by Rapunzel. Rapunzel strikes a deal with the charming thief to act as her guide to travel to the place where the floating lights come from that she has seen every year on her birthday. Rapunzel is about to have the most exciting and magnificent journey of her life.”

A conventional kids’ film would have the villain accomplish her ends through showy displays of force and magic. Mother Gothel uses a more insidious method: professional-grade emotional abuse and brainwashing. Watch and learn, my friends:

In just two minutes, the song “Mother Knows Best” conducts a whirlwind tour of the techniques that an abusive parent, partner, or cult leader employs to isolate and confuse her victim. Notice how Mother Gothel interlaces apparent compliments (you’re precious to me, you’re too innocent and fragile for this dangerous world) with self-esteem destroyers (you’re clumsy, you’re naive, you’re not pretty enough to make it out there). Her lavish caresses are punctuated with subliminal flashes of menace–so quick, it’s almost possible for Rapunzel to block them out.

Dizzied by this personality-switching, Rapunzel feels uneasy and ashamed. Something doesn’t seem right, but it’s too scary to realize that her only caregiver doesn’t really care for her. Only later, when she finds an alternate source of support in Flynn, is she ready to recover her memories of her real identity and parents. (Yes, a kids’ film about repressed memories! How radical is that?)

Besides this song, I particularly love the scene where Rapunzel first escapes from the tower, aided by Flynn. Her mood swings are so true to the joy and self-doubt that an abuse survivor goes through when she begins to emerge from brainwashing. “I’m free! I’m free! I’m a terrible person. I’m free!”

Libby Anne, who blogs at Love Joy Feminism, has written eloquently about how Tangled resembles her upbringing in a Christian patriarchy cult. This film is validating for anyone who’s been in an abusive relationship, secular or religious. It’s also a great teaching tool to help your children recognize and avoid mind control.

Our Secret Epidemic

Quick quiz: What life-altering condition impacts more Americans annually than AIDS, cancer, homophobia, the mortgage crisis, and gun violence, combined?

The answer is child sexual abuse, according to this must-read article by Mia Fontaine in The Atlantic, “America Has an Incest Problem“. If that wasn’t your guess, that’s no surprise. Politicians rarely mention it and the media mostly covers cases where the perpetrator is not a family member, because true investigation would implicate a significant percentage of the population. Here’s an excerpt from the article:

…One in three-to-four girls, and one in five-to-seven boys are sexually abused before they turn 18, an overwhelming incidence of which happens within the family. These statistics are well known among industry professionals, who are often quick to add, “and this is a notoriously underreported crime.”…

…Given the prevalence of incest, and that the family is the basic unit upon which society rests, imagine what would happen if every kid currently being abused—and every adult who was abused but stayed silent—came out of the woodwork, insisted on justice, and saw that justice meted out. The very fabric of society would be torn. Everyone would be affected, personally and professionally, as family members, friends, colleagues, and public officials suddenly found themselves on trial, removed from their homes, in jail, on probation, or unable to live and work in proximity to children; society would be fundamentally changed, certainly halted for a time, on federal, state, local, and family levels. Consciously and unconsciously, collectively and individually, accepting and dealing with the full depth and scope of incest is not something society is prepared to do.

In fact society has already unraveled; the general public just hasn’t realized it yet. Ninety-five percent of teen prostitutes and at least one-third of female prisoners were abused as kids. Sexually abused youth are twice as likely to be arrested for a violent offense as adults, are at twice the risk for lifelong mental health issues, and are twice as likely to attempt or commit teen suicide. The list goes on. Incest is the single biggest commonality between drug and alcohol addiction, mental illness, teenage and adult prostitution, criminal activity, and eating disorders. Abused youths don’t go quietly into the night. They grow up—and 18 isn’t a restart button.

How can the United States possibly realize its full potential when close to a third of the population has experienced psychic and/or physical trauma during the years they’re developing neurologically and emotionally—forming their very identity, beliefs, and social patterns? Incest is a national nightmare, yet it doesn’t have people outraged, horrified, and mobilized as they were following Katrina, Columbine, or 9/11…

For Massachusetts residents seeking healing from sexual violence, I recommend the Survivor Theatre Project, a free workshop combining performance art, therapy, and activism. The Rape, Abuse & Incest National Network (RAINN) website includes a list of other support groups in each state.

The Gorgon’s Head: Mothers and “Selfishness”


Certain epithets can immobilize us, accusations that lock down our brains with shame and make us feel we’ve been turned to stone. For many men in this culture, I suspect, being called “weak” has this effect. For women, the charge that’s supposed to stop us in our tracks is “selfish”.

Remember the Greek myth of Medusa, the most famous of the Gorgon sisters. (If they were Destiny’s Child, she’d be Beyonce.) Anyone who beheld her terrible visage, wreathed in snakes instead of hair, would be turned to stone. The “hero” Perseus managed to defeat her by holding up his mirrored shield before her face. While she was immobilized by the sight of herself, he cut off her head, which later made a handy weapon whenever he needed to petrify someone else. Wikipedia tells me that according to some versions of the myth, Medusa was originally a pretty hot number, but the goddess Athena punished her with ugliness after the sea-god Poseidon raped Medusa in Athena’s temple. Victim-blaming has a long history. Hence my scare-quotes around “hero” above. Reiter’s Block is a no-rape-myths zone.

I think of Medusa these days when the word “selfish” gets thrown into discussions of women’s choices regarding parenting. Like the reflection in Perseus’s shield, a hateful image of ourselves is held up to deflect us from confidently following our instincts about what is right for our bodies and our personal relationships.

Six years ago, when I decided not to try any infertility treatments but skip straight to adoption, I struggled with insecurity that I wouldn’t be a sufficiently committed mother, because there were some physical invasions I would not endure in order to have a baby. I sometimes felt that people were withholding sympathy for our childlessness because I hadn’t really tried everything. Later, when one of the adoption agencies we worked with was pressuring me into psychiatric interventions that were actually dangerous to my mental health, I believe I allowed them to gaslight me for too long because they slapped the “neediness” label on my efforts to direct my own treatment. (Fortunately, in attempting to disprove their charge that I lacked empathy, I went through the volunteer training for our local domestic violence shelter, and figured out that my so-called personality disorder was really PTSD from emotional incest. Thank you, feminist consciousness.) 

Other women get selfishness-shamed around motherhood in other ways. Those who do go through assisted reproduction treatments are sure to hear criticism at some point that it’s selfish to expend resources adding to our overpopulated planet when there are “so many adoptable children needing homes”. (Not true, by the way, but that’s another story.) Conservatives chastise women who choose not to raise children, saying they’re selfishly putting personal fulfillment ahead of the altruistic devotion that our society needs. Double that scorn for women who have abortions. Yet, birthmothers who place children for adoption face insensitive remarks like, “I don’t see how a woman could give up her own baby, she must be so unfeeling!”

We’re all familiar with the “mommy wars” around child-rearing choices, too. Career-oriented feminists scold women who drop out of the workforce to raise children; they’re letting down the team. If women employ childcare so they can return to work, they’d better be prepared to show they need the money; heaven forbid they should have ambitions of their own. Attachment-parenting fanatics preach that co-sleeping, breastfeeding, and constant physical contact are necessary to give children a secure sense of parental love. (I read one mommy-blog where her two-year-old insisted on sitting on her lap while the mom used the toilet, and she was afraid to disrupt their attachment by asking for some privacy.) But, watch out that you don’t become a “helicopter parent” who overinvolves herself in her children’s lives in order to meet her own need for control and significance.

Gee, you’d almost think that women weren’t supposed to have selves…

Last year I began working with an Inner Bonding therapist to heal PTSD and false beliefs from a traumatic childhood. Based on this framework, I’ve come to believe that mothers trigger perceptions of “selfishness” in so many people, regardless of which choices the mother is making, because people are unconsciously angry about their own unmet childhood needs. Someone who had distant and unfeeling parents may view working mothers harshly, while someone who had smothering and needy parents may have a similar disdain for stay-at-home mothers. It’s speculative, but it’s been borne out by sad experiences with former friends. What I know of their personal history correlated with the particular ways they tried to side with my baby against me. By comparison, true friends (some of whom had equally painful childhoods) came in with the assumption that supporting the mother’s well-being helped the child and vice versa, not that motherhood was a zero-sum game of needs.

Again extrapolating from personal experience, I think the accusation of selfishness stops us in our tracks because so many women have suffered some kind of abuse–the ultimate act of selfishness–be it sexual assault, domestic violence, or spiritual domination and mind control. The last thing we want is to bear any resemblance to the person who used us so cruelly.

How about, as mothers or mothers-to-be, we practice saying, “This is what works for me and my family. It’s okay that other things work for other people.” Let’s also give ourselves permission not to answer questions when we sense that the inquirer doesn’t really want to learn something new, but instead is waiting to judge and refute our reasons as soon as she learns what they are.

Motherhood is authority. Whatever abuses of power we’ve seen, we can learn how to exercise authority with maturity and compassion. Growing up is an act of self-care that is also the key to unselfish parenting.

If Mama ain’t happy…ain’t nobody happy.

(Image courtesy of this link.)

Poem by F.G. Mulkey: “Shore Leave”

Winning Writers subscriber F.G. Mulkey recently shared the good news of his poetry publication with us, and has also given me permission to reprint this poem on the blog. “Shore Leave” was published in the inaugural issue (Summer 2012) of Clockhouse Review, the literary journal of Goddard College.

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Shore Leave
by F.G. Mulkey

The nightingales are sobbing in
  
the orchards of our mothers,
And hearts that we broke long ago
  
have long been breaking others.

–W.H. Auden

someone stands at the end of a pier.
knowing that somebody is out there somewhere;
on the edge of a late night yellow fog,
sheltering waves with only the sound below
where vows were once scratched in wet sand,
captured then cleansed by tidal pools on the mend:

it is law like love which governs
each sailor’s tale, splashed in mermaid luck,
as the lighthouse protects on lucent waves
in persistent sweeps, keeper of a coastline warning,
flashing the way home protecting a rocky doom,
safe passages from temptation, forward-back again.
it is love like law
that demands drowning time with memories,
when breezes fueled flight of driftwood sparks,
and the smell from smoke and salt dazzled senses
and imperfection was abandoned by sand and foam,
forgotten in perfect paradise, keeping a lover
alone with a calendar, page after page.
distant oil rigs dagger skyline of gray on gray,
a bed turned down and without body warm,
morning washes bayou rain uphill, porch lights expect
the tumble home and routines will be routinely done.

Monday Random Song: “I Dreamed I Drove the Nails”

Oh, right, I have a blog? Apologies, constant readers, for the infrequent posting. I’ve been keeping my number-one resolution for 2013 to re-start work on the Endless Novel, as well as writing the occasional schmaltzy poem and nurturing the Young Master.

Since traditional children’s music makes me think of murderous clowns, I lean heavily on the Episcopal hymnal and Christian pop songs to entertain us while we are working on our pureed peas. Often, I wind up pondering and/or questioning the theology behind the catchy lyrics. From time to time, I will share these reflections with you, my blog followers. (You’ll have to get your own baby food, though. I recommend Earth’s Best chicken mango risotto.)

Today’s song is the Southern Gospel classic “I Dreamed I Drove the Nails“, performed in this YouTube clip by Greg Treadway and Andy Price. In it, the speaker recounts his vivid dream of crucifying Christ, which brought home to him how great a sacrifice Jesus made for his sins. Episcopalians will be familiar with this theme from the Lenten hymn “O Sacred Head“.

I’ve always struggled with this thought-experiment of identifying with Christ’s killers. I can appreciate the need to reflect on the seriousness of my sins and the magnitude of God’s mercy. This terrible limit case — God would even forgive us for killing Jesus — shows that no sin is beyond repentance. Such a hope can lead us out of self-involved despair and into true transformation.

On the other hand, I grew up in a home where emotional manipulation reigned, where I as a child was blamed for an adult’s depression and psychosomatic illnesses, in order to control my behavior and reinforce my gratitude for her so-called unselfish love. It is hard to feel the difference, sometimes, between “I Dreamed I Drove the Nails” and the stereotypical “guilt trip”. Why does God’s goodness require my self-abasement as contrast?

As I have become more attuned to abuses of power within Christianity, my understanding of Jesus has become more this-worldly and political. Now, songs like the ones above also make me wonder: Shouldn’t we focus on our actual sins and their real victims instead of a thought-experiment about something that never literally happened?

If the “real” wounded party is Christ, and lucky us, he forgives us, we may neglect making amends in the real world. This thought-experiment carries the potential for self-aggrandizing, self-pitying guilt that puts the sinner rather than the victim at the center of the story. Identification with the perpetrator then becomes a dysfunctional way to cement the Christian community’s bonds, like a gang where one has to murder someone to be a member.

Why not imagine one’s self into other roles in the story, like Veronica and Simon who tried to help, or Peter who cut off the soldier’s ear? Or, maybe one hasn’t actually done anything nearly as bad as crucifying Christ. “Sin inflation” creates a false moral equivalence that prevents the church from taking abuse seriously. It instills excessive guilt in people who then can’t speak up about wrongs done to them.

As I remember it, St. Paul exhorts us to imagine ourselves as crucified with Christ, a lot more than he recommends the perspective of the crucifiers. And when he does the latter, it’s because he actually did persecute and kill Christians, and was forgiven by his human victim, Stephen, not only by God.

I would love to hear from my readers about where the “I crucified Christ” trope originated. Is it Biblical? Where do you find support for it in Scripture?

Not Your Average Christmas Videos

This Christian puppet-show takeoff on Queen’s “Bohemian Rhapsody” wins the 2012 Reiter’s Block award for best holiday video. Hat tip to John Shore.

What’s that you say? You didn’t know there was a Reiter’s Block award for holiday videos? Well, send in your suggestions and maybe you will win fabulous prizes. Or eternal damnation. Depends on the video.

In case you’re more in the mood for a Blue Christmas, I’m re-posting this video by The Pogues. There’s a certain kind of sadness that one can enjoy in New York City, and “Fairytale of New York” expresses it perfectly.

Poem by Donal Mahoney: “Christmastime in America”

Herod…gave orders to kill all the boys in Bethlehem and its vicinity who were two years old and under, in accordance with the time he had learned from the Magi. Then what was said through the prophet Jeremiah was fulfilled:

“A voice is heard in Ramah,
weeping and great mourning,
Rachel weeping for her children
and refusing to be comforted,
because they are no more.”

(Matthew 2:16-18)

Surrounded by sentimental images of babies in mangers, we forget that the Bible sets the Christmas story as a small but brilliant point of light against the darkness of the world. A world where the murder of children still threatens the peace of our homes, schools, and hearts.

Do we dare take time to grieve? I’ve been frustrated and saddened by the rush to politicize the tragedy at Sandy Hook Elementary School, the instantaneous explosion of Internet debate about guns and mental illness, the finger-pointing and Facebook-unfriending of those who disagree with our preferred solution. Anger gives us an illusion of control. But God in Jesus didn’t come as a gun-toting (or spear-carrying) security guard. This poem by Donal Mahoney reminded me of the lines from “It Came Upon the Midnight Clear”: “And man, at war with man, hears not the love song which they bring; O hush the noise, ye men of strife, and hear the angels sing.”

Christmastime in America
by Donal Mahoney

You see the oddest things
at Christmastime in America.
The bigger the city,
the stranger the sights.
I was driving downtown
to buy gifts for the family
and enjoying bouquets
of beautiful people
bundled in big coats
and colorful scarves
clustered on corners,
shopping in good cheer
amid petals of snow
dancing in the sun.

One of them, however,
a beautiful young lady,
had stopped to take issue
with an old woman in a shawl
picketing Planned Parenthood.
The old woman was riding
on a motor scooter
designed for the elderly.
She held a sign bigger
than she was and kept
motoring back and forth
as resolute as my aunt
who had been renowned
for protesting any injustice.
Saving seals in the Antarctic
had been very important to her.

On this day, however,
the beautiful young lady
who had taken issue
with the old woman
was livid and screaming.
She marched behind
the motor scooter and
yelled at the old woman
who appeared oblivious
to all the commotion.
Maybe she was deaf,
I thought, like my aunt.
That can be an advantage
at a time like this.

The letters on the sign were huge
but I couldn’t read them
so I drove around the block
and found a spot at the curb.

It turned out the sign said,
“What might have happened
if Mary of Nazareth
had been pro-choice?”
Now I understood
why the young lady
was ranting and raving
and why the old woman
kept motoring to and fro.
At Christmastime in America
people get excited,
more so than usual.

When I got home
I hid my packages
and told my wife at supper
what I had seen.
I also told her that if Mary
had chosen otherwise,
I wouldn’t have had
to go shopping today.
That’s obvious, she said.

Reiter’s Block Year in Review: 2012


Greetings, loyal readers! It’s time for our annual roundup of the best books, blogs, and other big events of 2012. As usual, the books listed here are ones I read this year, not all published this year.

The Big Event:

Best Parenting Book:

Marc Weissbluth, Healthy Sleep Habits, Happy Child (2005)
Do you know why I have time to write this blog post? Because the Young Master slept 15 hours last night! Dr. ZZZ, as we call him, makes a good case that many behavioral problems seen in infants and young children are really just signs of overtiredness. The doctor tells you how to spot early signs of fatigue in your baby so you can put him down for a nap before he gets too charged up with adrenalin. If the big book is putting you to sleep, Weissbluth’s Your Fussy Baby is a quicker read that covers the same basic principles for infants 0-4 months.

Best Children’s Books:

Stephanie Burks & Kelli Bienvenu, While You Were Sleeping (2004)
This picture book makes me cry every time I read it to Shane. A lesbian couple get the phone call that a birthmother has chosen them to adopt her newborn boy. (I do wish the birthmother appeared as a character, but perhaps that would be too complicated for this age group.)

Anna Pignataro, Mama, Will You Hold My Hand? (2010)
A gentle, poetic picture book. Mother Bear reassures her child Sammy that she’ll be there through all their adventures. Similar to The Runaway Bunny but not so triggering.

Sandra Boynton, Happy Hippo, Angry Duck (2011)
Whimsical board book helps children learn the names for different feelings, and that it’s okay to have them. Bad moods don’t last forever. Good training for little Buddhists.

Best Poetry Book:

Nancy White, Detour (2010)
This poetry collection explores the breaking apart and remaking of a woman’s identity in the middle of her life, through a son’s birth and a painful divorce. Subject matter that in a lesser poet’s hands would be merely confessional here takes on a haiku-like precision and open-endedness, intimate yet unbounded by the confines of one person’s experience. This feat is accomplished through White’s use of the second-person voice and the way she narrates major events obliquely, through peripheral details described with quiet beauty. (Full disclosure: Nancy taught English at my high school, though I wasn’t in her class.)

Best Novel:

Kathie Giorgio, The Home for Wayward Clocks (2011)
An abused boy becomes a recluse who lavishes all his human warmth on the clocks he rescues and repairs for his museum. But a disabling accident, and the arrival of an abused teenage girl who needs his help, compel him to reach out to his neighbors and learn to trust again. His storyline is interspersed with the stories of the clock-owners. Look for the sequel to this beautiful novel, Learning to Tell (A Life)Time, from Main Street Rag Publishing in 2013.

Best General Nonfiction:

Bernadette Barton, Pray the Gay Away: The Extraordinary Lives of Bible Belt Gays (2012)
Sociology professor examines how LGBT people in the American South survive the fundamentalist “panopticon”. Thoroughly researched but never dry, the book strikes a good balance between outrage and hope.

Best Memoir (tie):

Deborah Feldman, Unorthodox: The Scandalous Rejection of My Hasidic Roots (2012)
This gripping memoir recounts a young woman’s escape from her family of Satmar Hasidim, an ultra-Orthodox Jewish sect living in the Brooklyn neighborhod of Williamsburg. Feldman depicts a repressive, patriarchal community where women are deliberately kept uneducated and forced into abusive marriages. One quibble: the final section of the book felt rushed. Follow Deborah on Twitter for a feminist watchdog perspective on Orthodox Judaism.

Martha Beck, Leaving the Saints: How I Left the Mormons and Found My Faith (2005)
Do you see a trend in my reading habits? Part memoir, part religious history, this compelling, controversial book by a Harvard-educated sociologist describes the fallout from her recovered memories of sexual abuse by her father, a leading Mormon scholar. Her anger is leavened by compassion as she delves into the complicity of a secretive church culture in creating and shielding abusers with split personalities. Though the topic is a dark one, readers who accompany Beck on her healing journey will be rewarded with her account of her strengthened connection to God’s love and her own inner truth.

Best New Theoretical Framework for My Life (tie):

Judith Herman, Trauma and Recovery (1992, updated 1997)
This groundbreaking book shows the common patterns underlying private and public trauma, from domestic violence and child abuse to war and genocide, as well as the cultural conditions that determine whether such stories are shared or repressed. The Amazon blurb says it best: “The book puts individual experience in a broader political frame, arguing that psychological trauma can be understood only in a social context.”

Sylvia Brinton Perera, The Scapegoat Complex: Toward a Mythology of Shadow and Guilt (1985)
Jungian analyst interprets scapegoat themes in the family and society. As in Johnny Cash’s song “The Man in Black”, the scapegoat is a priestly yet despised figure who takes on the burden of others’ psychological dark side (or has it thrust upon them) in order to heal the social system. But this role, formerly expressed through public ritual, can be too much for mere individuals to bear. This brief but dense book discusses how to appreciate but also break free from one’s scapegoat characteristics.

Blogs You Should Know About:

Be the Change (Dianna Anderson)
Christian feminist critiques rape-enabling myths and other harmful beliefs about gender and sexuality. She has a good sense of humor.

Sarah Over the Moon
Another Christian feminist and survivor of evangelical purity culture who lived to tell the tale.

Ana Mardoll’s Ramblings
Ana wittily deconstructs pop culture for classism, disability prejudice, fat-shaming, and other forms of oppression. Some idols are toppled (C.S. Lewis) and some unexpected tales are championed (Disney’s “The Little Mermaid”).
 

Update on LGBT Clergy Photo Exhibit: New Way to Donate

I blogged recently about the Family Diversity Project’s “We Have Faith” initiative, a proposed photo exhibit about LGBT clergy, for which they were raising funds on Kickstarter. Since they did not meet their ambitious goal of raising $25,000 in 30 days, the funds that you pledged on Kickstarter (because I know you all did, right?) will not be paid out. But don’t worry, there’s another way to support this important educational project. FDP director Peggy Gillespie says:

On Wednesday, December 12, 2012, our non-profit organization, Family Diversity Projects will participate in Valley Gives Day. A project of the Community Foundation of Western MA, Valley Gives (is a one-of-a-kind 24-hour celebration of generosity and giving for nonprofits located in our area of Massachusetts. However, you can give no matter where you live.

Here’s the LINK: http://valleygives.razoo.com/story/Family-Diversity-Projects

We ask that you please visit our Valley Gives site to make your donation. If everyone who pledged on Kickstarter will move his/her donation to Valley Gives, great things can happen. You can either make your pledge on 12.12.12 (if you can remember) or better yet, GO RIGHT NOW andchoose the “schedule one for Valley Gives” option and schedule your donation for 12.12.12.Only donations on or scheduled for 12.12.12 will count toward the prize giveaways. We could earn an extra $10,000 if we get a lot of donations scheduled for that day.

Your donation will get to serve its original purpose – to support the WE HAVE FAITH exhibit. And most importantly, we are able to keep all the funds that are given as with Valley Gives, there is no “all or nothing” preset goal.

GO NOW PLEASE TO : http://valleygives.razoo.com/story/Family-Diversity-Projects

Each donation to us on Valley Gives means that we have a chance at cash bonuses provided by the Community Foundation (some are $10,000 or more!). This way we can receive the $10,000 we raised, and perhaps way more if we are lucky. We hope you will believe in WE HAVE FAITH enough to take this next step and transfer your donation from Kickstarter to Valley Gives.You will also get a charitable tax deduction as you will be donating to our non-profit 501© 3, Family Diversity Projects. You can visit our website for more information about all of our projects: www.familydiv.org


George Korolog: “Our Adoption”

Winning Writers subscriber George Korolog kindly shares with us a poem from his new collection, Collapsing Outside the Box, which was recently released by Aldrich Press. It was inspired by George’s oldest son, now a college student, who joined their family through open adoption. This poem rings true for me as a depiction of the joy and mystery of meeting your child for the first time, and the complex emotions that arise in a family formed by loss as well as gain.

Our Adoption

It never occurred to me that a strange new
smell would electrify your supple nose hairs,
singe your newborn heart, brand your reptilian
brain with images of smoldering panic that would
mark the watershed of life in your first few seconds.
It never occurred to me that sliding into new being,
slipping from the swathing sac, slapping air in severance
from everything in which your senses had settled were
the questions, Who am I? Why are you here? It never
occurred to me that after nine months of reckoning
her hovering heartbeat to fractions of a second, that
you were already seeding tomorrow with querulous
roots, tendrils that would twist inward upon themselves,
mistakenly embedding the future with layers of suspicion
and doubt even as we yelled, over and over, “I love you.
I love you.” It never occurred to me that you were
beginning to spin the web of one great tear, muddle and
mesh, the blame and longing that awaited us, love dangling,
the snare quivering with the promise of welcoming.