A Long-Overdue Education in Racism: Where to Begin?

As my readers doubtless know from the national news, the killing of unarmed African-American men and boys by white police officers has sparked protest movements across the country, challenging us white Americans to confront our participation in a racist law enforcement system.

On Aug. 9 in Ferguson, MO, Officer Darren Wilson shot unarmed 18-year-old Michael Brown; the grand jury declined to indict Wilson on Nov. 24, even though the conflicting testimony about what happened during the police stop would seem to warrant a jury trial. On July 17 in Staten Island, NY, police stopped Eric Garner for allegedly selling contraband cigarettes. Officer Daniel Pantaleo used a chokehold on him that was banned by NYPD rules, suffocating the unarmed and asthmatic Garner. Last week the NY grand jury declined to indict Pantaleo.

Meanwhile, on Nov. 22 in Cleveland, OH, a cop shot and killed 12-year-old Tamir Rice for playing with a toy gun at a playground. Twelve years old. A toy gun. Just think about that for a moment.

These are just two of the many unarmed black men and boys who are killed by the police each year in our “post-racial” society. Activists on Twitter have been posting their names in hashtags but can’t even keep up.

I honestly have not known what to write about this because there isn’t much I can say except “FUCK” and “I’m sorry”.

I’m not bringing this up now to get cookies for being an ally (a title I still have to earn). It’s just reached the point where not saying something would be a sign of not caring. As a white person, I have the dubious privilege of prioritizing other issues. But I don’t want to get off the hook.

I know how much I appreciate it when men believe women about sexism, or when people who’ve had normal families work to overcome their misconceptions about trauma survivors. In doing activism around the issues that affect me personally, I’ve gotten a glimpse of how it feels to suffer from other kinds of prejudice. I want to turn that empathy into effective action, and that starts with listening to African-American voices.

So I’m using the rest of this post to recommend some of the books, websites, and Twitter feeds that are helping me begin my education in racism and racial justice. Please feel free to share your own favorites in the comments.

Important advice: If you’re new to this issue and decide to check out these blogs and Twitter feeds, don’t jump into the conversation right away. Spend a good amount of time just reading and learning how this community sees the world, whether or not you agree. Remember that people are the experts on their own experience. No one is right all the time, but people of color have better attunement to racism than white people do, because they’re on the receiving end.

Books

Michelle Alexander, The New Jim Crow: Mass Incarceration in the Age of Colorblindness (The New Press, 2010)
Civil rights law professor lays out a devastating case that the criminal justice system created by the War on Drugs is rigged against men of color, at every stage from stop-and-frisk to sentencing.

Roxane Gay, Bad Feminist (HarperCollins, 2014)
Witty novelist and pop-culture critic explores the intersections and contradictions of our cultural myths around race and gender.

bell hooks, Ain’t I a Woman: Black Women and Feminism (South End Press, 1981) and All About Love: New Visions (William Morrow, 2001)
hooks’s passionate first book argues that black women have been doubly marginalized by white feminists and by black men trying to gain status in a patriarchal society. The first chapter, describing the systemic sexual abuse of black women under slavery, is harrowing but a must-read. All About Love is an incisive and uplifting book that proposes that real love is inseparable from justice, seeing and being seen authentically.

Websites

Colorlines is a daily news site about racial justice issues in politics, the arts, and the media, offering award-winning original reporting and news analysis. (Twitter: @Colorlines) Check out this article about how white Americans can unlearn racism.

The Crunk Feminist Collective features black women writers on topics such as media representation, discrimination and micro-aggressions in the workplace, police brutality, and abuses in the criminal justice system. (Twitter: @crunkfeminists)

Dear White People is the Tumblr companion to the 2014 movie, an excellent satire about black students at an elite university and the different strategies they use to navigate around cultural stereotypes and double standards. A book is forthcoming.

Gradient Lair is a womanist blog about black women and art, social media, social politics, and culture. (Twitter: @GradientLair and @TheTrudz)

Political Jesus is a multi-authored Christian theology blog with interests in social justice, science fiction, pop culture, and racial issues in the church. (Twitter: @Political_Jesus)

Twitter

@Karnythia (Mikki Kendall, fiction writer and blogger at hoodfeminism.com)

@ProfessorCrunk (Brittney Cooper, columnist at Salon)

@TaNehisiCoates (Ta-Nehisi Coates, columnist at The Atlantic, author of their 2014 cover story on slavery reparations)

@TheFerocity (Saeed Jones, poet and Buzzfeed LGBT columnist)

@TressieMcPhd (Sociology professor at Emory University, writes about racial issues in academia)

@WritersofColour (Media Diversified, a UK think tank tackling the lack of diversity in media)

Videos from Dead Poets Remembrance Day

This past October I participated in Dead Poets Remembrance Day, an annual reading series organized by Walter Skold of Dedgar.org. Walter is on a mission to host tribute readings at all the graves of notable poets in the U.S. He is working on a documentary that will incorporate video of these readings and other anecdotes of the poets’ lives.

I live across the street from a historic cemetery where Kashmiri-American poet Agha Shahid Ali is buried. Ali, who was a beloved professor at U Mass Amherst, introduced American writers to the classical Indo-Islamic poetic form known as the ghazal. On the afternoon of my reading, there was a torrential rainstorm, which was the perfect (if noisy) backdrop for two poems from Call Me Ishmael Tonight: A Book of Ghazals: “Even the Rain” and “After You”.

We are left mute and so much is left unnamed after you–
No one is left in this world to be blamed after you.

Someone has disappeared after christening Bertha–
Shahid, will a hurricane ever be named after you?

Now from Miami to Boston Bertha is breaking her bones–
I find her in the parking lot. She says, “I’m blamed after you.”

The Deluge would happen–it was claimed–after you
But the world did go on, unashamed, after you

ANDREW BERTHA CHARLES DAVID ELLA FLOYD GEORGE
but S comes so late in the alphabet that although
SHAHID DEVASTATES FLORIDA is your dream headline,
no hurricane will ever be named after you.

Agha Shahid Ali “Even The Rain” at his grave from Walter Skold on Vimeo.

Summer Reads: Some Gay Romances

One perk of having a Kindle is the unlimited supply of M/M romance e-books that I can now enjoy, free from concerns about privacy and shelf space. I’ve read a couple of standouts that I’ll discuss below, and meanwhile have been thinking about some peculiarities of the genre.

I was never really a fan of hetero romance novels–I didn’t look anything like the girls on the covers, and more importantly, I wasn’t attracted to the kind of meaty alpha males who conquer these ladies with a blast of pheromones. I don’t relate to the genre’s near-universal construction of female sexual response as surrender, or the notion that falling in love happens on an instinctual level where chemistry overpowers rational free choice.

I’d guess that this critique resonates with the large population of semi-straight women, like me, who read and write stories about two men in love. Besides our simple enjoyment of the male anatomy, maybe we’re looking for alternatives to the genre’s traditional gender hierarchies. We might appreciate some fantasies where we’re just spectators, not worrying how we measure up to the leading lady.

Gay men in love, at least in theory, have the opportunity to meet each other as equals. Because homophobia is often one of the obstacles to their eventual happy ending, the characters are compelled to be more reflective about the nature of desire–how do they know what their “real” feelings are, and how much weight should they give to eros compared to other moral and social values? Not all M/M romances allow political consciousness to intrude, but the best ones, in my opinion, allow it to deepen the story.

The funny thing is, though, that M/M frequently carries over some of the weird patriarchal themes of the old bodice-rippers. Our imaginations are so thoroughly conditioned that we don’t take full advantage of the genre’s potential for gender liberation.

I first noticed this phenomenon in yaoi, the Japanese manga subgenre also known as “boys’ love”. These romance comics featuring male couples are primarily written by and marketed to women. However, the gender hierarchy is alive and well. There are generally clearly delineated “top” (seme) and “bottom” (uke) characters, with the latter being drawn as a more effeminate or androgynous youth. In fact, sometimes the uke is literally a teen boy involved with an adult man, which echoes another problematic theme of traditional romance fiction–the borderline non-consensual sex that the victim winds up enjoying.

Among the yaoi books I’ve read so far, Tetuzoh Okadaya’s The Man of Tango distinguished itself because both partners are depicted as adult men who switch roles, in bed and out, mutually guiding one another to open up new dimensions of themselves. As for the sex, let me just say that this book was sold in a sealed shrink-wrap and totally lived up to it.

Okadaya’s fellows also have a close female friend who is a sympathetic, three-dimensional character. The same cannot be said for a lot of works in this category, such as Youka Nitta’s hot but silly Embracing Love 1 & 2, about male porn stars who go gay for each other. Too often, women in M/M are either absent or mere foils for the men. They’re needy girlfriends, cold ex-wives, or disposable sex-dolls, who only enter the narrative to prove the male character’s virility and the inadequacy of the relationships preceding the male leads’ pairing. Considering that women are in charge of this genre, why are we building “GIRLZ KEEP OUT!” clubhouses for our sexy boys?

This brings me to another odd trope of gay romance, so common that it has its own acronym: GFY, or “gay for you”. (My mom-of-choice, who has become an expert on foreign lesbian soap operas on the Internet, reports that it’s all over the place in girl-girl plots too.) A typical romance pairs an experienced, comfortably out gay person with a partner who has never had a same-sex lover. The more plausible books (relatively speaking) at least set up some backstory that the GFY had previous gay desires but didn’t act on them because of spiritual conflict, social pressure, or trauma.

In Jamie Fessenden’s amazing Billy’s Bones, for example, the man exploring his first adult same-sex relationship is alienated from his own sexuality because of repressed memories of child abuse. Not only doesn’t he know what he wants, he doesn’t remember what he’s already done. His partner, a therapist, has to learn how to support his recovery without caretaking and controlling him. The result is a genuinely egalitarian partnership between adults. I can’t say enough good things about this book’s responsible, well-informed, and compassionate treatment of a topic that is usually sensationalized or shrouded in denial. Check out Jamie’s blog for insightful discussion of love between men, in books and real life.

Another beautiful novel, Tim Bairstow’s The Shadow of Your Wings, explores the mentor-novice theme via a love triangle among three men with a fraught relationship to the Church of England. (The book takes place in England in the 1990s, when gay priests had to be celibate, although straight priests could get married.) Jack is an elderly monk whose life has been warped by repression of his same-sex attractions. He becomes obsessed with Felix, a beautiful, virginal youth who is staying at the monastery to prepare for ordination to the priesthood. Felix has never dared to act on his sexual orientation. The third player is Jonas, the groundskeeper, a savvy young man who loves Felix and helps him see through Jack’s spiritual manipulations. This book is not heavy on the sex; it spends far more time mapping the emotional terrain of love, self-knowledge, and spiritual awakening. A must-read for theology nerds everywhere.

Felix’s loss-of-virginity plotline, the GFY trope, and the plethora of coming-out stories in M/M made me reflect on how a romance novel establishes that the central relationship is “special”. Here, too, I smell the lingering influence of purity-based morality from traditional heterosexual norms.

Romantic convention provides two main tracks for setting up this specialness, both of which I find problematic. The more experienced partner (the male in hetero romance) has had a lot of meaningless flings, but now he’s going to behave better because he’s found The One. (E.g. Jonas in Shadow, Angie in Man of Tango.) The less experienced partner is letting down his defenses for the first time because he’s found The One.

In hetero storylines, I call this the “not like other girls” delusion–an actual quote from high school stud Jake’s pursuit of virginal Marley on the TV show Glee, which consciously referenced John Travolta’s pursuit of “Sandra Dee, lousy with virginity” in the musical Grease. In both cases, he tries a little harder not to be a dick because she is purer than other girls, not because…uh, every girl should be respected? Being a dick is bad? In real life, this is not a man who is ready for a healthy relationship. He hasn’t done any of the inner work to transition from pick-up artist to husband. The clever but frustrating Steve Carell rom-com Crazy Stupid Love makes this point, but then throws it away in the interest of tying up all the plotlines with a happy ending.

“The right person will change you” is apparently very deep-rooted in the romance genre, regardless of gender and sexual orientation. While I enjoy these books, I think it’s disappointing that gay men (and their female fans) aren’t given more role models for relationships between two sexually experienced, mature adults.

Then again, my sample is limited. More research is needed. Gee, is it getting hot in here…?

Two Poems from Ruth Thompson’s “Woman with Crows”

Of the numerous poetry books I’ve read this year, Ruth Thompson’s Woman with Crows (Saddle Road Press, 2013) is the most personally meaningful to me. I just turned 42, undeniably middle-aged, and my son starts preschool this fall. All around me, it seems, are warnings and laments that youth is fleeting, and we must cling to each moment lest it pass us by unnoticed. Woman with Crows is an antidote to fear.

This poetry collection, earthy yet mythical, celebrates the spiritual wisdom of the Crone, the woman with crows (and crows’ feet). Because of her conscious kinship with nature, the speaker of these poems embraces the changes that our artificial culture has taught us to dread. Fatness recurs as a revolutionary symbol of joy: a woman’s body is not her enemy, and scarcity is not the deepest truth. For her, the unraveling of memory and the shedding of possessions are not a story of decline but a fairy tale of transformation. One could say that, like Peter Pan, she expects that death will be a very big adventure!

If this all sounds terribly sentimental and “uplifting”, don’t worry. She’s not a sweet, neutered old granny. There are fireworks here, and snakes, and “ooze shining and blooming and with sex in it.”

Ruth has kindly allowed me to reprint the poems below. “Fat Time” was first published in New Millennium Writings as the winner of their 2007 poetry prize. Visit her website for more great work.

Fat Time

Under purest ultramarine the raised
goblets of trees overrun with gold.
We should be reeling drunk and portly as groundhogs
through these windfalls of russet, citron, bronze, chartreuse.

Everywhere color pools like butter, like oil of ripe nuts,
like piles of oranges under a striped tent.

Oh, let us be greedy of eyeball,
pigs scuffling in this gorgeous swill!
Let us cud this day
and spend the winter ruminant.

Let us write fat poems, and be careless.

Let us go bumbling about in wonder, legs
coated with goldenrod and smelling of acorns.

Let us be unctuous with scarlet and marigold,
larder them here, behind our foreheads
to glow in the brain’s lamps
in the time of need.

Each tree a sun!
Let us throw away caution,
emblazon our retinas
with the flare and flame of it

so that in the unleavened winter
this vermilion spill, this skyfall,
these oils of tangerine, smears of ochre and maroon
will heat a spare poem, dazzle the eye’s window,
feed us like holy deer on the blank canvas of snow.

****

Travel Instructions for Elmwood Avenue

You leave the sepia light of the tea restaurant,
lapsang and peony, earth and green twig,
continuo of quiet human voices.

Outside is rain, fat frying, damp exhaust, sputum,
spit of tires on a wet street, brakes tuned
to the pulse of streetlights: green, amber, red, green.

You blunder, glasses fringed with rainbows,
until your own hands swim out before you—
greeny in the headlights, strange as ectoplasm.

Light laps from shattered planes of reflection,
emerges and re-emerges from sheeting brilliance.
Dimension becomes dimension, a turned fan.

Now darkness hums like a bowed string,
anchored somewhere you cannot see,
one end floating here in the spinning world

and what has always sung from around the corner
is no longer apart from you—
it is here, upon you—that blaze of tenderness!

Two Poems from Diana Anhalt’s “Lives of Straw”


Poet and political historian Diana Anhalt moved to Mexico with her family in 1950, where her parents joined a community of left-wing expatriates who’d left the U.S. to escape Senator Joe McCarthy’s anti-Communist persecutions. She would live there for the next 50 years. The full text of her nonfiction book A Gathering of Fugitives: American Political Expatriates in Mexico, 1948-1965 (Archer Books) is available online here.

Her new poetry chapbook from Finishing Line Press, Lives of Straw, movingly depicts Mexican cultural traditions and characters from the economic margins. The opening and closing poems are from her perspective, first as a young girl adapting to a foreign country and language, and then her equally disorienting return to America half-a-century later. Within that frame, Anhalt lets her Mexican characters speak for themselves, in colorful, musical, yet often blunt persona poems that show many facets of the struggle for survival. Fortune-tellers, street vendors (including one selling poetry), herbal healers, death-defying construction workers, and con artists must devote all their creative genius to earning their next meal. Diana has kindly permitted me to reprint the poems below.

Dancing Alone

A summer’s night in Veracruz. The Rico Perez band plays a bolero
in the plaza principal. Lanterns thread the trees. I thread my way
through the sidelines. Edge past an ice cream vendor, girls in silk
and denim, dog walkers, two bald babies in headbands–to the center.
Couples shake and shuffle to the music. Some women dance alone,

reminding me of women in Pinochet’s Chile who danced the cueca,
partnered with snapshots of their desaparecidos–husbands, mothers,
sons. Here, an elderly woman in a pearl gray dress, struts, twirls
to the music, flexes her hands, nods her head, pauses to tighten
an earring. I suppose that everywhere, after violence, illness, divorce

women congregate on dance floors, raise their arms above their heads,
swing their hips to a merengue, beat out the rhythm of a cha cha cha,
and dance alone. This woman in gray resembles my mother-in-law,
now dead, who never would have. Me? I only pray, should–
dios no lo quiera–heaven forbid–that day come, I would.

****

Querencia,

a word that inhabits my Spanish-speaking mouth,
lies under my tongue and smells of evergreens,
and rainy Mondays, smoke. From the word querer

to want, desire, wish. It refers to bulls
who seek their place of solace in the ring.
For the waif in every living creature. I think

of the neighbor’s dachshund hunkered under the porch,
the sparrow haunting a fallen tree, the child
afraid to stray too far from his mother’s side.

We took to driving the Cuernavaca highway
and parked in the clearing with that Mexico City view.
As the air turned hazy with cigarette smoke,

we’d drink wine from the bottle, talk and listen to danzones
on the radio. We drove away soon after, took
our memories with us, haven’t returned.

After years away, our key no longer fits
the lock. And our home, grown used to strangers’ feet,
is home no more.

Thoughts from the Great Book Purge of 2014


This year, I resolved to lose 200 pounds. Of books.

We are surgically attached to our iPhones in this house, so much so that Shane’s first instance of imaginative play was holding a block up to his ear and pretending to talk to it. However, I haven’t been able to warm up to reading e-books. Reading screen-by-screen feels like driving at night, with no way to see what’s outside the small range of my headlights. I like to be able to orient myself, at a glance, about what came before and how far along I am. If a book isn’t lying on my bedside table, kitchen table, bathroom shelf, dining room table, or desk, I forget that I’m reading it. As a result, my ever-growing collection is shelved in archaeological strata rather than any thematic order.

Last summer, I undertook the Great Closet Purge. Out went the uncomfortable lawyer shoes and matronly satin blouses, the miniskirts from my single year of stress-induced slenderness, and the flowery print dresses that had served my mother’s fantasy of molding a 1980s teenager into a Victorian ingenue. Something had shifted inside me, letting me understand that I could release these past selves while still honoring them.

The Great Book Purge has a similar intention. Besides de-cluttering my space, I’m seizing this opportunity to face and accept the changes in my worldview over the past two decades.

It’s making me very uncomfortable.

How did my idea of a good book go from Dinesh D’Souza’s Illiberal Education to Richard Labonte’s Best of Best Gay Erotica 2? Why do I no longer have the patience to read sentences like, “This is a form of postmodern liberationist hermeneutics in which the non-relativist convictions of a liberation ethic stand in uneasy tension with the assumption that hermeneutics has no critical-objective element”?[1]

When I was first drawn to Christianity as a teenager, the elegant complexity and logical coherence of Christian theology comprised a big part of the appeal. Right now, I happen to be in a stage of development where those same features feel like intellectual defenses against the direct apprehension of God in my heart and my body. I believe that head and heart will come into greater equilibrium down the line, so I’m not tossing all my academic books. The other night I opened to a random page in Paul Hessert’s Christ and the End of Meaning, a book I’ve owned for two decades and never read, and wrestled with a passage about the gap between “God” as a religious concept and THE LORD as an actually experienced Presence.[2] That’s what I’m talking about — or not talking about!

Rather than the accessibility of the writing style, the weightiest factor in my book purge is whether the author is conscious of the limitations and privileges of his subject position, as Hessert appears to be. Because I’m bringing the personal and empathetic aspects of religion into the foreground as never before, I have to feel a relationship of trust toward an author, and that requires a certain measure of political self-awareness and psychological transparency on his part. (I’m deliberately using the male pronoun.)

Thus, I have trouble getting past a passage like this one, although the rest of the book seems reasonably progressive and egalitarian for a Baptist professor. The author is posing a hypothetical to illustrate how a pastor might apply the Biblical rule against divorce when a parishioner is being beaten by her husband:

“I must (among other things) make at least some tentative moral judgment about what levels and kinds of spousal violence warrant divorcing a violent spouse…I can analogize from my presumptive rule against divorce only if I can establish for myself the kinds of cases of spousal violence under which the rule against divorce ought to be observed.”[3]

I’ll make it easy for you, Chuck: NONE OF THEM.

To me, this quote reveals an unexamined sense of entitlement to pass judgment on a survivor’s determination of her own safety, in the name of “Biblical rules”. Christianity has a big problem with this, both because of its history of patriarchal leadership and because the Cross is a tricky symbol that can be misunderstood to encourage non-redemptive suffering. I believe a person has an absolute right to escape abuse, and we grossly misconceive religious morality when we treat it as a source of competing interests to “balance” against her survival.

Because of my greater understanding of trauma and the false beliefs it induces, most of my heavily Calvinist-evangelical books are also destined for a new home. That sense of pervasive badness and helplessness, in myself and humanity generally, now seems like an artifact of my unsafe upbringing. The further I get from that self-concept, the more I feel clear, energized, compassionate, creative, and loved by God. But I honor that worldview as a transitional resting place on the way to where I am now. Liberals, if you know a Calvinist, be nice to her. Someone probably messed with her pretty badly. Don’t brush her off with the feel-good foolishness that “sin is just an illusion”. That’s why Who Told You That You Were Naked? is also on the discard pile (despite its enticing title), with my margin notes from the 1990s saying “No, abuse is real!”[4]

And while we’re on the subject of wishful thinking, my newfound determination to dispel all psychological illusions is making me generally suspicious of theology, and even of faith itself. Both liberal and conservative religious books seem united in pushing people’s attention away from themselves and out toward some more-worthy “other”, either a morally superior deity or the unfortunate neighbor in need of our charity. From an Alice Miller perspective, this looks like a concerted effort to avoid feeling our own trauma and caring for the neglected child inside. Mainstream theology tells us: “We are bad but God is good…we are helpless but God is in control…we are selfish but others deserve the sacrifice of our lives.” What is that except a collective elaboration of the protective denial that forced us to idealize our abusive parents?

Truth be told, my magical-thinking machine hasn’t worked right since 2009, when I underwent a painful break with my evangelical friends over “the Gay Issue” at the same time as a longed-for adoption match fell through. Bitterly, I saw in retrospect how I’d ignored the warning signs in both situations, taking at face value the selective facts that supported my longing for love and connection.

And now that I do have a child at last, I’m even less sure what to make of God’s role in all this. Like the Psalmist, I want to thank and praise God for fulfilling God’s promises–but while I was wandering in the wilderness, it wasn’t apparent that anything had been promised to me. I wasn’t Sarai, Hannah, Elizabeth or Mary. I received no prophecy, no guarantees. When friends would say, “I believe God will send you the child who’s meant to be yours,” I wanted to scream, How do you know anything about it? The folks in my life who had slung God-talk most confidently were also the ones whose God was cruel and arbitrary toward non-heteronormative love. Why shouldn’t I fear that my infertility, like a same-sex attraction, made me one of God’s cast-offs? My subsequent good fortune feels equally random, unless I can find the error in this whole way of thinking about God’s sovereignty and human suffering.

Hessert’s distinction between “God”-as-concept and THE LORD suggests a way out of dead-end theodicies. We can’t think our way through the problem of pain, but we can recognize the struggle as the holy ground where we encounter God. He writes:

“LORD,” then, is not synonymous with “God” in the language of order or “Supreme Being” (or some other concept) of Western philosophy. We are likely to misinterpret “The LORD works vindication and justice for all who are oppressed” (Ps. 103:6) as “There is a Supreme Being who controls history providentially so that social justice is divinely assured, whatever people may do.” This is patently not the case…

[W]e can avoid begging the question as to whether or not there is a “Supreme Being” and to what extent this Being controls history. We can say simply that the working of social justice, vindicating the oppressed, is one of those contexts in which “the LORD” is to be named. We may not always see vindication and justice where we should like to. But where they are evident, the awe attending the mystery bordering our experience is called forth.[5]

That’s the kind of faith that attracts me now: A practiced readiness to notice the in-breaking of God’s presence, but without any required conceptual filters or compulsory emotions (optimism, self-abasement) that interfere with clear perception of what is actually happening in my world.

Bauckham & Hart’s Hope Against Hope (which I also haven’t read yet) is on the keeper pile because of this passage:

Not all hopelessness is bad for us, let alone dehumanizing. Hopelessness can be a perfectly healthy condition and, correspondingly, hope can be pathological…Hope has its legitimate limits, and it is vital that we identify them correctly lest we mistakenly invest ourselves in a dead end, an option with no future…

[H]ope is no mere heroic subjective disposition of the individual, an attitude which, regardless of what faces it, soldiers on, refusing to accept defeat long after the battle has been lost, convinced that through its striving and contrivance things may yet be turned around. Real hope is far less focused on its own capabilities. It is not concerned with some supposed right or capacity to choose and to create for itself the reality which it desires. Real hope is essentially rooted in the qualities and capacities of otherness, of that which lies beyond itself in other people, in the ‘real world’. It is, in [Jesuit writer William] Lynch’s words, ‘an interior sense that there is help on the outside of us’…In [George] Steiner’s sense it is a wager on transcendence, on something which lies beyond us, as yet unseen but, we believe, real enough.[6]

You had me at George Steiner.

“When the word of the poet ceases, a great light begins.”

****
[1] Charles H. Cosgrove, Appealing to Scripture in Moral Debate: Five Hermeneutical Rules (Eerdmans, 2002), p.164.
[2] Paul Hessert, Christ and the End of Meaning: The Theology of Passion (Element, 1993), pp.68-75.
[3] Cosgrove, p.71.
[4] John Jacob Raub, Who Told You That You Were Naked? (Crossroad, 1992).
[5] Hessert, pp.73-74.
[6] Richard Bauckham & Trevor Hart, Hope Against Hope: Christian Eschatology at the Turn of the Millennium (Eerdmans, 1999), p.62.

Murder Ballad Monday: Baby Jesus Edition


I recently finished Charles Jessold, Considered as a Murderer, a superb historical mystery by Wesley Stace about British composers and music critics in the World War I era. The main characters are aficionados of folk ballads, traveling the countryside in the manner of the Brothers Grimm to record the “pure” versions of these oral traditions before the advance of modern technological culture sweeps them away. I’ve enjoyed combing YouTube and Spotify for recordings of some of the songs referenced in the novel.

One quirky and somewhat seasonal example is “The Bitter Withy”, which imagines young Jesus as rather a discipline problem for his longsuffering mother. You can read a plot summary, historical notes, and several versions of the lyrics at the Mainly Norfolk folk music site, a source that I expect to be mining for future posts. I like this performance by Lisa Knapp.



Reiter’s Block Year in Review: 2013

It’s time once again for our annual roundup of the books, blog posts, and discoveries that made the most impact on me this year. Thanks for your loyal readership. Feel free to share your own favorite reads and revelations from 2013 in the comments. Books need not have been published in the current year.

Most Self-Esteem You Can Buy for $25:

Right now, it’s only a Halloween wig, but it’s inspiring me to fulfill a lifelong dream. Go ginger in 2014!

Strangest Discovery at a Church Tag Sale:

My astute husband spotted this planter at the Christmas fair at First Churches in Northampton, which was Puritan theologian Jonathan Edwards’s church during the First Great Awakening. Edwards was kicked out of the pulpit eventually because he made too much fuss about teen boys reading dirty books. One can only imagine how he’d feel about this porcelain beauty, who has succulents growing out of her pelvis and right breast. My friends who remember pre-feminist kitsch have informed me that she was originally an ashtray: the matches go in the boob-hole and the cigarettes go, uh, down there. Which is even more disturbing.

Runner-up for Previous Award:

My church is nothing if not broad-minded. Thanks, St. John’s Christmas Fair. I’m looking forward to learning all about the Holy Foreskin.

Best Poetry Books:

So many this year, I can’t pick just one.

Natalie Diaz, When My Brother Was an Aztec (2012)
With furious beauty and Promethean boldness, Diaz rewrites our cultural myths to speak her truth as a Mojave woman, a lover, an activist, and a sister bereaved by addiction.

Minnie Bruce Pratt, Crime Against Nature (2013)
This groundbreaking book recounts how the author lost custody of her sons when she came out as a lesbian, then forged a beautifully honest relationship with them later in life. First published in 1989, it was reissued this year by A Midsummer Night’s Press in collaboration with the journal Sinister Wisdom.
Read my full review and excerpt here.

Jamaal May, Hum (2013)
This electric debut collection explores what it means to be an African-American man in Detroit, finding beauty in the ruins of the machine age. Read my full review and excerpt here.

Best Novel:

Susan Stinson, Spider in a Tree (2013)
Set in Western Massachusetts in the 18th century, during the religious revival known as the First Great Awakening, this luminous novel re-creates the domestic life and spiritual development of the theologian Jonathan Edwards. Stinson allows the complexity of the Puritan worldview to speak for itself, setting Edwards’s mystical delight in nature and his deep compassion alongside his severe views of God’s judgment and his defense of slave-owning.

Best Nonfiction Book/Best Parenting Book:

Alice Miller, Banished Knowledge: Facing Childhood Injuries (1991)
With bracing clarity, this maverick psychoanalyst explains how all kinds of cruelty, from child abuse to genocide, has its roots in traumatic and oppressive child-rearing practices. The child had to identify with the perpetrator’s perspective in order to survive, but is then at risk for revisiting this pain on the next generation. Healing comes when you finally stand on the side of the child you once were, validating her innocent needs and feelings, instead of continuing to internalize the judgments your parents projected onto you. Warning: this book may expose many of your religious beliefs as denial mechanisms…but that’s a subject for another post.

Favorite Posts on the Block:

The Gorgon’s Head: Mothers and “Selfishness”
I’ve come to believe that mothers trigger perceptions of “selfishness” in so many people, regardless of which choices the mother is making, because people are unconsciously angry about their own unmet childhood needs. Someone who had distant and unfeeling parents may view working mothers harshly, while someone who had smothering and needy parents may have a similar disdain for stay-at-home mothers.

National Child Abuse Prevention Month: Why It’s Personal
I don’t know how you’d put this on a flag, but my version of awareness would be more radical. It would emphasize what survivors have in common–with each other, across different kinds of abuse, and with everyone who breathes in abuse-enabling myths in the air of our culture. We may not all be in a position to identify abused children and find services for them, but we can all ask ourselves: What do I believe–about God, power, knowledge, sexuality–that contributes to the silencing and minimizing of abuse? What might I be telling myself to silence myself?

Abuse and the Limits of the Welcoming Church
Overreacting against fundamentalist divisiveness, our churches minimize genuine distinctions of culpability and power within the community we are creating. If inclusion is our only defining value, where is the conversation about accountability and transformation?

Belonging, Believing: A Tension at the Heart of Church
What happens when we have developed close personal ties to a community, but discover that we can’t accept what they believe? The peer pressure to maintain those ties can distort or suppress our search to know God’s will for ourselves.

And finally, the most important award of them all…

World’s Best Toddler:



Happy New Year from Shane!

Writing the Other with Empathy

From the outset of my novel-in-progress about a gay man’s spiritual journey, I have wrestled with the question of my right to represent this character in his own voice. (It doesn’t help that some gay male writers, not exempt from the deformations of patriarchy, occasionally snipe about “middle-aged housewives” who intrude on their literary turf.) How to explain, without reenforcing straight privilege to interpret queer experience, that on some level I feel that my protagonist is me, and that I write not so much as an ally but as an autobiographer of an alternate life? Writers of persona poems and historical fiction face the same challenge of entering another’s perspective with empathy rather than self-centered appropriation.

Karla Kelsey’s latest review at The Constant Critic expresses well the philosophical nuances of literary empathy, which she says is made possible by the multiplicity of the self. Our conscious experience already exceeds the first-person “I”. Discussing Mei-mei Berssenbrugge’s new collection, Hello, the Roses, Kelsey writes:

Inhabiting another’s first-person perspective in the same way that he, she, or it, does, not only seems psychologically impossible, but also would efface the very thing that ensures the existence of all that is not-me in the world. As Husserl among others points out, had I the same access to the consciousness of another as I have to my own, that other would cease being another and instead become part of myself.

Thus the bind: one cannot inhabit anyone else’s first-person experience, and it is precisely this limit that makes another other to me. At the same time, we don’t want to say that we have completely no access to another’s first-person perspective. We want to say that what we feel in affective, empathetic moments is not merely a solipsistic self-projection.

While studies on the problem of mind hash these problems out via the discipline of philosophy, worries over the lyric I reflect the way these problems circulate in the language of poetry. As we know, the lyric I is the poster-child for the expression of first-person experience. And while we might grow tired of the limits of this perspective—of the hemming and hawing of these I’s, aching through their embodiments, bemoaning the fleeting nature of relational connection—we balk at lyric expression that “feels into” the first person experience of another. The ethical risks of such attempts at empathy include the effacement of fundamental difference with fantasy—and passing fantasy off as some sort of emotional truth.

But this need not lock us into a Cartesian box, for “Je est un autre” (Rimbaud). Or, if you prefer philosophy, “The other can be evident to me because I am not transparent for myself, and because my subjectivity draws its body in its wake” (Merleau-Ponty). We can open the box from a trap door built into its bottom: there are many ways that we experience ourselves as other to our first-person experience of the world, for we exceed our pronouns. And this first-person experience of excess, of self-as-other is kin to an experience of the otherness of that which is not the self. The otherness of other humans, animals, nature, and objects.

Perhaps we first recognize otherness because it is a fundamental relationship that we have to ourselves. Simply touch your right hand with your left and you are both touching and touched. Catch your image in a mirror unexpectedly and who is that, for a moment, you wonder. Leafing back through old poems—through a poem you wrote yesterday—you have the distinct feeling that you did not write what is on the page. As such, one way to think about empathy is along the self’s subject/object edge, considering the fact of the self as simultaneously occupying a subject and object position and exploring the object-self’s relationship with other objects.

Read the whole essay here.

Poetry for Veterans’ Day

This morning I was reading the daily poem to Shane from our Alhambra Poetry Calendar for Young Readers, a superlative anthology of classic and modern poems that are written on an adult level but safe to share with younger folks. I often follow the reading with a little interpretation, pointing out interesting things about how the poem works, or reflecting critically on its message. Maybe it’s silly to get into this with a 19-month-old, but I feel it’s never too early to introduce the idea that he can think for himself about what Mommy and Daddy read to him. He can appreciate a book without agreeing with everything in it, or with us.

Because it’s Veterans’ Day, today we read the well-known poem “In Flanders Fields” by John McCrae, who was a Lt. Colonel in the Canadian Army in World War I. The text and history of the poem can be found on the Arlington National Cemetery’s website.

I remarked on McCrae’s conclusion that continuing the battle was the proper way to make the fallen soldiers’ sacrifice worthwhile: “To you from failing hands we throw/The torch; be yours to hold it high./If ye break faith with us who die/We shall not sleep…” Other war poets, I observed, have drawn the opposite conclusion, that these tragic deaths ought to motivate us to seek peace.

My favorite war poem of all time has to be Wilfred Owen’s “Greater Love“, also from World War I. Owen was a passionate critic of the war’s carnage, yet this poem (unlike, for instance, his “Dulce et Decorum Est“) resists reduction to a pro- or anti-war interpretation. He is simply moved by the holy suffering of the dying soldiers, which is undiminished by questions about whether it was necessary or effective.

For more great poetry on this theme, visit the War Poetry Contest archives (2002-2011) at WinningWriters.com.

Greater Love

by Wilfred Owen

Red lips are not so red
   
As the stained stones kissed by the English dead.
Kindness of wooed and wooer
Seems shame to their love pure.
O Love, your eyes lose lure
   When I behold eyes blinded in my stead!

Your slender attitude
   
Trembles not exquisite like limbs knife-skewed,

Rolling and rolling there

Where God seems not to care:

Till the fierce love they bear

   
Cramps them in death’s extreme decrepitude.

Your voice sings not so soft,—

   
Though even as wind murmuring through raftered loft,—

Your dear voice is not dear,

Gentle, and evening clear,

As theirs whom none now hear,

   
Now earth has stopped their piteous mouths that coughed.

Heart, you were never hot

   Nor large, nor full like hearts made great with shot;

And though your hand be pale,

Paler are all which trail

Your cross through flame and hail:

   
Weep, you may weep, for you may touch them not.