May Links Roundup: Safer Spaces

A challenge of social justice work is that people can have shared values but incompatible boundary conditions for the space in which they collaborate. For instance, the need of oppressed people to release anger can clash with the equally valid need of their traumatized comrades to be free from face-to-face aggression. Many groups for healing from rape and incest are women-only spaces because male-on-female assault is probably the most common, as well as the most culturally reinforced, form of sexual violence. However, this set-up leaves male, transgender, and genderqueer survivors without a clear place to fit in. Female-only space, however trans-inclusive, also doesn’t automatically signal safety for women who were abused by other women. (The new anthology Queering Sexual Violence has several excellent articles on these themes; stay tuned for a full review on this blog.)

In a better world, we’d have enough funding and leadership to serve everyone. But scarcity of resources can push us into a fruitless search for a universal, definitive model of safety that convinces everyone to put our own priorities at the top. This month’s recommended links explore the complexities of this issue.

The Unit of Caring, a utilitarian philosophy blog, argues in “Safe spaces and competing access needs” that we should respect all “weird needs for safe spaces” while recognizing that they can’t all be satisfied by the same group parameters. The problem is that because of the wide-open nature of the Internet, people come across conversations that aren’t healthy for them, but those conversational spaces still have value, and we should be able to avoid them without demonizing the people who participate in them.

I’m gay. And sometimes I wonder, ‘would the world be a better place if gay people didn’t exist?’ Telling me ‘wtf is wrong with you’ is really not helpful for enabling me to work through that question. And if I ask it in my campus LGBT center, or on tumblr, it is likely that my need to have that conversation is going to have a big painful collision with someone else’s need not to hear questions like that entertained seriously.

I need people who will think about my question and give me honest answers, to the best of their ability. I won’t be able to get over this question until someone reaches out to me with a genuine spirit of respect and curiosity so we can talk about the answer.

On the other hand, the needs of other people to not be around serious conversations about whether they deserve to exist is really valid and really important. There should be safe spaces where my question is prohibited. There should be lots and lots of spaces where my question is prohibited, actually. Everyone in the world should have access to spaces where my question is prohibited.

But if my question is prohibited everywhere – if it is a universal norm that no decent human being will have a conversation with me about this – then it will keep lurking in the back of my head, unanswered. Or, even worse, I’ll turn for answers to the people who are willing to ignore this universal norm, the people who don’t care about being regarded as decent human beings, and I’ll internalize the things they are saying because no one else is in that space countering them.

This March 2016 post from The Orbit, an atheist social justice website, calls out a problem that plagued me in college, where I was turned off to most left-wing ideas by the bullying tactics of the instructors who advocated them. Harvard being a brutally competitive and anxious place, it’s no wonder that teachers and students alike used our sincerely held ideals as an outlet to vent our stress on other people. I’ve learned so much more about racism from Twitter than I ever could in school, because I can overhear nonwhite writers’ unfiltered expressions of sadness, fear, and even hatred of white people and white privilege, without the fight-or-flight reaction and brain-freeze that I experience in interpersonal confrontations.

This article, “Boundary Setting versus Tone Policing”, explains that we can validate an oppressed person’s anger without giving them a free pass for verbal abuse. (If you’re not familiar with the term, tone policing is “when more-powerful people dismiss the real concerns and call-outs of less-powerful people because of the tone they use.”) “Emotional boundaries are a social justice issue,” the writer “Miri” says, because people with abuse histories or anxiety disorders won’t be able to participate in spaces where yelling at each other is the norm. And beyond that:

But I’m going to take it one step further to say this: you don’t need to be triggered by something, or experience strong negative reactions to it, in order to have the right to set boundaries around it.

I say this for three reasons. One is that if we set thresholds for “acceptable” boundaries, then we’ll be effectively forcing people to out themselves as abuse survivors or mental illness sufferers or whatever in order to be able to set their boundaries. That’s not okay with me.

The second is that many people–especially marginalized people–are often not immediately aware of the harm that something (or someone) is doing to them. That’s because we’re taught to ignore our own feelings and treat them as invalid until “proven” by the “evidence.” Sometimes all we really get–if anything–is a vague sense of unease that we’re tempted to immediately dismiss as “not a big deal.” No, don’t dismiss it. Listen to that unease. Act on it. Set the boundary. You can always unset it later if you decide it really isn’t a big deal. It’s much easier to walk back a boundary than it is to set one after years of putting up with something that’s hurting you.

The third reason is that I believe in giving people agency over their own space, physical and mental. I think people should be able to decide what is and is not okay for them. I think that if we start treating all boundaries as valid, we might start to make a serious dent in rape culture, because right now, one of the ways in which rape culture operates is by requiring people to justify their boundaries before those boundaries will be respected–and if the justification doesn’t satisfy someone, they feel free to violate the boundary.

This last dynamic was a favorite tactic of my abusive mother, whose behavior bursts were particularly florid when I was in college–no wonder I had no tolerance for activism as a blood sport. Miri’s article concludes with some check-in guidelines to discern whether you are setting a personal boundary or tone policing. For example, can you consider the validity of their points while also asking for a different mode of address? Would you really have heard the criticism if phrased differently, or are you dodging the issue? The whole piece is worth a read. Hat tip to Love, Joy, Feminism for the link.

Book Review Roundup: They Tried to Make Me Go to Rehab

Welcome back, readers. Blogging has been light this month while I prepare my Two Natures galleys for submission to book review journals. If you are a reviewer and would like an advance reading copy (Kindle edition), email me.

I’ve read more good books this spring than I’ve had time to blog about individually, so in the next few weeks, I’ll be posting some roundups of books-in-brief, grouped around various themes.

If you want to scare your teenagers away from alcohol and drugs, Gil Fagiani’s new poetry collection Logos (Guernica Editions, 2016) and Eve Tushnet’s debut novel Amends (CreateSpace, 2015) present a brutally honest and unglamorous look at addiction and the difficulties of recovery. And they’re much funnier, and better-written, than any PSA.

Logos is a collection of persona poems set at a heroin treatment center of that name, in the South Bronx in the 1960s. It comes out of Fagiani’s own experience, first as an inpatient there, and later as a social worker at a Bronx psychiatric hospital and the director of a rehab center in Brooklyn. The desperation of addiction has a way of levelling distinctions between races, classes, and professional backgrounds. The first-person narrator of some of these poems, presumably a stand-in for the poet’s younger self, stepped off the privileged path of a military college cadet to do anti-poverty activism in Spanish Harlem, where he got caught up in the drug culture. But his delusional, hand-to-mouth life is no different from the teen prostitutes and con men who are rooting through the same garbage cans for the dregs of liquor bottles. In this poetry collection, Fagiani expresses gratitude for the program that turned his life around, while showing that its zero-tolerance methods condemned some other residents to fall back into deadly habits.

“Logos” is a traditional term for the Godhead in Christian theology, based on the description of Jesus as the divine Word in the Gospel of John. However, the only god in evidence for most of the poor souls in this treatment center is the director, nicknamed “The Great Him”, who justifies his humiliating punishment regime on the grounds that addicts are all manipulative, self-centered liars who need to be tough-loved into submission. As Fagiani notes in the introduction, Logos was a peer-led community inspired by Chuck Dederich’s Synanon, which used confrontational “encounter sessions” to “strip down a person’s defense mechanisms to uncover the real person.”

Tushnet’s Amends takes aim at this very notion that the self is some nugget of sincerity we can excavate from the dross of social performance, rather than something we construct–and reveal to ourselves–in the act of choosing which personae to perform. In troubling our moralistic judgments about surface and depth, and in the humane values underpinning her aphoristic wit, she shows herself to be an aesthetic heir to Oscar Wilde.

The premise of Amends is pure 21st-century but its concerns are as old as the Garden of Eden. A half-dozen alcoholics from all walks of life are selected for a reality-TV show set in a residential rehab clinic. When healing and repentance become co-opted into the postmodern performance of identity, is transformative grace still possible? Sometimes, incredibly, it is, but not always, and not in a fashion that anyone associated with the show could control or predict.

Tushnet, a popular blogger on Catholic sexual ethics, is (for the most part) an equal-opportunity satirist. The Christian doubletalk of crisis pregnancy centers, pretentious queer theater, and aging Young Turk neo-conservative columnists are all grist for her mill. Her indictment of our society is sharp, yet love can still break through our egotistic illusions, as in the poignant, redemptive “bromance” between Gair, a celibate gay Christian athlete, and Dylan, his straight frat-boy best friend, whose drunken antics become less adorable as he ages.

In my opinion, the only flaw in this hilarious and heartbreaking novel is the character Sharptooth, a whiny young woman who identifies as a wolf. She is depicted rather two-dimentionally with all of the insulting stereotypes typically leveled at fringe identities–basically, a phony who wants to call attention to herself because strange identities are trendy and allow you to win power struggles by calling the other person an oppressor. However, “otherkin” is a real identity category that some people sincerely believe applies to them, a fact that most of Tushnet’s readers probably don’t know. To me it seemed like “punching-down” humor to mock a group of people who rarely have any positive representation to counter this depiction. Whatever you think of otherkin, I felt some vicarious shame whenever she came onstage, because trauma survivors and genderqueer people are often silenced with the same caricature that we just want to be treated like special snowflakes. Nonetheless, I highly recommend this book. Read it for the jokes, stay for the grace.

April Links Roundup: Noli Me Tangere

Happy Easter! No, I’m not late. Episcopalians celebrate the liturgical season of Easter for 50 days. That’s a lot of Cadbury Creme Eggs.

Image result for baby bunny photo

No one out-femmes me.

The post-resurrection wounds of Jesus have long been precious to me as a symbol of new life after trauma–a kind of healing that doesn’t mean forgetting. One of the most beautiful examples is this Easter meditation, “The Scars”, from the post-evangelical feminist blog Tell Me Why the World is Weird. What an original and poignant interpretation of Christ’s words to Mary Magdalene, “Touch me not.”

There was so much to do! Forty more days on earth- he would need to talk with all of his followers. And he suspected the first one would be Mary Magdalene.

And there she was. The first to visit the tomb. She stood with her head down, crying. With one hand she held the bag of spices she had prepared for his body.

He walked closer to her and said “hello.”

She didn’t look up. “Please sir. They’ve taken my Lord away… sir could you tell me… tell me where they’ve put him and I’ll go get him.”

“Mary.”

“Rabboni!” she cried, and ran at him with outstretched arms.

OH NO NO NO, he thought. Oh geez no touching. He froze. He couldn’t think. He tried to make words, to say something that would stop her. No touching. “Do not hold on to me!” he blurted out, and Mary backed away. Oh, thank goodness. Okay, try to play it off cool, say something profound. He looked at her and took a deep breath. “… for I have not yet returned to my father. Go to my disciples and tell them.”

She wiped tears from her eyes. “Yes, Lord,” she said.

“I have to go. You go tell them, okay?”

Before I figured out where the story was headed, this Jesus reminded me of someone with autism or sensory processing disorder, who might be distressed by all the hugging that Christians are supposed to do in church. I believe the Incarnation gives us permission to imagine the Jesus we need, a divine being who fully participates in human experience–not some supposedly universal experience, but the distinct reality of each person, including neurodiversity.

Do you know why it took me 8 years to write the Endless Novel? Not just because I was simultaneously leaving my abusive parent, changing my belief system, adopting a child, and writing poetry books. Without Julian (the novel’s hero), I couldn’t have done any of those things. In fact, I was stuck because I was afraid God was angry at me for how much I loved Julian. Every time I hit a rough patch in the writing, I thought God was withdrawing the mandate of heaven from me, like King Saul. Libby Anne, an atheist raised in a fundamentalist homeschooled family, explains why in this post at her blog Love, Joy, Feminism: “Do You Love God More than You Love Your Children?”

[T]his is actually fairly standard evangelical teaching. The idea is that we all have things in our life that we risk loving or valuing more than we love and value God, and that that’s a problem. Our pastors, youth group leaders, parents, and Bible study material used the story of Isaac to teach us that we needed to be willing to sacrifice—or give up—whatever we valued more than God.

The reference, of course, is a Bible story in which God commanded Abraham to kill his beloved son, Isaac, as a human sacrifice, and Abraham obeyed God but was stopped by an Angel at the last moment…

…No parent should have to worry that their love for their children might get in the way of their love for God. No spouse should have to worry that, no child, no friend. Love should not be a thing to be afraid of, and we should not have to fear valuing others.

As a parent, I love seeing my children work together and value each other. I love seeing them show love for each other. When they fight, it makes me sad, because I love them both and I want them to love each other too. Why would I, as a parent, be jealous of my children’s love for each other? Why would I worry that their love for each other would in some way compromise their love for me? If I told them that they had to love me more than they loved each other, or that they had to be willing to sacrifice their feelings for each other if those feelings got in the way of their feelings for me, I would be abusive and manipulative to the extreme.

And yet, that is what I was taught God does.

Imagine a boyfriend telling his girlfriend that she has to love him more than her parents, or her friends. Imagine him jealously watching her actions for any signs that she might value those others more than she values him. Imagine him shaming her if she spends what he considers too much time with her friends. We would term this abuse without qualm or reservation. Love for family or friends does not have to have any negative impact on love for a partner, and in a healthy relationship love is given and accepted freely, not under terms of guilt and coercion.

Please “Like” Julian on Facebook and follow his fashion picks on Pinterest. It’s not a sin!

At the Little Red Tarot blog, my favorite source for queer and alternative Tarot interpretations, co-editor Andi Grace interviews Tarot reader and zine writer Maranda Elizabeth about trauma, disability justice, “madness”, and poverty as themes of her spiritual practice.

Because trauma, madness, chronic illness, and disability are core pieces of who I am, it would be completely impossible for my Tarot practice not to be influenced by them. When I draw cards, I don’t get to escape my traumas or illnesses; I don’t get to set my diagnoses aside each time I shuffle a deck. Nor would I wish to! Trauma recovery dares me to learn new methods of being, and so does Tarot.

I think about how one effect of trauma can be to damage one’s imagination and creativity – the fight-flight-freeze responses can become so ingrained – not to mention the realities of coping with pain and poverty – that it’s hard to imagine being able to live a more fulfilling, magical, and dreamy life. And while trauma is real, and oppression is real, and poverty is real, Tarot is one way to (re-)develop the imagination and creativity that may have been injured due to traumatic upbringings and experiences.

Madness, illness, creativity, and spirituality are continually invalidated parts of my life, and yet they are the most crucial – they are my entire being. While I’m often quiet about my spiritual practices (I’m a solitary, and I think about, “to know / to will / to dare / to keep silent” a whole lot), I also feel the need to connect magic and trauma, and to talk about healing as a non-linear, unending process – I will always be healing, not healed, recovering, not recovered. Sometimes I get sick of talking about trauma, but it continues to permeate everything, so I have little choice.

Tarot helps me cope. It helps me access internal resources, acts as a healing tool and writing prompt, and shows me where I have agency in my life. Tarot works against existential despair and hopelessness, and connects me to something else. It helps me find magic in the mundane. Tarot helps me resist meaninglessness, worthlessness, and hopelessness. Also, I feel like it gives me permission to be a weirdo, to be kind of a fuck-up, and to find meaning that way.

Read an extended discussion of these subjects on Maranda’s blog and put some money in her tip jar.

“Jerusalem Cycle” Revisited: This Poet’s Wish for Peace

I wrote the following poem in response to newspaper articles about the Second Intifada (2000-05). From the still-raging conflict between Israelis and Palestinians, to the dreadful news of the terrorist bombings in Brussels this week, it seems that the cell phones of the dead never stop ringing, and desperate people never stop killing and dying for their political visions. Though my family heritage gives me a visceral concern for the survival of the Jewish state, I made every effort in this poem to give a balanced voice to the Palestinians suffering from Israel’s human rights abuses. May there be peace and an end to prejudice.

This poem was first published in Clackamas Literary Review (2003).

Jerusalem Cycle: April 2002

I

The phones of the dead are ringing
as pale men in black vests
gather them into plastic sacks
methodically as bone collectors
for centuries in this holy desert
have hunted the bodies of the past.
The shoes of the dead are bewildered.
They were humble, being shoes,
only wanting to help the dead,
who weren’t dead yet, walk safely from synagogue
to café to bus stop; they never asked
to be flung into flight
and lodged like crows in a tree
beside the peeled bus.
The toys of the dead are grinning like warriors:
no explosion can shake their focus,
bright fur in the gutter, mud over one glossy eye.
The newspapers of the dead are a thousand shot cranes.
The phones of the dead are ringing and ringing
like mad birds in a sack.
One by one their shrilling
will be cut off by the touch of a button
and someone, always the wrong voice, will answer.

II

I had a clay house and now it is gone.
Tanks laid the land bare and rational.
But who doesn’t harbor a guilty one

in her heart, a dark son
with a stone in his fist, secret Ishmael?
The baby was coming and now it is gone,

his head cresting red and hopeless as the sun
while rubble blocked the passage to the hospital
as if it might harbor a guilty one

sleeping dangerous as Jesus in his tomb.
The donkey walks the same path to the well
and circles back, forgetting that they’re gone —

water, house, memory. Only the gun,
the moment that is its own rationale.
How quickly this clay house is gone.
Send forth the brave, the guilty one.

III

For you were a stranger in Egypt,
enslaved by heat, alien vowels
like sharp seeds on your tongue.
Asking for only a crack
in this prayer wall
to shade from the sun
your white unwritten skin.
A stranger in Israel,
returned to glean a heritage
like porridge spilled in the dust
by a regretful Esau,
asking too late for the blessing.
So you died at this table
at a seder in Netanya,
another suicide bombing,
your dinner knife embedded in the ceiling
left behind by the practiced men who hosed
next day the floor clean of blood and prophet’s wine.

IV

Everyone has a right to the morning.
Today I will not be a girl.
I will strap on death like a cock and go riding.

Maybe it will be on the foolish bus
that my heart will flame like a can of petrol,
or dismounting at the market, the dusty place

where you burned your black shadow on the wall,
Ayat, sister. You were spent like a bullet,
like a coin, unsentimental.

A coin’s only worth is in what it buys.
The soft enemy mourns the loss of his own
but we celebrate when another martyr dies.

I am wrapped with nails like a prickly pear.
No one spies me moving stiffly as a robot.
Ayat, we played with dolls and combed our hair

and dreamed of something. What did the land
mean to us? Our mothers pouring tea
in the kitchen, nights listening to the sand

whisper outside our bedroom window,
and nothing dangerous in the distance —
a world without anything we know,

without bulldozers, without checkpoints. Children old
like us, dying. Now my foot is on the bus.
I am paying the toll.

Did it hurt very much when you split apart?
Was it worse than childbirth? I need you
to tell me it’ll be all right,

this maidenhood I’m losing, the last touching
I’ll ever know. Oh, Ayat, you died and left me
here among the useless living.

V

if you had led us out of Egypt
and not fed us with manna in the desert,
Dayenu (it would have been enough)

if you had fed us through the desert
and not offered us your law
Dayenu, Dayenu

if you had not led us
out of fear and scattering
out of every fatherland
floods of hair, quarries of teeth
ashes
falling like dew into the dead pit

out of the icy gulag, the grey agreement
marching into the future
where looters now loll in furs
the end of the hammer dream

even out of the soft cradle
of the Christian smile,
this most expansive host land
of buttery fields and wind-up monuments
wakes up! to find us departed
from their streets and comic books,
every bearded judge and fish-fingered peddler,
leaving silver holes in their movies

if you had laid on us your law
and not led us into the land of Israel
Dayenu

even when G-d promises, bring a knife

who are these that stand on line for water
whose children are stones rising
like the desert they want one thing
like the sun they will burn it all to bone

who has negotiated with the desert,
or shared a bed with the sun?

if you had given us the land
and not given us peace

and not given us peace

The Dark Door: C.M. Royer’s Spiritual Abuse Survivor Memoir

I owe Caleigh Royer a debt of gratitude because her blog inspired me to start studying Tarot last year. I found her online some years ago through one of the spiritual abuse survivor blogs for ex-fundamentalist Christians, probably No Longer Quivering or Love, Joy, Feminism. When I saw on her Facebook page that she was writing a memoir about her journey to independence, I eagerly pre-ordered the e-book of The Dark Door, and was not disappointed. In fact, though I thought I’d worked through most of those old memories of my oppressive upbringing, Royer’s sincere, vulnerable storytelling went straight to my heart and reminded me of the pain and fear of living with narcissistic parents.

Royer is only in her mid-20s but she is strong and wise beyond her years. The Dark Door recounts her break for independence at age 18 when she dared to fall in love with and marry a young man against her parents’ wishes, and her subsequent de-conversion from Christianity as she processed the ways that religion had been used to keep her under her abusive father’s thumb. Unlike some of the other bloggers in this genre, she did not become a rationalist or atheist, but instead is developing a personal spiritual practice based on psychic intuition, spirit guides, Tarot, and universal values of love and fairness.

What’s striking is how much our stories have in common, despite the different religious backgrounds. Abusive families are depressingly alike, regardless of ideology, and a dysfunctional religious community is just the family system writ large.

Caleigh grew up in a fundamentalist subculture where fathers had spiritual “headship” over their families. A girl could not spend time with, let alone date or marry, a boy unless her father gave permission. As the oldest daughter in a large family, she was pressed into the role of caretaker and disciplinarian for her siblings. It didn’t matter what her own dreams and interests were. Because of their patriarchal belief system, the church elders gave the family no support in dealing with her father’s violence and pornography addiction. Caleigh was required to submit to his will no matter what. When she fell in love with a young man from their church, she was in for the fight of her life–which she won, at the price of severing ties with her biological family. It didn’t seem that her father had any basis for objecting to her engagement to Phil; the man simply craved total control over his child’s life, which was threatened when she found another object for her affections. This reminded me of how it drove my bio mom completely mad when I found the man I would marry, and later when we planned to have a child. Narcissists hate competition.

After she and Phil succeeded in getting married, with his parents’ support, the honeymoon period was overshadowed by her chronic illness (eventually diagnosed as fibromyalgia) and depression in the aftermath of trauma. She was insightful and brave enough to realize that she needed therapy to change the bad patterns she’d learned at home. Reading this part, I thought of the brilliant closing moments of the film The Graduate, where Elaine and Ben’s elation at pulling off their romantic escape from her mother turns to shell-shock and withdrawal from one another. Once the adrenaline rush of battle subsides, perhaps they start to doubt whether they can break their parents’ pattern and have a happy marriage, and the programmed guilt of filial disloyalty kicks in. All of this happened to me as a new bride.

I can also relate to the heartbreak of her realization that the religion that had sustained her in the depths of her abuse was no longer the right place for her to continue her healing. She went through guilt, bereavement, fear of the unknown, and fear of disappointing and losing her friends, but never stopped testing the evidence and logic for Bible-based Christianity as she’d always understood it. Ultimately she concluded that for her, the Christian God was too intertwined with the image of her earthly father and the male religious authorities who’d justified his abuse. That isn’t really my issue, but some of her other reasons completely hit home for me. Trauma healing for both of us has meant valuing ourselves and trusting our personal experience, which puts us in conflict with the authority-based, self-sacrificing worldview of historic Christianity.

“There was no place for a story that ends badly in Christianity,” Royer observes, recounting how her church small groups couldn’t handle her abuse narrative. It posed too much of a challenge to their sentimental ideal of family. After she de-converted, she felt relief that “I no longer felt any obligation to apologize for being angry. I could be angry at my parents and their abuse without being reminded to forgive ‘as God has forgiven you.’ I was free to take responsibility for my own thoughts and actions and I had no fear of offending an unseen God.”

A little further on in this account, she says that “To trust my gut was the least Christian thing I could do. I was told it was trusting myself instead of God.” One can certainly see how predators could deploy this doctrine to suppress their victims’ warning signals. In my progressive church culture, I haven’t found such a stark opposition between revealed and empirical knowledge, but to my mind we emphasize external political or charitable activities at the expense of teaching people to cultivate their spiritual discernment. Mystical intuition is not denigrated so much as neglected, and somewhat limited by what can be plausibly squared with the Bible. I’m with Caleigh when she says, “Reaching into Tarot has healed the distrust I had in myself.”

Royer is a young self-taught author whose style is simple and direct. The memoir had some recurring grammatical errors and typos, which one more round of copy-editing would have cured. But if this story resonates with you at all, you won’t mind the rough patches. Get yourself a copy today.

“Two Natures” Cover Reveal!

AppleMark

Many thanks to Don Mitchell at Saddle Road Press for creating this gorgeous photo montage and patiently working with me through a dozen revisions.

From the publisher’s website: “This big, genre-bending, spiritual coming-of-age novel focuses on Julian Selkirk, a young gay fashion photographer in New York City in the early 1990s, at the height of the AIDS epidemic. Vivid social realism, enriched by unforgettable characters, eroticism, and wit, make this a satisfying read of the highest sort.”

Want an advance reading copy? Email me or contact the publisher. Print and Kindle editions available.

March Links Roundup: Sex God

This week I had another lesson with my Tarot teacher, who has also been trained as a Christian spiritual director. We were talking about the ways my community ties have shifted, and sometimes broken, because my writing is up-front about sensitive topics like abuse, queer sexuality, and faith. I’ve been disappointed that even some openly gay writers feel obliged to keep their “brand image” respectable and G-rated. My teacher asked me, “Why do you write about sex?”

Believe me, no one could be more surprised than I am about the changes in my work and worldview. I often joke that my husband and I were the only two non-Orthodox people in Manhattan who saved ourselves for marriage. That was the right choice for us: we needed a sacred boundary around our love to defend it from callous hookup culture and smothering family dynamics. But as I grew up and had genuine friendships with other adults who’d made different choices, I began to doubt the universal rightness of my conservative sexual ethic. People with a more extroverted temperament and different family history might be happier taking risks that I’d avoided. I have the kind of overly porous empath personality that needs to be cautious about intimacy (sexual or otherwise) with new people, but the downside is that I miss out on the carefree enjoyment of trusting my fellow humans.

I sensed that the fearful and judgmental notes in my sexual ethic were becoming too dominant, so I set out to write fiction about someone completely different from me: Julian, a handsome man with great social skills, who could pursue ecstasy and intimacy without fear of rape culture, pregnancy, or being laughed at because of his wobbly thighs. I took seriously C.S. Lewis’s observation that the sins of sensual excess may be more innocent than the cold pride of the ascetic. The former person is at least seeking the good things of God, love and beauty, albeit in a lower form, while the latter shuts himself off from the life force entirely. I discovered that Julian’s resilient courage to love and love again was a better definition of holiness than “thou shalt not taste, thou shalt not touch”.

Writing about sex as a path to Spirit put me in touch with the life force in my body in a new way. I gradually realized how disconnected I had been from my sensual power. As I’ve written here before, affirming the truth of my embodied experience in arguments with anti-gay Christians primed me to notice that I’d been gaslighted about my experience of abuse, too.

Moreover, in researching Julian’s novel, I met spiritually mature and committed gay male couples who were in open relationships, a common reality that is still a bridge too far for the liberal church’s vision of gay Christian marriage. A new friend of mine, who is a genderqueer Christian, noted wryly that the Trinitarian God is in a plural intimate relationship with Godself that invites everyone in the world to join–talk about polyamory! (See my 2009 post, “I’m in an Open Relationship with Jesus”.)

Sex, like every other interpersonal activity, needs healthy boundaries, compassion, and self-awareness. But we often set those boundaries unconsciously and rigidly, based on bad theology that may be distorting many other areas of our lives as well. I write about sex to start a better conversation about these issues. And because it’s fun, of course.

This leads me into the link that inspired this post. (You were wondering when we were going to get there, already?) KC Slack, a Unitarian Universalist ministry student, shares this lively and provocative essay on Harlot Media: “I Love God and I Love Fucking”. She talks about why she sees no contradiction between her faith and her queer, womanist, polyamorous sexuality. As I said, it probably wouldn’t be the best way for me to live, but these passages were a perfect answer to my Tarot director’s question:

In almost the exact opposite way that many take on a practice of meditation to free themselves from their physical body to find something beyond, I like to sink in to my experience. To find what’s transcendent in the particulars of here and now, of my body and of physical sensations…

…My theology is focused on the particular, on the experience of being in the world, on the margins. In theology we talk about the Wesleyan Quadrilateral: a methodological approach to theological reflection that understands all theological work to have four sources: scripture, tradition, reason, and experience. Most of the time this quadrilateral is understood to be in order of importance–I strive to flip that. Experience of the world, of God, and of God in the world is the primary source for my theology and my faith.

I experience the world from my particular, then I reason and read others’ experiences and contextualize, then I consider tradition and scripture in light of what my body and my life know.

God is important to me and I believe that if I wish to know God, I need to really know myself and know other people in a variety of contexts. Connection is important; even the most casual sex is a type of connection. That window of knowing other people is special, not just in the moments of discussion afterwards, but in each moment.

People feel, smell, taste, act, look different from one another; sex can be a way to experience people in a level of detail we otherwise aren’t privy to. I’m interested in sex as a particular way of knowing; in fucking as both pleasurable experience and a way of deepening my connection to the world. Each partner is a new perspective, a new approach to connection that lets me know more about connection as a concept.

Turning to a less fun but equally taboo topic, I appreciated this article on the literary denigration of writing about trauma. On Brevity Magazine’s blog, award-winning essayist Kelly Sundberg asks rhetorically, “Can Confessional Writing Be Literary?” The answer seems to depend on whether the gatekeepers of “literary” prestige are willing to step outside their privilege or self-protective denial, and believe women’s stories of gendered violence. Sundberg also gives good advice about transforming a difficult personal story into something universal or educational for the reader.

When I sit down to write literary writing about my trauma, I am a writer first, and a trauma survivor second, but I am not ever not a trauma survivor, and as such, I am often interested in examining the roots and effects of my own trauma. Sometimes, I am interested in examining these effects in ways that might be considered therapeutic—that dastardly term that literary nonfiction writers hate. As a result, I have created a separate writing space—my blog—where the writing is not about my craft, but rather, about my story. The blog is where I talk about my journey of recovery, and the blog frees up my emotional space and intellect, so that I can approach my literary writing with more remove and thoughtfulness. Like most literary writers, I do not believe that literary writing should be therapeutic. When I teach creative nonfiction workshops, I tell my students that the therapy needs to come before the writing.

Describing feedback she received when shopping her memoir of surviving domestic abuse, Sundberg laments the pressure to give such tales a “redemptive ending”–a cliché move that may make them more palatable to the average book-buyer but ironically threatens their literary status. She objects to the backlash that accuses trauma memoir writers of attention-seeking. (As I’ve found with my writing about sex, people love to project bad motives onto an author who raises a topic they’d like to ignore.) Sundberg replies:

…I am not grateful for my wounds…I am also not redeemed by them. My wounds are simply a part of my existence. Still, because I am interested in an examination of the self, my wounds have, naturally, become a subject of my writing.

…The story is important, but it must also be written with craft, and with nuance. I have no desire to always write about trauma, nor have I always written about trauma, but I am fatigued by the notion that narratives of trauma are rewarded simply on the merits of the struggle that one has endured. I had a traumatic experience, and perhaps that did gain me entrance into a club—a club of women’s pain—but that traumatic experience did not make me a literary writer. My hard work and my craft are what have, hopefully, made me into a literary writer.

Look for her memoir, Goodbye Sweet Girl, from HarperCollins in 2017.

Poetry by David Kherdian: “I didn’t want to protect myself”

Armenian-American poet David Kherdian has written over 70 books and edited three major anthologies of ethnic American literature. His most recent publications are the memoir Root River Return (Beech Hill Publishing, 2015) and Living in Quiet: New and Selected Poems (Deerbrook Editions, 2013). Reviewer Ricker Windsor said of Kherdian’s work: “He grasps and is able to express the most important feelings, those that constantly escape the net of expression…David Kherdian’s poetry is evocative of past time, of a simpler world, of memory we can taste”.

This poem speaks to me of how I would like to live, if I had the courage: with an open heart, gratitude, and faith. At a time when complex creeds leave me cold, these are words to refresh my soul. David has kindly given me permission to share it here.

I didn’t want to protect myself

I didn’t want to protect myself
by seeking perfection against the
accidental onslaughts of time–
but instead to move imperfectly
through it all, not to be the best
or the only, or the one to watch,
but rather the beggar of mercy
and grace, finding new hope
in each disappointment
believing against reason
(against what the senses
said could not be) that there
was an order beyond this
disorder, that there was
a truth beyond this lie:
and that I was included
in its design,
that could not be seen
or named
but could be believed in,
if one believed that one
was loved.

 

Reading “The Lorax” in Lent

To my relief, this month the Young Master has moved on from conformist 1940s Little Golden Books to another genre of indoctrination more congenial to his Gen-X progressive parents. I’m talking about Dr. Seuss. Shane’s current favorite is The Lorax, a still-timely 1971 environmentalist cautionary tale about a greedy manufacturer, the Once-ler, who destroys a pastoral paradise. (I hope our boy remembers this when he finds out that we spent his college fund on litigation to save our neighborhood’s wetlands…)

dr-seuss-lorax-thneeds_510On about the tenth re-read, Shane asked me why the Once-ler is only ever shown as a pair of green hands. This is actually pretty unusual for Dr. Seuss, who never seemed to run out of ideas for depicting unique creatures. Shane thought maybe the Once-ler had no head, but some of the other pictures show his eyes peeking out through the slats of his abandoned workshop. So I brainstormed other possibilities. A 4-year-old’s “Why?” will lead you somewhere deep if you let it!

I said maybe the Once-ler did not feel connected to anything around him. He just made things without listening to his head or his heart, or paying attention to his environment. He didn’t take responsibility for what his hands were doing. He let himself become part of the machine of consuming, producing, and selling.

But I sensed that the alienation of the worker under capitalism was still too abstract a concept for the Young Master. So I tried again. “Maybe he doesn’t show the Once-ler’s face because the Once-ler could be all of us. We all have to be careful not to do what he does, not to be greedy and chop down too many trees and make the animals sick.”

As I spoke, I heard the echoes of a troubling concept we’d discussed in our church small group. We’ve started a video series by an evangelical pastor on the last words of Christ from the cross. That first week, we talked about “Father, forgive them, for they know not what they do.” Explaining the traditional doctrine of the atonement, the pastor said that “We are the ‘them'”. Past, present, and future are all one to God. Each of us, because of our sinful nature, crucified Christ and is forgiven by him from the cross.

That formulation no longer sits well with me, for two reasons. One is that I don’t think guilt feelings are the most skillful motivator for turning our lives around. Hopefully we feel bad enough about our actual sins without adding a cosmic crime on top of them–and if we don’t, there’s a good chance that the extra load of guilt for Christ’s death will only harden our ego-defenses. The second reason is that I’m looking to move away from theologies that romanticize scapegoating, because on some level they validate an abuser’s belief that splitting off her shadow side onto a victim is effective. During the time when I most fervently defended this atonement theory, I couldn’t have conceived that the universe could operate any other way; I was just grateful for Christ to take the hit on my behalf, like Winston in Orwell’s 1984 begging the torturer to hurt his girlfriend instead of him. I don’t believe in a totalitarian cosmos anymore, because I have a different kind of family now.

Nonetheless, these two myths, the gospel and Seuss, converge in reminding us of our universal temptation to sin and our interdependent responsibility for the kind of world we make. When we see a tree cut down, or an innocent man hung on one, none of us can stand apart and say “That’s not my problem.”

Valentine’s Day “Special of the Day” Poetry by Donal Mahoney

I celebrated Shrove Tuesday, a/k/a Mardi Gras, in traditional Episcopalian fashion yesterday with amazing chocolate chip pancakes at Miss Florence Diner. The waitress in this Valentine’s Day poem from Donal Mahoney would be right at home there. And in case you’re wondering, I still observe Lent, and this year I’m giving up self-doubt about my writing and skepticism about my spiritual practices. Let the magic begin.

Special of the Day

It’s Rocky’s Diner
but it’s Brenda’s counter,
been that way for 10 years.
Brenda has her regulars
who want the Special of the Day.
They know the week is over

when it’s perch on Friday.
Her drifters don’t care about
the Special of the Day.
They want Brenda instead
but she’s made it clear
she’s not available.

Her regular customers tip well.
Long ago, they gave up
trying to see her after work.
After awhile her drifters go
to the diner down the street
to see if the waitress there

is any more hospitable.
Brenda’s regulars don’t know
she has three kids her mother
watched every day until Brenda
took a vacation out of town,
then came back and helped her

mother find a place of her own.
Now Brenda’s back at the diner,
serving her regulars and
discouraging her drifters,
while Marsha, her bride,
watches the kids.