Coming Out Witchy, and Other Links on Spirituality and Trauma

“My gender is witch,” proclaimed poet Charlie Bondhus, concluding a masterful set of published and new works he read at the LGBT Center in NYC last month. (Witch? Which? Switch!) In four words he summed up the elusive quality of our overlapping identities: queer, magician, writer. All involve a commitment to phenomena that may be immeasurable by outsiders and therefore vulnerable to challenge. Am I making this up? And who decided that creativity was a slur, anyway?

Little Red Tarot columnist Andi Grace explores the real obstacles to public witchiness in her latest post, “Coming out of the woo closet: Facing shame, stigma and historical trauma”. They write:

[T]he woo closet is the forces that keep us from being open about the way that magical, energetic, psychic, extra-sensory or spiritual forces nourish and guide us. To my mind, the woo closet is very old and is one of the most powerful spells (or cluster of spells) that keeps us from stepping into our truth and power.

I see the woo closet as being composed of several parts: historical trauma that has roots in the witch burnings, the stigmatization of neuro atypical mental states, and also the legacy and present day impacts of colonization–specifically as it relates to spirituality and conceptions of knowledge and knowing…

…If we accept that our bodies carry trauma from previous generations then we must also accept that unless we find ways to heal that trauma, we will carry it with us in our bodies and spirits. What this means is that, in a very real and tangible way, my body fears for its life in coming out as a witch and this manifests as anxiety, defensive self-judgement and deeply woven feelings of shame. The feeling of fear that I have when being honest that I can see and feel spirits, isn’t one that is just in my head. It’s in my bones and my spirit and it’s literally been burnt and drowned into my memory. And no, it won’t just go away with positive thinking, though that is one small piece of the magic needed to turn the tide of this spell…

…A fundamental mechanism of colonization is devaluing ways of knowing that don’t fit into empirical knowledge systems. This devaluation is used to undermine the sovereignty of indigenous people and ultimately to steal land, resources and labour. It has also been used to justify cultural, spiritual and physical genocide. Much of western science and higher education models are based on the assumption that empirical, measurable “truth” and linear understandings of time are more valid than understandings that do not fit into this box

…The legacy of colonization and witch hunts has lead many people to believe that things like energy, visions, dream work, astrology, herbalism, tarot and magic are bogus and manipulative pseudosciences that should be disregarded with righteous fervor. Sure, we should be discerning (particularly with regards to oppression and appropriation) and yes some people are lying manipulators, but that doesn’t mean we should just dismiss whole systems of knowledge that have long and rich histories with tremendous learning and guidance to offer us.

Andi Grace’s piece includes useful guidelines and resources for folks with European ancestry to recover pre-Enlightenment ways of knowing, without being appropriative and colonialist in a different way toward nonwhite indigenous cultures. Here, for me, is where trauma and my political ideals get their wires crossed.

I agree completely with the critique of appropriation. But I feel this gut-level resistance to claiming a bond with my ancestors (bad-ass Polish witches, no doubt) because abuse and abandonment have largely severed my ties to my biological family. My mother is the product of multi-generational child abuse and mental illness. I blame my ancestors for our destroyed relationship; I don’t want to summon their spirits! My father is a nice guy but was absent from my life until I was 30. We’re becoming friends, but time will tell whether we ever have that sense of relying on one another like a true family. Perhaps this is where the writer magic comes in: I may have to invent a trustworthy ancestor who can be my guide through Eastern European hexery.

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[Baba Yaga and the skulls of her enemies. Source]

 

 

 

 

 

 

 

Turning to what’s new in the Christian blogosphere, I was struck by this article at the Feminist Newswire, “‘The Least of These’: Black Children, Sexual Abuse, and Theological Malpractice”. Author Ahmad Greene-Hayes, a Ph.D student of religion at Princeton, is the founder of Children of Combahee, a new initiative to end child sexual abuse in black churches. He argues that “respectability politics” combined with homophobic and patriarchal theology in the black church create an environment where secret predators can thrive. Churches’ model of sexual morality/deviance should shift away from upholding rigid gender roles, and toward prioritizing consent and safety–a paradigm that admittedly the Bible does not always support, but here is a case where we must talk back to the Bible.

Black church people have used silence as a means of protection from white racial-sexual terrorists. To mitigate the effects of white supremacist violence, many African Americans do not address intracommunal violence, and in some instances extracommunal violence, because they do not want to portray the race in a negative light or they want to be race loyal, or even race first, everything later. These patterns are deadly and send a loud message that racial justice takes precedence over the justice that every individual deserves in regards to their bodies and psyches—regardless of age, gender, sexuality, socioeconomic status, religion, or any other marginalized identity.

The inability (or unwillingness) to address sexual violence as an evil that pervades home, church and community is steeped in larger cultural “norms,” though abnormal, of cogitatively dissociating one’s lived experience—in Black flesh—from one’s embodied and experienced sexuality. In other words, the inability to address violence and trauma as it relates to Black sexuality can be traced back to the plantation where rape and torture were codified by law and the theologies of the master class. In some ways, the contemporary Black church—which grew out of enslavement—mirrors the plantation of times past, and survivors are pushing the church to consider its reinscription of master tactics—that is , attempts to abuse, silence, marginalize, shame, victimize, and dehumanize marginal subjects, or as Jesus said, “the least of these.”

For white people reading this analysis, the takeaway message (in my opinion) should be that we can’t fight child abuse without fighting racism. The black church’s code of silence and internalization of toxic mainstream gender roles are an understandable survival strategy for an embattled minority. We have to do our part to end that battle.

Finally, here’s a comprehensive article from the progressive blog Religion Dispatches about campus Christian organization InterVarsity’s recent decision to oust all LGBTQ and affirming staff members. “Inside InterVarsity’s Purge: Trauma and Termination at the Premier Evangelical Student Org” is written by journalist Deborah Jian Lee, author of the well-reviewed book Rescuing Jesus: How People of Color, Women & Queer Christians are Reclaiming Evangelicalism (Beacon, 2015).

InterVarsity has rolled out a policy that calls for staff who disagree with its theological position to come forward and quit by November 11. If staff members disagree, the national campus ministry stated in a letter to staff, “we trust that they will alert their supervisors and conclude their work [within two weeks].” (The policy does not apply to students, though students who disagree cannot be leaders, and it includes dictates against divorce, pornography and pre-marital sex.)

Supporters of InterVarsity’s decision see the policy as a commitment to “orthodox” theology, while critics call it a “purge.” The news, first reported by TIME on October 6, has unleashed protests from droves of InterVarsity students, alumni, influential InterVarsity Press authors and Christian leaders, many of whom have released petitions calling for the organization to revoke the policy. Within InterVarsity, a number of LGBTQ and ally staff, including Vasquez, have formed “the Queer Collective,” which for months has been pressing executive leaders for unity amid theological differences. They have elevated stories of LGBTQ-affirming people in the organization and documented the mental health impact of LGBTQ exclusion.

Despite their advocacy, InterVarsity announced its policy in a manner that Queer Collective leaders see as severe and punitive. For example, InterVarsity created a “helpline” for staff who felt unsure about the organization’s theological position, but the “helpline” only offered “limited confidentiality,” according to a July email sent to staff workers by then-interim president Jim Lundgren and president-elect Tom Lin. If a staff worker announced their disagreement with InterVarsity’s position and did not declare this to their supervisor, “[the helpline] resource person [would] inform the supervisor.” This, and reports by other staff workers who say they have been questioned about their beliefs, seems to contradict InterVarsity’s claim that it is relying solely on the self-declaration of LGBTQ-affirming staff.

Despite the ministry’s disclosure of the helpline process, “to call something a ‘helpline’ as a place of support and also make it a place of whistleblowing—that’s not just harmful, but also unethical,” said Teresa Pasquale Mateus, LCSW, author of Sacred Wounds: A Path to Healing from Spiritual Trauma. Mateus sees patterns of spiritual abuse in some of InterVarsity’s treatment of LGBTQ-affirming staff and students and warns of serious emotional “collateral damage” in the aftermath of “the purge.” Already, members of the Queer Collective and other InterVarsity insiders say that every day raises new concerns about emotional trauma, unemployment, resignations, disaffiliations, and the future of InterVarsity.

This fracture reflects the larger rupture over sexuality taking place across the evangelical movement…

Lee goes on to describe InterVarsity’s inconsistent treatment of LGBTQ students and staff, their refusal to repudiate the discredited practice of “ex-gay therapy”, and despite all this, the difficulty of turning one’s back on the diverse and passionate Christian community that IV represents for many people.

Leaving isn’t so simple. To many like Vasquez, evangelicals are their people. As Alexis Garretson, a George Mason University senior who identifies as queer and LGBTQ-affirming explained, InterVarsity is actually the friendliest of the campus fellowship options. If students left InterVarsity for greener pastures, they’d have to leave Christian community altogether. “LGBTQ Christians fiercely believe in the faith we have,” explained Garretson. “Asking us to leave goes against our identity.”

To staff workers who have worked for InterVarsity for years and sometimes decades, leaving the ministry means losing both their livelihood and the entire community they’ve built for themselves over the years, sometimes since their own college days. After all, InterVarsity isn’t just a student club, it’s a family. “People here just loved me from the first moment I got here,” Scripps College junior and LGBTQ-affirming InterVarsity member Rachel Geller told me. InterVarsity goes the extra mile to welcome new students, surrounding freshmen with an immediate posse of friends at the start of college, following up with relentless evangelical zeal.

It’s also a lifestyle. Much like the Greek system, the activities are all-consuming: Bible studies, fellowship, dance parties, retreats, prayer meetings, dorm gatherings, group lunches, study dates and so much more. To feel this sense of love and belonging so fiercely every day is intoxicating, students and staff say. It’s what leads so many students to graduate college, join the 1,300 member staff, and build their lives around the organization’s mission. For Vasquez, “InterVarsity was the air I breathed.”

Perhaps the most consequential reason LGBTQ-affirming staff workers want to remain in the fold emerges from their concern that once they leave, LGBTQ newcomers will be isolated in a community that publicly welcomes them but privately misunderstands their most fundamental needs.

Is it just my love-avoidance that makes this description seem a little cultish? Be that as it may, it seems to me that similar reasons keep people connected to abusive partners: to protect the children, or to avoid what seems like the greater trauma of losing an entire family network. Building up new love relationships takes time and courage. Leaving is a leap into the void, at least in the beginning. Some of us decide we’re ready to make it, but woe be to those who pushed us off that cliff.

Sacred Wounds and Rescuing Jesus are going on my very long Amazon wishlist now.

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Release Week Reviews for “Two Natures”

More great reviews have come in since Two Natures debuted last week. I’m honored when readers say that I did justice to the real-life experience of gay men and their loved ones during the AIDS crisis. When other people make an emotional connection with characters who previously existed only in my mind, something magical happens, like the scene in the play Peter Pan when the collective strength of the audience’s chant “I do believe in fairies!” brings Tinkerbell to life.

On Goodreads, reviewer Nocturnalux gave thoughtful attention to the book’s literary devices and philosophical dichotomies:

The story of Julian, a young fashion photographer trying to make it in the fast and furious 90’s New York environment, is not simply the vehicle through which gay rights, religious issues, the AIDS epidemic, family breakdown and queer identity are addressed: by immersing the reader fully into its well developed world, the novel conveys all this and so much in an organic manner.

This immersive quality is achieved in part thanks to a very apt usage of the first person narrative. As a photographer Julian employs highly image saturated language to frame his experiences, in a most literal sense. Visual intense descriptions punctuate the story and is the lenses through which the storytelling process happens. But these also serve to show a sense of alienation from the actual world, a pressing anxiety that haunts Julian.

The narrator’s repressive, traditional Christian upbringing also factors in his means of expression, with many biblical references strewed very liberally throughout the entire novel, to the point of the title, as it has already been mentioned. The biblical imagery covers a gamut of tones, from lyrical, pensive and musing to snarky and highly cynical…

Two Natures is in all respects very honest. It does not shy from being graphic, painful, at times horrifying, often moving, all without caring for niceties. The comprehensive scope of the endeavor has its own artistic vision, both in-universe- Julian strives to capture some form of beauty- and at a structural level as the novel is almost flawless in how it harnesses highly personal moments to turn into literature.

Ultimately, Two Natures questions the very notion of ‘either/or’ system: perhaps there is a way of sublimating truth into beauty, or vice-verse, and reach an integrated way of feeling in which one can be true to oneself and still find actual love. There are no guarantees but the mere possibility is enough.

Meredith King at the M/M review blog Diverse Reader provided an enthusiastic release day review and promo post. Leave a blog comment or tweet about the giveaway for a chance to win a free e-book review copy.

Talk about a debut novel that grabs you, bleeds you, and makes you cry until you’re raw. It’s one of those books that when it ends you realize you stopped breathing. This is not an easy read. The subject matter is very heavy and the author really thrusts you into the gritty.

Many of us remember the early 90’s and how AIDS was actually vocal. Yes, it had been around for years before but it wasn’t really until the 90’s that people talked about it. Many people suffered and died because of this virus.  This book not only addresses AIDS and that time period but you are gutted at the loss of one character because of the virus. That is the only warning you’re getting about the seriousness and emotional upheaval in this book.

This tale is close to 400 pages long but it flowed. Pacing was terrific and the characters were fleshed out nicely.

Gay novelist Hans M. Hirschi belongs to the same generation as Julian and me. His positive response to the book was very meaningful. Hirschi is a literary writer with crossover appeal to the M/M romance market, as I hope to be. His books have romantic subplots where love generally prevails, but also tackle serious issues such as bereavement, child abuse and trafficking, spirituality, and the obstacles faced by nontraditional families. I recommend his novel The Opera House, which is so far the only book I’ve read that reflects my experience with mental health stigma as a prospective adoptive parent. Some highlights from his review:

First things first: the writing is astonishing. Not really a surprise from an award winning writer, but still. It deserves to be said, as poetry and prose are two kinds of animals. Ms Reiter does an amazing job at describing the era, the early 1990s, the locales, mainly Manhattan, the politics of the Clinton and Giuliani era (seems history has a way of repeating itself…), and the fashion and publishing industry of the time. The characters become alive almost instantly, and I got to follow along the path of Julian Selkirk, the ‘hero’ of the story, as he tries to build a career for himself as a fashion photographer in New York. Work, life, sex, love, death. It’s all there, deliciously described…

…Without going into details about the plot, the two main romantic or love interests of Julian, Peter and Phil are painted in equally realistic colors. Both men flawed, but lovable. No, this is no romance novel, despite the romantic thread that permeates the pages. In fact, the mere mention of “open relationship” might send some readers of such novels screaming for the nearest therapy couch. Yet it is exactly the honesty, the unbridled truth told in Two Natures that makes this book so amazing. In fact, for all I know, Julian Selkirk is just a pseudonym for a real gay man living in New York in his mid-forties, married, no kids. I am deeply indebted to Ms Reiter for writing “our” story, the story of gay men growing of age in the nineties so honestly, so candidly.

As painful as it may be to remember some aspects of it, as hopeful is the picture she skillfully paints, and as we leave Julian on the floor of GalaxyCon, there is hope for the future. And as we all know, that hope has largely been fulfilled in the twenty years since, albeit loads of work still remains. Two Natures is an exquisite work of art, beautiful literary writing that enriches the LGBT section of any book store and Kindle, and it adds a beautiful facet to the mosaic of LGBT life past.

Who knows, perhaps writing can change reality, after all? Readers, if you see Julian walking around New York sometime, give him a big kiss from me. He saved my life.

Today My Dreams Come True

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Two Natures release date today from Saddle Road Press!

All my life, I dreamed of being a storyteller. Fictional characters were my closest companions in my solitary and sensitive childhood. Their worlds seemed almost tangible, coexisting in another dimension alongside my random meatspace life, separated from me by an imperceptible barrier I yearned to break. To create such a world, and make it real enough to invite others in, would be as close as I could come to working magic. In a way, that was my first religion.

Ten years ago I felt gifted by the Holy Spirit to start writing fiction. At a Christian writing conference at Calvin College, my literary hero Walter Wangerin Jr. spoke the prophetic words that your book doesn’t have to be perfect. He said that an inspired book simply speaks from the heart about authentic experience, and through that recognition of one’s self in another, brings order out of the chaos of the reader’s emotions, refreshing the reader like the bread that the ravens brought to the exhausted Elijah in the wilderness. These words of grace set me free to attempt something beyond my skill level or maturity at that moment, a vocation that I would grow into, with the Spirit’s help.

Thus was Julian born.

Eight years ago I lay on my writing couch, sobbing my heart out. I thought the God of the Bible was requiring me to give Julian up, and with him, the part of myself I loved most. My Christian support system had fallen apart because the book I was writing had turned out to be incorrigibly gay. The mentor who’d brought me to that conference warned me that “writing about sodomy doesn’t honor God.” I had repeatedly tried and failed to force my shapeless manuscript’s story arc into the narrative of sexual sin and redemption that I believed necessary to make it a “Christian” book.  Meanwhile, unethical psychologists in our adoption process had half-convinced me that my imagination itself was broken and corrupt, and that my subconscious, as exposed in my writing, could only betray how unfit I was for human relationships. “Julian,” I said to him, because I had always felt his presence like an invisible friend, “whatever happens, no moment I spent with you has ever been wasted.”

Like Huck Finn declaring “All right then, I’ll go to hell”, I scrapped that draft, let Julian be the narrator he’d always wanted to be, and wrote a story called “Two Natures”. In this prequel to the eventual novel by the same name, 12-year-old Julian identifies with his beloved uncle who is dying of AIDS, although he believes he’ll be punished for his sexuality in the afterlife, if not sooner. The story was published in American Fiction, a journal from New Rivers Press. I’ll be making it available in a newsletter giveaway soon.

Over the next three insane years, I wrote two prizewinning poetry chapbooks and some short stories, failed to adopt twin boys, came out to myself as a child abuse survivor, went no-contact with my bio mother, celebrated when my mom-of-choice escaped domestic violence, and through it all, kept plugging away at Two Natures. I wrote the ending in 2010, didn’t realize it, and spun out another 100 pages of demoralizing crap. Something I’ve just learned about being a survivor is that we may internalize a self-image of being fated to fail. When I hit setbacks in my writing, I panicked that I was too PTSD-damaged to complete a project, or that God had withdrawn the mandate of heaven because of my disobedience, like King Saul.

Four years ago I adopted the Young Master, who is beautiful, joyful, and filled with the life force. As an un-traumatized human being in his natural state, he is free of the baggage of shame and spirit-flesh division I acquired from my family and religion. I couldn’t see him as broken by “original sin” or imagine loving him less if he turned out gay, bi, or transgender. To be a better parent, I got serious about recovery and found a trauma specialist who’s helping me root out false beliefs about my unworthiness and God’s wrath. Those toxic religious doctrines only got under my skin in the first place because they mapped to the twisted idea of love that was familiar from my upbringing.

Parenting a “real-life” child taught me to let Julian be Julian, not force him into my increasingly incoherent religious agenda. I would follow where he led. If I couldn’t make a worldview plausible in the novel, I probably didn’t really believe it, no matter how many theological arguments I could win. And that naughty fellow led me right out of traditional Christianity, with its central image of suffering transferred from the guilty to the innocent.

Eighteen months ago I finished The Endless Novel, with tremendous help and encouragement from my friends who were beta readers, and my husband who has never been fazed by my many strange identities. Since literary contests are my area of expertise, I started submitting there. That direction wasn’t fruitful, but my online friend Ruth Thompson (a wonderful poet) mentioned that her press was looking for literary fiction manuscripts.

On the Friday of Thanksgiving weekend, 2015, Ruth gave me the wonderful news that Saddle Road Press had accepted Two Natures. She and Don Mitchell at SRP have been the best publishers anyone could ask for. They’re responsive and financially transparent, design gorgeous books, and can always make me laugh. Thanks, you two. Now everyone please go buy their books and support the press!

Who has watched over me during this arduous journey of self-discovery and activism? Where did I get my faith to persevere in the face of spiritual abuse and mental health struggles? I know that I have been protected, by someone I still call “the Holy Spirit” even though most Christian language doesn’t fit me anymore. Someone up there implanted compassion, hope, truth-seeking, and determination in my heart. Someone strengthened me to be true to myself when people I loved couldn’t accept who I’d become. So… thank you, Holy Spirit.

Today my dreams come true.

Perseverance is more than endurance. It is endurance combined with absolute assurance and certainty that what we are looking for is going to happen. Perseverance means more than just hanging on, which may be only exposing our fear of letting go and falling. Perseverance is our supreme effort of refusing to believe that our hero is going to be conquered. Our greatest fear is not that we will be damned, but that somehow Jesus Christ will be defeated. Also, our fear is that the very things our Lord stood for— love, justice, forgiveness, and kindness among men— will not win out in the end and will represent an unattainable goal for us. Then there is the call to spiritual perseverance. A call not to hang on and do nothing, but to work deliberately, knowing with certainty that God will never be defeated. (Oswald Chambers, My Utmost for His Highest)

“Two Natures” Book Trailer, E-book Sale, New Reviews

Romantic suspense author Zara West (Beneath the Skin) created this stylish book trailer for Two Natures using my storyboard, stock photos, and public domain archival photos from the New York Public Library.

Now through September 28, the e-book of Two Natures is on sale on Amazon Kindle and Apple iBooks for 99 cents! Julian may never be this cheap again…unless you’re a cute boy and buy him another rum and Coke…

I appreciated this insightful review from Kittredge Cherry at Jesus in Love Blog, “Two Natures explores sexuality and spirituality during AIDS crisis” Art That Dares, Cherry’s book of feminist and LGBT-themed religious art, helped me envision a God who could accept Julian and me. She writes:

The dense and varied literary coming-of-age novel ranges from comic scenes that could easily become a hit movie to the explicitly sexual and the touchingly tragic. Reiter brings alive LGBTQ touchstones of the era: the visit from out-of-town and out-of-it parents to their closeted son, the AIDS death and awkward funeral, and so on…

…As art historian, I especially enjoyed the way that some of Julian’s spiritual reflections were provoked by art. For instance, Julian’s inner spiritual conflict is portrayed at first through his responses to “Piss Christ,” a controversial photograph by Andres Serrano.

The novel is also significant as an example of how a new generation tries to make sense of an AIDS crisis that they were too young to experience firsthand. I happened to read “Two Natures” at the same time that I was rereading my own journals for an oral history interview about doing AIDS ministry at Metropolitan Community Church of San Francisco in the late 1980s. Perhaps no novel can capture the agony, ecstasy and desperate intensity of those times.

Julian never found the kind of LGBTQ-affirming church home that we provided at MCC-SF. Sadly that may be true for many young gay men in the early 1990s, and even now. But there’s good news: Reiter is already working on a sequel. Julian will have another chance to find long-term love and a gay-positive spiritual community, with readers invited along for the ride.

And here’s my latest Goodreads review from T Christopher:

A marvelous book. I enjoyed Julian’s story so much and found it very relatable. There were so many beautiful, little surprises (“Spring Chicken Perfume”) and a great many laugh out loud moments. It brought up a lot of memories for me—young men who had to shoulder more responsibility and grief than was reasonable for their years, and too many who never got to grow up and old. Too many losses. I really appreciate the characterization of Julian—so on the ball in so many ways, and yet so readily apt to drop it. Very realistic.

Reiter is a marvelous writer and this is a rich, wonderful, and heartbreaking, story. I enjoyed reading it very much.

Book Reader Magazine, an e-book promotion site in the Awesomegang affiliate network, ran a brief interview with me this month.

Save the date: My book launch reading will take place on Thursday, Sept. 29, at 7:30 PM, at the Bureau of General Services – Queer Division bookstore in the LGBT Center, 208 W. 13th Street, New York City. I’m honored to share the stage with Charlie Bondhus, winner of the Publishing Triangle’s Thom Gunn Award for Gay Poetry. See the event listing in Gay City News. RSVP on Facebook.

August Links Roundup: The Negative in Sex-Positive

This past March I attended the 5 College Queer Gender & Sexuality Conference at Hampshire College. One of the best workshops was “Sex-Negativity Never Happened”, led by Skramz Geist, a radical philosophy professor at St. Mary’s College of Maryland. We talked about how the “sex-positive” norm in queer communities can be exploited to push people’s sexual boundaries or create an uncomfortably sexualized environment. A theme that emerged was that no community rules are immune to subversion by a determined predator, whether they’re the consent and communication scripts of queer and kink spaces, or the rigid sexual boundaries in conservative churches, where I once sought protection from an emotionally numb and risky hookup culture. I read very little theology anymore, because it failed to perform what for me was its prime function: identifying safe people and creating safe spaces.

Very few hits come up when I Google “compulsory sexuality”, which is sad because this concept would have taught my 20-year-old self that feminism was about more than the right to get drunk at frat parties and have abortions. This 2010 review of Andrea Dworkin’s Right-Wing Women, from the feminist blog Fannie’s Room, provided a rare moment of validation for my motives in becoming a Young Republican:

Dworkin argues that, for good reason, Rightwing women fear the Left. The Left of the sixties was “a dream of sexual transcendence…. It was- for the girls- a dream of being less female in a world less male; an eroticization of sibling equality, not male domination” (91). What this meant in practice, however, was that it essentially freed men to fuck women “without bourgeois constraints” (91). What this meant for women was “an intensification of the experience of being sexually female- the precise opposite of what these girls had envisioned for themselves….freedom for women existed in being fucked more often by more men, a sort of lateral mobility in the same inferior sphere” (93). The Left, that is, continued to construct women as sex, while men continued to be constructed as the Doers Of Important Things.

Further, “sexual liberation” created an expectation that the sexually liberated were ready for sex at any time, effectively negating the concept of consent. Those who were not ready for sex were considered “repressed,” not liberated. For women, for whom pregnancy was sometimes an outcome of this sex free-for-all and for whom abortion was illegal, the consequences of sex were higher than for men. Rightwing women feared sexual liberation as it meant unfettered male sexual access to women, and possibly pregnancy, without the expectation of male support via traditional marriage.

This scenario was all too true for the many women who were mentored and sexually harassed by prominent theologian John Howard Yoder in the 1970s-90s, as history professor Rachel Waltner Goossen details in “Mennonite Bodies, Sexual Ethics”, a recent essay from the Journal of Mennonite Studies, reprinted at the sexual abuse survivor blog Our Stories Untold. Yoder is still widely cited and revered for his theology of pacifism, despite brave dissenters who point out that we should be skeptical of nonresistance preached by a sexual predator. Goossen observes:

For several decades, through the 1970s and 1980s, Yoder approached women with sexual invitations and intimidating behavior at the seminary, at academic and church conferences, and in homes, cars, and gathering places across the U.S., Canada, and a host of international settings. The women’s experiences varied widely. While each was acquainted with Yoder in some way, most of these women were not known to one another nor aware of Yoder’s sexual aggressiveness toward others. (One woman, married and much younger than Yoder, whom he surprised in the mid- 1970s with sexualized physical touching and who reacted with instant rebuke, later remembered the incident as deeply troubling: “It messes with the mind. I wondered, am I special to him? Is he lonely?”10)

Yoder justified his sexual approaches to women as theologically driven. He solicited help from female students and others, describing his entreaties as part of an “experiment” in sexual ethics in which he and a circle of “sisters” tested ideas about sexual intimacy outside marriage. For approximately eight years, over the objections of his supervisor at the seminary, president Marlin Miller, Yoder offered biblical justifications for his behavior based on Jesus’ ministry to women and what Yoder termed “the freedom of the Gospel.”11 Yoder argued that his ministrations to women were potentially therapeutic, and although he lacked formal training in psychological counseling, maintained that he wanted to help women overcome feelings of taboo. He intended to “defang” (or tame) “the beast,” he said, helping Christians to reject notions of sexuality as “a beast or a slippery slope which is … uncontrollable.”12

Yoder’s speculative project, arising as part of the sexual revolution of the 1960s and ’70s, coincided with widening societal expectations about consensual sex. Although sexualized violence against women in the United States did not intensify markedly during the sexual revolution, one leading historian of the era notes that “In the new sexual order, the standard for consent had to be renegotiated. Why would a woman say no if sex presumably resulted in no harm? And who would believe that a woman had withheld consent, given new expectations of participation in the sexual revolution?”13 At a historical moment when lines were blurring about what constituted permissible sex, Yoder exploited notions that loosening sexual boundaries portended no harm.

The historian being cited in footnote 13 is Estelle Freedman, Redefining Rape: Sexual Violence in the Era of Suffrage and Segregation (Cambridge: Harvard University Press, 2013). Hat tip to @GrumpyTheology for this article. Follow her for truth and cat pictures.

Consent and Altsex Culture is another recent gem of a post from Thing of Things, a funny and thought-provoking blog about philosophy, neurodivergence, gender, and nerdy special interests.

…[I]n our culture sex-positivity has a distressing tendency to collapse into compulsory sexuality.

What happens in a lot of cases is something like this: in conventional patriarchal culture, there are people women are supposed to fuck (their husbands) and people women are not supposed to fuck (everyone else). There is a socially legitimate reason for a woman to say ‘no’ to sex to anyone who isn’t her husband. And while there might not be much concept that women can say ‘no’ to sex with their husbands (remember that marital rape only became illegal in every US state in the nineties), most husbands are not rapists, genuinely love and care about their partners, and have no desire to have sex with their wife when she doesn’t want sex. While this is a terrible system in a lot of respects, it did reduce the harm of compulsory sexuality for many women.

Unfortunately, in this system, the natural way to do sex-positivity is to expand the set of people women are supposed to fuck. It is limiting to only have one person you’re supposed to fuck! Now you are supposed to fuck all your friends, or all the people in this intentional community, or everyone! Isn’t that great? We’re helping!

And, of course, if you’re supposed to have sex with a lot more people, then you’re much more likely to have sex with a rapist, or with someone who grew up in a culture that doesn’t give a shit about consent and who doesn’t have any reason to care about your emotional well-being. You’re a stranger, after all.

The worst excesses of the free love movement in the sixties birthed radical feminism, which instituted the rule that sex that one person involved did not want is rape. Most alternative sexuality communities seem to work under a similar rule today. This is a serious improvement, which I am not going to criticize.

However, I worry that a lot of alternative sexuality culture lends itself well to compulsory sexuality in more subtle ways…

…How can we fix this problem? I think part of the solution is just talking about it and trying to be aware of the pressures in our communities and the way that they make some people feel unwelcome. Another part is to explicitly work on including not just the sluts but the prudes in sex positivity– not just the people who want sex more or in different ways than society approves of, but the people who want sex less or don’t like some of the socially accepted kinds of sex. (Not, of course, that these are mutually exclusive.) And I do wonder if there are any simple changes we could make in communities dominated by kinky, poly, slutty, cuddle-prone etc. people to make them more welcoming to vanilla, asexual, monogamous, low-libido, not-in-favor-of-cuddling-strangers etc. people, without sacrificing our own needs and values.

Ozy’s blog is an unusual place: the comments are intelligent, and trolling is swiftly stopped. The ones below this post are worth a read. And of course feel free to share your own experiences and suggested solutions in my comments box too.

Julian Gets Around: New “Two Natures” Reviews and Author Interviews

The countdown continues to the launch of Two Natures on September 15! Readings are scheduled for New York City, Northampton, and Greenfield, MA this fall. Watch this space or visit our Facebook page for exact times and directions. With guidance from The Frugal Book Promoter, I’ve garnered some encouraging pre-publication reviews and author interviews online. Here are the latest stops on Julian’s PR tour.

Our Queer Art, a project of Canada’s QueerDeer Media, profiled me on July 27. An excerpt from the interview:

What do you define yourself as? Or do you not? Why/Why not?
I define myself as a creative artist whose medium is writing. A revelatory and sometimes painful aspect of writing Two Natures was facing the truth that this identity is more fundamental than other labels that I thought would fit me forever, including “Christian” and “female”.

How long have you been practicing?
I’ve been a writer since before I could write! I dictated my first poems to my parents when I was about 4. They were about fairy princesses, of course.

What interests you about your medium or why do you use this medium?
I grew up in a family that loved books. The magic of communing with characters from an intangible world was my first, and (I’m finally realizing) my most formative, spiritual experience. It’s a great honor to be able to practice that magic myself.

What kind of work do you want to create, or what work are you inspired by that you would like to strive for/emulate?
I am inspired by artists who challenge binary thinking, whose work offers both sensual pleasure and an intelligent perspective on the human condition. Donna Tartt’s The Secret History and The Goldfinch are ambitious in this way: action melodramas that are also philosophical treatises on the troubled relationship between art and morality. So are some of my favorite works of fiction that blend horror and political critique, such as George Saunders’ Pastoralia, Matt Ruff’s Lovecraft Country (a Cthulhu Mythos pastiche set in the Jim Crow South), and Jenna Leigh Evans’ Prosperity (an American dystopia set in debtor’s prison, winner of our 2015 Winning Writers North Street Book Prize for genre fiction). The poetry collections that are touchstones for me include Atlantis by Mark Doty, The Cow by Ariana Reines, Four Quartets by T.S. Eliot, and Live or Die by Anne Sexton.

Trudie Barreras, a popular Amazon Vine reviewer, gave Two Natures a 5-star review on Goodreads:

…[T]his book offers an amazing level of honesty and insight. Like the earlier work of Patricia Nell Warren, Reiter’s representation of gay male psychology and eroticism is clear-eyed and unabashed. Although her descriptions of male-male sexual encounters are no more explicit than the similar descriptions of heterosexual lovemaking in many modern-day romances, some readers may find this unpalatable. To them, I can only say, “Get over it, people!”

Although Reiter is investigating the link between sexuality and spirituality in this narrative, as well as presenting a deeply incisive exploration of the social and cultural aspects of the urban LGBTQ community during the AIDS crisis, she is not heavy-handed or in any way “preachy”. Her main characters and many of the peripheral cast members are sympathetically and vividly described. Julian himself is voiced with wry and biting humor.

A trigger warning: for those who, like me, have “been there and done that” with respect to losing dear ones to AIDS, and who have experienced the anger, disgust and grief resulting from the vicious and callous rejection of gays – especially those stricken with HIV – by the so-called Christian establishment, the honesty of this book is stark…

Book blogger Amos Lassen wrote in this July 13 review:

It is a pleasure to read a novel that is literary in all of its aspects. I also found that the issue of faith that is so important to me is beautifully handled here… We all know someone like Julian and many of us see ourselves in him. The highest praise that I can give this book is to say that ‘I love it’ and I do. Julian is an everyman and in that he is a composite of so many gay personalities. You owe to yourselves to read this wonderful novel.

A.M. Leibowitz, author of the excellent gay Christian novel Passing on Faith and many others, scored Two Natures 10 out of 10 fountain pens in this Aug. 1 review and author interview. She doesn’t let Julian off the hook for his moral failings, though!

This is a difficult book for me to review. On the one hand, despite its length, it’s surprisingly fast-paced. There isn’t a lot of wasted space; everything has a purpose, so it doesn’t feel as though it’s lagging anywhere in terms of moving forward. The writing style is superior, in the style of the best literary fiction. At the same time, my reaction to it is very much along those lines—I’m not here to be entertained by this book. It’s not a feel-good love story or a tale of tragedy-to-triumph. It’s meant to be appreciated mainly for its historical value and technically skilled craftsmanship. For a number of reasons (the heavy topics, the highly literary style, the depth of the psychology), this is one to read with a group for the purpose of discussion.

There’s a lot covered in this novel, and the title says it best. Everything in Julian’s life is split, and he spends most of the story trying to make whole the things he sees as fractured. Despite the fact that there’s a sub-thread about the religion of his youth, it actually doesn’t factor in much beyond his musings until near the end. However, his broken trust in his faith and family of origin drive nearly every other relationship he has. It’s vital for people of faith to read this with the understanding of how religious institutions create and contribute to the oppression specifically of the LGBT community…

…Ultimately, I could probably talk for days about this book because it’s impossible to capture everything about such a dense read in a short review. My own personal grievances with the characters aside, I do think this is a phenomenal work, and I highly recommend it. It should be required reading if for no other reason than that we’ve already forgotten what life was like in those days.

Love Julian or hate him? Pick up a free copy and find out. Join the Goodreads M/M Romance Group and sign up for the “Don’t Buy My Love” giveaway starting August 25! Fifteen e-book copies of Two Natures are on offer in exchange for an honest review.

Nonbinary Femme Thoughts

Coming out is peculiar when you don’t know what you are yet. I’ve been having a lot of conversations like this: “Um… I wanted to tell you… I’m decided I’m genderqueer now? But I’m not going to do anything about it? Like, I still use female pronouns and my husband likes boobs, so…” At which point my patient and understanding friends (because I’ve fired all of the other kind) smile and say that’s cool, and we go back to eating our fried rice.

The confusion is mainly in my own mind. I am certain of the reality of my masculine other self (he wrote a whole novel, after all) and my lifelong discomfort with assumptions that I should feel at home in women-only spaces. Beyond that, though, I struggle with the fear that this is all ridiculous unless I operationalize it somehow.

One problem is my limited imagination about what non-surgical genderqueerness looks like. I picture slender, androgynous, man-tailored women like these Beautiful Tomboys of the 1930s. I’d love to be them, but I don’t have that kind of body. I’d rather be a man who’s masculine enough to wear purple ruffles and eyeliner, like the late great musician Prince. That wasn’t in the cards for this lifetime either. When I dress femme, with a curvy female figure, I brace myself for being challenged that my queer identity isn’t real. But I don’t want to split the difference and wear asexual clothing, as I was pressured to do as a teenager because my mother didn’t think I was pretty enough to show my body. If I never see another plaid flannel shirt, it’ll be too soon.

And don’t get me started on the pronouns issue. I respect whatever anyone wants to be called, but for me it’s not worth the effort to insist on something different when people perceive me as a “she/her”. I’m not a “he”, and although I have a lot of personalities, “they” feels too neuter for me. Does that make me less queer? Am I a sell-out for passing?

There’s no getting away from sexism, however one identifies. Androgyny and masculine-of-center styles will be seen as cooler, and more represented in the media, because we’re still struggling with the second-wave feminist critique of femme fashion as inauthentic and oppressive. Magazines and TV prefer to show female-born bodies that are slim enough to get away with flat-chested male clothing, because women are better when they’re smaller, right? Don’t get me wrong, I have a serious crush on Emma from “Once Upon a Time”, but I’d like some gender-bending fashion role models in my size too.

The intersectional feminist website Wear Your Voice offers a fresh perspective. Ashleigh Shackelford writes about reclaiming femme beauty as a plus-size woman of color in “Why I’m Nonbinary But Don’t Use ‘They/Them'”:

Long before I came out as nonbinary, for most of my life, I struggled with gender and gender performance. I spent most of my childhood, adolescence and adulthood being violated for being a Black fat girl. I was often treated as if I was “one of the boys” or an “it” because I wasn’t feminine or girl-enough to be seen as attractive, worthy of being treating like a human, or seen as innocent/controllable. My blackness and fatness and proximity to girlhood was always othered in a way that most others did not experience.

As we see in the media and within our interpersonal spaces, femininity is significantly scripted through whiteness and thinness. I am none of those things. So my body being bigger, being Black and being read as cisgender/ or being assumed to be DFAB (designated “female” at birth) but not being seen as a girl/woman has forced me to grapple with gender in specific and violent ways. As I was growing up, I couldn’t fit into the girl clothing most of the time, so I was forced to shop in the boys’/men’s department to find attire. This alone is a queering of gender, incorporating a lens of fatness as a gender non-conforming quality, because girls’ bodies are supposed to be petite and small, be seen as controllable (fatness reads as “overpowering” to the gaze of masculinity), for consumption but only when you fit within certain beauty and humanity standards. My body was none of those things. And my only opportunity to find ways to present my gender in ways that would allow me to be seen as “more feminine” were denied to me because the clothes that would affirm my girlhood/womanhood were not available in my size…

…I don’t like using they/them pronouns because it feels so foreign to me. It’s really no shade to those who have found a home in they/them, but more so calling into question the terms “gender neutral” and “neutrality” in a world where nothing is neutral or objective, and often all defaults are based in masculinity and whiteness.

Shackelford’s piece reminds us that femme presentation doesn’t mean the same thing to all women. It’s forced on some of us and denied to others. Like Shackelford, I got all the downside of being perceived as female (body-policing, tone-policing, constant threat of harassment) without any validation that my gender performance was successful. When I put on lipstick and skirts, I thought I looked like Dustin Hoffman in “Tootsie”: my body was too clunky, assertive, and large to be pretty. When I put on button-down shirts and corduroy pants, I felt childish and drab next to the other girls in high school. I was afraid I’d be mistaken for a lesbian and never get married. (Life’s little ironies.)

S.E. Smith, who blogs about gender and disability issues, expands on the topic of sexism and identity role models in the 2015 post “Beyond the Binary: Yes, Nonbinary Femmes Exist” . The piece takes aim at some of my negative self-talk about passing and femininity:

[I]t’s troubling that in general culture, only a very narrow range of people are treated and presented as nonbinary. If we’re to believe things like art projects that claim to be documenting nonbinary lives, nonbinary people aren’t fat, they don’t have breasts and hips. They present mostly masculine, perhaps with a slightly fey appearance. Perhaps some look vaguely like butchy women — but nonbinary femmes are nowhere to be seen, and when they try to assert themselves and speak out about their identities, they’re often treated very harshly.

In other words, they’re caught in the same antifemininity trap that women have to deal with, where feminine gender performance and expression is sneered at and deemed lesser. Which is incredibly misogynist — it’s effectively saying that women who are interested in makeup or who wear dresses or who like heels are somehow less worthy by nature of their femininity. This should trouble people who think this way and claim to be concerned about gender politics, but it doesn’t.

Nonbinary femmes are misgendered constantly, forcibly labeled as women even when people are corrected. Their preferred pronouns are ignored and people treat them as women in social and political settings. People attempt to suppress their work and personal expression, exclude them from trans spaces, and erase their very presence, which is incredibly isolating for nonbinary femmes, who are left struggling with their gender entirely on their own. If you don’t see any people who look like you talking about the things you’re trying to deal with, it’s really difficult to come to terms with them.

If you’re uneasy in an identity as a woman but everyone calls you a woman, you might have trouble thinking  of yourself as nonbinary — and when you turn to resources for the trans community to explore gender identity, you might see that none of the bodies represented there are like yours. In a community that’s allegedly diverse and complex, you’re tossed aside and treated like garbage, or even a pretender. Nonbinary femmes, you see, are just special snowflakes who want to have their cake and eat it too, dressing up like women and enjoying ‘passing privilege’ but still claiming a marginalised identity.

Things are much more complicated than that, as nonbinary femmes know. It can be incredibly stressful to live, move, and act on the margins of a society that repeatedly tells you that you don’t exist, and repeatedly erases your identity.

I’m unusually lucky to live in the Five Colleges region, whose culture is on the cutting edge of gender diversity issues. For me, most of the erasure is self-inflicted and internalized. At queer and transgender community events, I’ve seen plus-sized femme people wearing flamboyantly sexy, tight, wonderful clothing that I would never have dared to wear when I was their age. They make me feel I’ve found a place without body-policing, which is almost like a place without sexism.

I like the word “bigender” even though my eyes keep reading it as “big gender”. Or maybe that’s why. I have BIG gender. Too much to pick only one. Ekundayo Afolayan talks about this in their entertaining article for The Establishment, “My Genderqueer Quest for the Perfect Detachable Penis”:

From childhood into my teens, I learned that I had to be “feminine”—meaning big-breasted, with a flat belly, straight hair, and light skin. I kept myself clean-shaven, and stayed out of the sun so my brown skin wouldn’t get darker. I feared being seen as “butch,” or even expressing my interest in girls. I tied myself down with misogyny, and my sexual freedom went with it.

Being Black made my feelings about femininity even more complex. Viewed as a fat Black woman, I was both hypersexualized and desexualized by my peers. I was also keenly aware that my recent ancestors were never granted the right to be seen as feminine, so avoiding femininity made me feel guilty. I felt like I was throwing away something precious.

When I turned 14, my hold on gender norms broke. I developed chronic hirsutism. That meant thick tufts of hair all over my chin, a full mustache and thick sideburns and hard-to-lose weight. Not Western society’s ideal of “ladylike.” I felt ashamed. It wasn’t until I was in my last year of high school that I started to accept who I was. I was never completely a woman—I felt like a man, too, sometimes. Accepting myself as multi-gendered meant that my relationship with femininity became simpler. Still, my complicated relationship with detachable dicks was only beginning…

…[W]ith the discovery of Tumblr and my move to college, I was able to name who I was: bigender. I felt free!

Still, something was missing. I struggled with dysphoria, the sense that my body is fundamentally “wrong.” I’ve been taught all my life that I have to be soft and hairless, “feminine” in all the obvious physical ways. Men are supposed to be tall, muscular, with penises, flat chests and full of machismo. I didn’t know how I could break free of those norms. How could I, a person with wide hips, big breasts and long, flowing hair, ever been seen as a man?

I tried to hide. I tried costuming myself in ultra-femme clothes, cat-like nail tips and rouge lipstick, but it made me feel like people saw me as a joke: a “man” with not only a pussy, but also long nails and meticulous eyeliner. Sometimes I layered my clothes to hide my curves, but I couldn’t perform enough to convince people I wasn’t a woman. Finally, I realized that I needed to stop costuming and performing for cis-het folks, seeking their validation, trying to conform to their rules. I decided only I could validate myself. I don’t have to be anything for anyone but myself.

Some days I feel like my breasts don’t “fit” me, and other days they’re the perfect accessory; maybe I want to wear a binder one day and a push-up bra the next. Now that I know who I am, that doesn’t feel like a contradiction. These are all parts of my self-definition, which comes from within. I’m more than a man, and I’m more than a woman: I’m a singular experience. Some days I want be penetrated, and other days I want to top with the perfect dick. Which is why I now know that I have to push forward and find the perfect dick for me.

It feels like an act of rebellion to even search for the perfect dick—to know that one day, I will earn it. I will hand-select every single part of that dick and treat it right. I don’t need to show that I have a penis in order to be validated as a man, but I want one, for myself, in order to feel whole.

Read the whole thing for tips on how to find your missing piece. I recommend Toys of Eros in P-Town. (Of course I’m such a size queen that my new buddy doesn’t fit in my jeans. Time to try wearing skirts again?)

Book Notes: Queering Sexual Violence

The new anthology Queering Sexual Violence (Riverdale Avenue Books, 2016), edited by Jennifer Patterson, is a must-read for social service providers, activists, policymakers, and anyone who studies child abuse and intimate partner violence. It includes personal essays, poems, artwork, and hybrid-genre pieces by Sinclair Sexsmith, Mattilda Bernstein Sycamore, Sassafras Lowrey, the late Chloe Dzubilo, and 32 others.

The book fills a gap in the common understanding of abuse as something that men do to women and children, and as a social problem best solved through legislation and policing. This familiar picture excludes survivors for whom the carceral state does not routinely offer justice: people of color, the disabled and neurodiverse, and of course the many LGBTQ people who hesitate to out themselves to the police and the courts, fearing that their victimization will only be compounded. (Think, for instance, of the Orlando Pulse shooting victim whose homophobic father refused to claim his body.) QSV is first of all intersectional, with a diverse list of contributors who explore the ways that both victims and perpetrators may need liberation from the web of oppression that binds them together.

Some of my favorite pieces confronted the question, taboo in mainstream “Born This Way” LGBTQ discourse, of causal links between trauma and sexual orientation/gender identity. Lately I’m haunted by the question of whether I’d be genderqueer if I hadn’t been abused by my mother, particularly her controlling and shaming of my gender presentation and sexual maturation. Who is that mythical woman I might have become in a happy family? Am I allowing my mother to steal my womanhood along with my childhood? Is my lifelong wish for my uterus to wander away forever a self-harming trauma reaction?

Funny thing, though, I never ask myself (nor am I asked by anyone else) whether I’m legitimately heterosexual, or whether my disinterest in sex with women is a trigger that I should overcome. Both trauma and queerness are stigmatized, deemed to be in need of explanation, and so I’m always tempted to split or disclaim these parts of myself. As Pam Mack writes in her piece on “Mother-Daughter Sexual Abuse”:

While I believe that my personal development was harmed by the abuse [by her mother and grandmother], I can still claim as mine the preferences I have evolved, whatever combination of innate, abuse-conditioned and the product of growth and healing they may be. And I can let them change over time, if I want. Knowing this hopefully provides another way of moving towards a culture in which a wide range of choices are seen as valid, even ones that may have been shaped by abuse… It is freeing not to feel I have a responsibility to make myself as normal as possible. Aren’t we all shaped by pain? (pg.57)

Jennifer Patterson’s essay “These Bones” also showed me I wasn’t alone in this struggle:

The conscious and unconscious ways people pervert sexual and gender identity through the lens of abuse has been something I have experienced consistently since I began identifying as queer and a survivor. Those who wish to render me deviant search for sources of my “illness,” a root for my queerness. They quickly find it when they learn I am a survivor. Not only is my queerness “understood,” then, it is sometimes challenged for validity. As in: maybe I am not really queer, maybe I am just damaged. I reject all of the judgments placed on my body and my relationships. The need to validate my sexual identity did not exist when I was in “straight” relationships with cisgender men…

…To believe that people “become” queer by way of violent exposure also informs a false idea of safety within our queer communities. When people imagine that I “became” queer because of the violence I experienced, not only do they believe that violence made me queer, it’s as if they believe that queer people don’t experience or perpetuate violence. This is not even close to being true. (pg.105)

(I think she means “perpetrate” rather than “perpetuate”; the book could have benefited from more careful copyediting and proofreading.)

Amita Yalgi Swadhin’s essay “Queering Child Sexual Abuse” considers flipping the causation around:

…[Q]ueer people who are willing to be out about our sexual orientation are already seen as non-normative. In a way, we have less to lose by also coming out as survivors of child sexual abuse than straight people do, since survivorship is in and of itself a queer (non-normative) identity.

And therein lie our opportunities.

We now know that, regardless of sexual orientation, people who exhibited gender non-conforming (or genderqueer) behavior in childhood were at a much higher risk of sexual abuse to begin with… The risk of experiencing sexual abuse for gender-non-conforming boys is especially alarming, at rates two to six times higher than gender conforming boys… If more queer survivors tell our stories publicly, we may be able to bring this data to life and pressure prevention and intervention efforts to account for the higher risk of sexual abuse that genderqueer youth (many of whom are not straight) face. (pg.219)

Meanwhile, Jen LaBarbera’s essay “Welcome Effects: When Sexual Violence Turns Girls Queer” embraces her attraction to women as one of the good things that came out of her abuse by her brother. She challenges both LGBTQ and survivor communities to drop the respectability politics that de-legitimize her experience.

The anthology includes many other good pieces on the healing aspects of kink/BDSM, alternatives to the prison-industrial complex, the intersection of personal and societal trauma from racism and poverty, and how we can keep ourselves safe without handing over our perpetrators to an oppressive system. Follow @QSVAnthology on Twitter for related articles, giveaways, and news of upcoming readings.

Poetry by Donal Mahoney: “High School in the Fifties”

Reiter’s Block subscriber Donal Mahoney offers us this thoughtful poem prompted by this weekend’s hate crime against queer Latin@ clubgoers in Orlando.

High School in the Fifties

In my all-boys school
sixty years ago there were
two boys who were different.
All four years they walked
to classes together, books
clasped to their chests
the way girls walked home
carrying theirs.

I never saw another
classmate talk to them,
perhaps because like me
they didn’t know what to say
or they had nothing to say.
But I never heard anyone
talk about them either.
It was as if they weren’t there.

Now 60 years later
the school sends out
alumni updates and lists
the two of them as missing
and asks if anyone might
know where they are.
I doubt that anyone does.
We didn’t know where
they were back then.

***

Author’s note: “Donal Mahoney attended a Roman Catholic boys-only high school in the early fifties. The Orlando massacre reminded him of two apparently gay classmates from six decades ago. There were probably other gays in the school as well who did not fit the same stereotype. These two classmates were never picked on to his knowledge and they were not shunned, either. He feels to this day straight kids at that time simply did not know how to communicate with them nor had any interest in doing so just as there were some straight kids who did not ‘fit in’ as well. There was no bullying because neither the administration nor the students would have tolerated that kind of behavior. If you wanted to heckle someone, he had to appear to be your equal physically. It was not a good time for anyone who was different but maybe just a little better than today.”

I wonder about that last claim. Speaking for myself, even in the 1980s, in a liberal arts school in Brooklyn, I didn’t know any students who were “out”, though in retrospect I can guess at a few. That didn’t make it a safe space from bullies, by any means. One could argue that with greater visibility comes greater backlash, but perhaps there were just as many hate crimes that were not reported as such, because sexual and gender identities were not an acceptable discussion topic. Our erasure from history is a loss that continues to affect the current generation of LGBTQ kids. In any case, I appreciate this poem’s effort to bring those long-ago boys into the light of acceptance and truth.

No More Queer Martyrs: Mourning the Orlando Nightclub Shooting

In the early hours of Sunday morning, a gunman massacred 50 people and critically wounded 53 others at Pulse, a gay nightclub in Orlando, FL, during Latin@ Night. News reports are calling it the deadliest mass shooting in U.S. history and the worst terrorist attack since 9/11. There is preliminary evidence suggesting that the shooter, Omar Mateen, was a sympathizer of the radical Islamist group ISIS. Other articles mention his ex-wife’s allegations that he violently abused her, which raises the question of how he passed a background check to own assault weapons. (The answer being that this is America.)

I can’t stay silent, yet I can’t find the words.

The script we follow for these never-ending gun homicides is tedious and heartbreaking. Everyone seeks to harness this deadly energy for political change, in some cases by scapegoating another victimized group (Muslim-Americans, the mentally ill), in other cases by hoping that this time the suffering will be great enough to strengthen gun control laws and end the hateful rhetoric against Latin@ immigrants and LGBTQ people.

I just don’t believe it anymore. I don’t see hate being turned to love, or even to repentance, by our spilled blood. I start to gag when I read yet another gay Christian blogger pleading with their conservative brethren, “Won’t you care about us now?” This appeal assumes that those who preach a death sentence against homosexuals don’t really mean it. That they are only negligent and not intentional in dreaming of a world where queer brown people are wiped out. No, take them at their word. People who’ve made peace with the prospect of eternal conscious torment for nonbelievers are too numb, or worse, to notice a few more bodies lying in the street.

We all look for patterns to extrapolate from these shattering traumas, for life lessons that could keep us safe from another terrible surprise. This instant de-centering of the actual victims is part of what bothers me about the heated conversations in my Facebook and Twitter feeds today. I’m hesitant to write the next lines because I don’t want to co-opt this tragedy for my own agenda, either.

This is my personal struggle, in the aftermath of Orlando: It feels like another nail in the coffin of my belief in the Christian God. The moral logic of the Cross seems to have failed. The suffering of innocents is not effective to awaken the conscience of the persecutors. There is not some guaranteed maximum number of lives lost or ruined, past which no wrongdoer’s heart can stay hardened.

Prove me wrong, America.

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