George Herbert: “The Flower”


Today in the Anglican calendar we commemorate George Herbert, one of the great 17th-century metaphysical poets (1593-1633). According to the thumbnail bio at The Daily Office, he spent most of his short life as an humble and well-loved parish priest in a village near Salisbury, England. His reputation rests on a single book of poems, The Temple, that was published after his death by his friend Nicholas Ferrar. Below, his poem “The Flower” testifies to the dizzying emotional highs and lows of the spiritual life and how God’s constancy alone brings peace. I find it comforting that even a great Christian poet like Herbert had the same struggle for equanimity as the rest of us.

The Flower

    How fresh, O Lord, how sweet and clean
Are thy returns! even as the flowers in spring; 
    To which, besides their own demean,
The late-past frosts tributes of pleasures bring.
        Grief melts away 
        Like snow in May, 
    As if there were no such cold thing.

    Who would have thought my shrivled heart
Could have recovered greenness? It was gone 
    Quite under ground; as flowers depart
To see their mother-root, when they have blown;
        Where they together 
        All the hard weather 
    Dead to the world, keep house unknown.

    These are thy wonders, Lord of power,
Killing and quickening, bringing down to hell 
    And up to heaven in an hour;
Making a chiming of a passing-bell. 
        We say amiss, 
        This or that is: 
    Thy word is all, if we could spell.

    O that I once past changing were,
Fast in thy Paradise, where no flower can wither!
    Many a spring I shoot up fair,
Offering at heaven, growing and groaning thither: 
        Nor doth my flower 
        Want a spring-shower, 
    My sins and I joining together:

    But while I grow in a straight line,
Still upwards bent, as if heaven were mine own, 
    Thy anger comes, and I decline:
What frost to that? what pole is not the zone, 
        Where all things burn, 
        When thou dost turn, 
    And the least frown of thine is shown? 

    And now in age I bud again,
After so many deaths I live and write;
    I once more smell the dew and rain,
And relish versing. O my only light, 
        It cannot be 
        That I am he 
    On whom thy tempests fell all night.

    These are thy wonders, Lord of love,
To make us see we are but flowers that glide: 
    Which when we once can find and prove,
Thou hast a garden for us, where to bide. 
        Who would be more, 
        Swelling through store, 
    Forfeit their Paradise by their pride.


Charles Wesley: “Come, O Thou Traveler Unknown”


An ongoing paradox of my spiritual life is the interplay of willpower and surrender. I am flung back most heavily upon God when I reach the limits of my moral or intellectual abilities to solve some problem. At such times I must learn to quit thrashing around and trust that God will reveal the way forward in His own good time. I have an aversion to inactivity, which always feels to me like edging close to the precipice of depression. Yet, as anyone who’s practiced meditation can testify, rest is not the same as passivity or inaction. Stillness is hard work! That’s where the willpower comes in. Not to batter my way bull-headedly through my problems on my own, but to cling with all my might to the promises of God, and refuse to be distracted by subtle doubts and speculations. “For I resolved to know nothing while I was with you except Jesus Christ and him crucified.” (1 Cor 2:2)

Richard F. Lovelace recently sent me a link to this classic hymn by Charles Wesley, a presentation of the gospel through the metaphor of Jacob wrestling with the angel, which to me expresses the perfect balance between God’s action and ours:

Come, O thou Traveler unknown,
Whom still I hold, but cannot see!
My company before is gone,
And I am left alone with Thee;
With Thee all night I mean to stay,
And wrestle till the break of day.

I need not tell Thee who I am,
My misery and sin declare;
Thyself hast called me by my name,
Look on Thy hands, and read it there;
But who, I ask Thee, who art Thou?
Tell me Thy name, and tell me now.

In vain Thou strugglest to get free,
I never will unloose my hold!
Art Thou the Man that died for me?
The secret of Thy love unfold;
Wrestling, I will not let Thee go,
Till I Thy name, Thy nature know.

Wilt Thou not yet to me reveal
Thy new, unutterable Name?
Tell me, I still beseech Thee, tell;
To know it now resolved I am;
Wrestling, I will not let Thee go,
Till I Thy Name, Thy nature know.

’Tis all in vain to hold Thy tongue
Or touch the hollow of my thigh;
Though every sinew be unstrung,
Out of my arms Thou shalt not fly;
Wrestling I will not let Thee go
Till I Thy name, Thy nature know.

What though my shrinking flesh complain,
And murmur to contend so long?
I rise superior to my pain,
When I am weak, then I am strong
And when my all of strength shall fail,
I shall with the God-man prevail.

My strength is gone, my nature dies,
I sink beneath Thy weighty hand,
Faint to revive, and fall to rise;
I fall, and yet by faith I stand;
I stand and will not let Thee go
Till I Thy Name, Thy nature know.

Yield to me now, for I am weak,
But confident in self-despair;
Speak to my heart, in blessings speak,
Be conquered by my instant prayer;
Speak, or Thou never hence shalt move,
And tell me if Thy Name is Love.

’Tis Love! ’tis Love! Thou diedst for me!
I hear Thy whisper in my heart;
The morning breaks, the shadows flee,
Pure, universal love Thou art;
To me, to all, Thy bowels move;
Thy nature and Thy Name is Love.

My prayer hath power with God; the grace
Unspeakable I now receive;
Through faith I see Thee face to face,
I see Thee face to face, and live!
In vain I have not wept and strove;
Thy nature and Thy Name is Love.

I know Thee, Savior, who Thou art.
Jesus, the feeble sinner’s friend;
Nor wilt Thou with the night depart.
But stay and love me to the end,
Thy mercies never shall remove;
Thy nature and Thy Name is Love.

The Sun of righteousness on me
Hath rose with healing in His wings,
Withered my nature’s strength; from Thee
My soul its life and succor brings;
My help is all laid up above;
Thy nature and Thy Name is Love.

Contented now upon my thigh
I halt, till life’s short journey end;
All helplessness, all weakness I
On Thee alone for strength depend;
Nor have I power from Thee to move:
Thy nature, and Thy name is Love.

Lame as I am, I take the prey,
Hell, earth, and sin, with ease o’ercome;
I leap for joy, pursue my way,
And as a bounding hart fly home,
Through all eternity to prove
Thy nature and Thy Name is Love.


Sing along at CyberHymnal!

New Poems from “Conway”: “City Limits” and “Streets”


My prison pen pal “Conway” returns with new poems that move deeper into surreal territory. I like how he’s moved away from his reliance on Gothic-horror imagery to more subtle and original metaphors. I sent him poems by John MiltonCarl Phillips and Ariana Reines this month, so look for even stranger poems in the weeks ahead.

We’re currently seeking a publisher for a chapbook of his work. If you have a lead, please comment below. Meanwhile, some selections:


City Limits

Exploring her every nook & cranny:
This neon-lit City of Angels
carefully, I pried open
a glass eyed time-piece
sand slithering arteries of Grit
became avenues of dead stars
mixed among flotsam and jetsam once again

A globe-lit recalcitrant flame
Lamp-light of our dark-voided space
sucked into a whirlpool
siphoned through
a pocket-knife sliced Garden hose
Fuel, for a stolen car’s joyride
So lonely for comfort; Yet so alive…


********

Streets

Delay this intrepid LIFE (left behind)
hand-washed away, by years of silent cheers
watch as sunsets-strip away the pain
while your splendor is too keen to withdraw
abstain or restrain, streets of my youth…

The streets I grew-up on, may flee
But, they will never leave me
I know those black veins, pumping red
trees pulsing green
congested traffic trailing lights through the foothills…

They freely flow, like: A mother’s breast
request of issue hushed
producing life, as the sore cries out for more
Time, to ingest floppy kisses, of silt & smog
Tastes that clog this breast with memory…

“too brilliant” in the scheme of things; So I thought!
Yet, looking back now, it seems I’d caught
a hint or glimpse, of troubles to astonish
as shocking as this may sound
I chose to stick around; I could have Run…

Carl Phillips: “Parable”


There was a saint once,
he had but to ring across
water a small bell, all

manner of fish
rose, as answer, he was
that holy, persuasive,

both, or the fish
perhaps merely
hungry, their bodies

a-shimmer with
that hope especially that
hunger brings, whatever

the reason, the fish
coming unassigned, in
schools coming

into the saint’s hand and,
instead of getting,
becoming food.

I have thought, since, of
your body — as I first came
to know it, how it still

can be, with mine,
sometimes. I think on
that immediate and last gesture

of the fish leaving water
for flesh, for guarantee
they will die, and I cannot

rest on what to call it.
Not generosity, or
a blindness, trust, brute

stupidity. Not the soul
distracted from its natural
prayer, which is attention,

for in the story they are
paying attention. They
lose themselves eyes open.


Read more poems from Phillips’ collection Pastoral (Graywolf Press, 2002) here.

PEN Prison Writing Contest Winners Posted


The PEN American Center, a writers’ association that defends freedom of expression and other human rights, offers an extensive Prison Writing Program that mentors incarcerated writers and promotes their work through readings and publications. The winners of their 2007 writing contest are currently online.

I was especially impressed with J.E. Wantz’s first-prize essay “Feeling(s) Cheated“. Part memoir, part political analysis, this piece describes the author’s treatment with the antidepressant Paxil. Wantz asks tough questions about what the individual, and society, gains or loses by medicating the symptoms rather than addressing the causes of sorrow, anger, and shame. When does medication become a crutch, as well a cheaper alternative to rehabilitating the prisoner? What is the true self, and at what cost are we willing to experience its emotional highs and lows?

Wantz recounts a traumatic encounter with a volunteer preacher who denounced antidepressants as Satanic. In this man’s view, mental illness was a demonic possession that would be cured if one’s faith was strong enough. This inaccurate, shaming message cut the author off from a sense of God’s forgiveness, though the challenge also motivated him to wonder what emotions he was so afraid of experiencing without the drug.


When I was a teenager I wasn’t prepared to deal with the emotional quagmire that lay before me like a quicksand minefield. I was too tied up in other people’s views of who I should be. Other people condemned me because I was not like the saints of old. They wanted to shape me into their idea of what a good moral person should be. Their inability to consider that maybe they didn’t know what they were talking about never entered their minds. They were right; everyone at church, at youth group, and at summer camp thought the same way. Everyone in my world, limited as it was, told me who I was supposed to be. How could they all be wrong? My mind and emotions were at war. A war I could not win without help. In the psychiatric field I believe that this is called a cognitive dissonance. Ten years later I was introduced to Paxil. The drug helped solve none of the key issues, it merely put them on hold.

But did I need the drug for ten years? Or would a much shorter time period have been appropriate, maybe the original six-month trial period? A drug that was meant to be a stop-gap emergency measure had become a lifestyle. It had become a habit. Did the Band-Aid become the putative cure? My body consumed the substance daily, building a dependency.

An October 2005 article in The Atlantic Monthly, entitled “Lincoln’s Great Depression” by Joshua Wolf Shenk (adapted from his book entitled Lincoln’s Melancholy: How Depression Challenged a President and Fueled his Greatness), examined and found a man who was tormented by melancholy, to the edge of suicide. The author’s argument is that Lincoln’s struggle from within his depression focused his statecraft in ways that were essential to addressing the specific challenges of both the war of secession and the contentious debate on slavery. But, as the author explains, all of that arose from Lincoln’s approach to living with his depression. He did attempt medical remedies that we can now conclusively say did not help, and in fact may have harmed. He tried tablets of mercury, cocaine, and infusions designed to induce violent diarrhea, to name a few. Today we see all these remedies as “snake oil” in the battle against depression, but the medical establishment of the day trumpeted their efficacy, much as the current TV commercials do for every conceivable malady anyone with disposable income could have.

Lincoln worked with his depression and is now, inarguably, considered one of this nation’s best presidents. He didn’t overcome, rise above, or surmount his melancholy. He never gave a glowing testimonial about how he found God or a drug that miraculously saved him from the clutches of the demon depression. No, he had a different approach. The author tells us that Lincoln requested a copy of the eulogy given at the funeral of his 11-year old son, Willie. Shenk says, “He [Lincoln] would hold to this idea as if it were a life raft.” The idea is that “ . . . with confidence in God, ‘our sorrows will be sanctified and made a blessing to our souls, and by and by we shall have occasion to say with blended gratitude and rejoicing’ it is good for us that we have been afflicted.” His depression was not a demon to exorcise; it was a fact of everyday life necessary to live with.

What explains the judgmental attitude that some Christians have toward depression, as described in Wantz’s story and this RELEVANT Magazine article by Laura Bowers? In a culture that is hyper-sensitive to any signs of Christian hypocrisy, where evangelism is met with suspicion or indifference, I for one certainly feel pressure to pretend that my faith makes me happy and functional. Turning to drugs looks like an admission that Jesus isn’t enough. If the product doesn’t work for me, why would anyone else buy it? I’m not just the president of the Hair Club for Men, I’m also a satisfied customer! 

The flip side of this judgment toward others is shame about one’s self–the exact thing the gospel is supposed to free us from, which should be a sign that this attitude is un-Christian. When I am depressed, I am afraid that it undermines my credibility and makes me unlovable. Depression reveals how much power I’m still giving other people to determine my self-worth, when I “should” be getting that from God’s unmerited love. I put “should” in scare-quotes because these days, that expectation feels like just another demand to which I can’t measure up, i.e. another source of depression.

How do I get from here to there? Maybe I don’t. Yesterday I prayed, “God, thank you for making me a melancholy person, because that is how you made me, and so you must have a reason that is for my good as well as the good of others.”

Do I feel better today? Do I have to?

Jill Alexander Essbaum: “Wednesday, Ash”


Nothing of me will survive.
This body that I wear will die
and my mouth–nevermind its loveliness–
is set to shut itself into a sorrow the size

of restlessness and lack.
The lips go too. They slack
at the corners crying no, no
but still they go. They do not talk back.

And then for every finger I have counted on–
so many times–there is a going, and a gone.
They leave to rest in pieces with once sad and
    pretty hands of grief
waiting for an Easter dawn

(which no one hears approaching when they’re 
    buried underneath the ground).
And my feet cannot quit thinking quickstep,
    swing, the sound
of toe taps or a waltz. Hush. No dancing for the dead.
The ball is done. The slipper? Nowhere to be found.

And my belly, full or no is quiet.
Then it will feast as a ghost feasts–on nothing, a diet
of sediment, sleep, a lily or two.
I shall not fuss, I shall not make riot

or rivalry any, any more. The eyes are vacant, tenantless,
for they have been plucked out. Relentless
death, you have withered shut my heart
like an old rose closing, pungent and motionless

in the closet of the rats and of the bones. Everything
    I am is dust,
or shadows of it, clay unkissed.
Having died in the desert, I do not come back.
Having died in the desert, it is the drought I miss.

How can that be? Nothing, nothing of us survives.
Every inch of us will die,
and not a thing that God can do will stop it.
Even Christ, the very self of God was crucified

and dead three days, entombed.
Angels wept as little children, women loomed
about His bloody, broken body swaddled in a shroud.
And then–He rose. Like Lazarus or bread, or any
    bright moon

which lifts as thunder over mountaintops and homes.
Like that, my God–save me, save me from the groan
and creak of a coffin’s rusty hinge
and resurrect us all, one by one–

all the bodies that no longer breathe or move,
and every soul that reaches but cannot grasp the 
    thing it loves.
Save us to a grace we cannot ever hope to understand,
such that in our dyings–behold–somehow?–we live.

***
    from Heaven (Middlebury College Press, 1999)

Mark Doty: “At the Gym”


This salt-stain spot
marks the place where men
lay down their heads,
back to the bench,

and hoist nothing
that need be lifted
but some burden they’ve chosen
this time: more reps,

more weight, the upward shove
of it leaving, collectively,
this sign of where we’ve been:
shroud-stain, negative

flashed onto the vinyl
where we push something
unyielding skyward,
gaining some power

at least over flesh,
which goads with desire,
and terrifies with frailty.
Who could say who’s

added his heat to the nimbus
of our intent, here where
we make ourselves:
something difficult

lifted, pressed or curled,
Power over beauty,
power over power!
Though there’s something more

tender, beneath our vanity,
our will to become objects
of desire: we sweat the mark
of our presence onto the cloth.

Here is some halo
the living made together.


Read more poems and essays by prizewinning author Mark Doty on the Academy of American Poets website.

Book Notes: Get the Rollax Replicas You Watned, Vermin


The uniquely contemporary art form known as “spam poetry” — amusing, occasionally creepy “found poems” assembled from phrases in junk emails — has spawned numerous fan sites such as the Spam Poetry Institute, Spam-Poetry.com, and the Anthology of Spam Poetry (notable for the fake bios of the poems’ “authors”). I find this art form so fascinating because it captures the absurdity of the competing messages hurled at us by mass communication, a random data stream of tragedies and trivia in which all information has equal (and therefore no) significance.

As someone who has tried in vain to appreciate some of today’s more experimental poets, I also appreciate the questions spam poetry raises about language and meaning. Can a poem be enjoyable even if it has no “meaning”, no narrative thread or logical connection leading from one phrase to another? If so, what characteristics distinguish interesting nonsense from inanity? Good spam poetry, I think, does more than joke about Viagra; it teases us with the ghost of meaning, triggering our minds’ compulsion to “make sense” of any string of words we encounter.

So I was excited to discover an entire chapbook of spam poetry, E.V. Noechel’s Get the Rollax Replicas You Watned, Vermin: Poems, Directly Marketed (Assume Nothing Press, 2007). A quick and entertaining read, these poems also have a sinister tone, like secret communications overheard by the wrong person, or dream conversations that seem terribly important yet impossible to retain. Perhaps spam poetry taps into the paranoia of the Internet age, where information is plentiful yet unreliable, and our privacy can be violated without us ever knowing.

Below, samples from the chapbook:

Drugs Advised for Rape Victims

I decide to tender you, perfectly fresh.
What would happen
To your family if you died?
Please don’t think it’s an easy question, wastrel.
Nude angelfish, buttercup, Libya,
Breathtaking image: no place like home.
No place like home.

Soap and water, best germ-fighters.
Should the Government be Involved?
Woven ketosis, Polaroid convoy
The squeaking wheel doesn’t always get
The grease. Sometimes it gets replaced.
My friend, you are in trouble. You
Have nothing to lose.

I think this will intrigue you, mournful
I hope you are doing okay. Are you hurting?
I’ve been depressed with my magnitude
Lately. What and you.

        first published in Blotter magazine

****

Don’t Forget Your Superman Pill

Major Loophole,
Do you want your dick to be wallpaper for a computer?
Surely you only dream of it, delight in
Wartime sorbet
Charisma, violent
Pop quiz hardship,
Orthopedics,
Orchard grass
bamboozle, good-tempered
Masquerade.

My oh my,
Anastigmatic, I’m
Feeling thin,
Vomit news.

It’s heroic to be mammoth,
As clean as beef?

Increase your testosterone
with this new Caucasian.
Why didn’t you
Refuel?

Those college chicks don’t know anything.
Vyaghra.
(Tiger in Sanskrit)

You have a pretty house,
Sleep soundly and awake rested.

****

Visit Noechel’s website at www.evnoechel.com . Read her Honorable Mention poem from the 2006 Wergle Flomp Poetry Contest sponsored by Winning Writers here; Jim Neill’s second-prize poem is another fine example of spam poetry.

Kirk Lee Davis: “Jubilee at the Liberation of the Senses”


Lookout Donkey—It’s a shining corporeal supernova!
Mr. And Mrs. Political have got it together again!

Je suis en retard, Mr. Circumflex?
Let the poppy seeds eat their spongeycake!

The Luftwaffe is happy to see me!
Dance the whiteboy!

Okay now, everybody: barrel-roll those hips?
Simon says pin the quail on the pattycake man!

And helloooooo, Misti Applepants!
The Lord is willing and the flesh is Yahoo!

All free! All free!
What robot abdicator could forego?

Get up, Chipdog! Lock the backdoor!
The giant teeth! The torture wagons!

The fun is here to stay.


Reprinted by permission from DIAGRAM, Issue 7.6

Prison Poems by “Conway”: “Trapdoor” Revised and Others


My pen pal “Conway”, who is serving 25-to-life in California state prison for receiving stolen goods, returns this month with a revised version of “Trapdoor” and other new poems. I’m enjoying the surreal turn that his work has taken, as he feels a greater freedom to make associative leaps and use imagery rather than explanation to convey emotions.

Trapdoor

All the eyes that have groped–
    invoked, these melted sands,
        us trees in the snow, reaching out
for warm lights brightness
    instead, suffocated by whiteness.

The Sun only dissolved the black asphalt
    melted its pain, in vain
        reflecting on this concrete
crumbling, like stale crackers.

All these faces tied together on the same chain
    vacantly staring out
        of a teasing television’s lens

A world of opportunity offered, taunted
    without scents, glints
        but never relents.

A cliche “so close yet so far away”;

This distant world’s condemned
    by icy wind, forgetting its place
        in the prison’s pecking order;
Seasons listening for prompts.

Still, the only real sounds offered
    will turn into useless static
        untuneable noise we avoid.

Paranoid, of a despicable crowd’s opinion,
    wonder, about thunder’s irrelevance.

When the Earth falls open
    to swallow your soul;
Then, like a trapdoor spider
    closes back up
        to hide the hole…

********


Memorial

This nostalgic promise retraced
is still yours, till the end of time
yours was, to always be mine
those cold feet at night
disturbing our warm bed so fine
recollect the crash
shielding your face with mine
reminisce, we missed a sign
I won’t forget my distress
watching you bringing
our bonded blood into this world
howling–kicking & screaming
make note: who made you a mother
we awoke in love with each other.

Now summon the silence: (when I fell)
when I landed in jail
this slow dragging Hell.
I carry you still, I always will
that crept up on me
like a whisper instead
I conceived my widow, before I was dead

memorizing it all, I had no one to call
no one to talk with, cushion this fall
the stillness complied too
it almost implied nothing of you
except
A tragedy like that
has not happened yet
I’m still alive, besides so are you
these shackles they try to disguise
just might catch our lords eyes
then trust the true light to come shining on through.

still, I can promise you this
we will never regret a kiss
your name on my breath, forget
my voice as it dies in the wind
an authentic heart
can never pretend, or
dishonor fate’s dividend…


********

Failure

A Guitar string breaks
        slakes away the note
    Picks this translation
weak inspiration coils up like a snake
        ready to strike out
            fangs on the concertina
slice razor sharp through the flesh
        this song being sung
            on those broken dreams
    hungry schemes of fate
shake off the silver strands empty music
            surrounds the silence
        counting another approach
when wounded strings fail to sing…