Reiter’s Block Year in Review: 2014

2014 has been a year of self-transformation. I became a redhead and got a lion tattoo. I finished a major revision of the Endless Novel. I hope to finish-finish it for real in early 2015, after I nail down the details of my new poetry book launch and marketing plan. My second full-length poetry book, Bullies in Love, is forthcoming in March from Little Red Tree Publishing. Even the blog got a makeover, migrating from GoDaddy to WordPress with the expert assistance of design firm Tunnel 7.

jendi_finishing_MS_2014

Rearranging my poetry manuscript on the office floor, December 2014.

Why has this year been so good for my creativity and personal growth? Folks, trauma recovery really works. Trust yourself. Phase out relationships with people who gaslight and invalidate you. Find a spiritual practice that makes a safe container for you to feel anger, grief, and the love of God. And try to spend some time roughhousing with a toddler. (Kittens work too.)

Here are some more highlights from this year’s reading, writing, and other discoveries.

Best Poetry Books:

I’ve read so many fine collections this year, it’s hard to choose. Some favorites by Charlie Bondhus, R.T. Castleberry, Heather Christle, Ruth Thompson, and Pam Uschuk have been reviewed and excerpted on Reiter’s Block this year. Other notable books that I didn’t get to feature:

L. Lamar Wilson’s Sacrilegion (Carolina Wren Press, 2014) is a passionate, musical exploration of intersecting identities: black, gay, Southern, Native American, Christian.

Brian Teare’s debut collection The Room Where I Was Born (University of Wisconsin Press, 2003) uses dark fairy-tale and gritty Southern Gothic tropes to tell, undermine, and complicate a confessional narrative of sexuality and trauma.

Nin Andrews’s Why They Grow Wings (Silverfish Review Press, 2001) lets loose the divine feminine in magical-realist scenarios that are both playful and politically edgy.

Best Fiction Book:

Donna Tartt, The Goldfinch (Little, Brown & Co., 2013). This Pulitzer-winning doorstop of a novel received equally intense yays and nays from critics. Based on Northrop Frye’s classic taxonomy of genres, I think Tartt’s detractors make the mistake of treating her books as realist novels when they’re really romances, notwithstanding the super-abundance of contemporary detail. I loved this book because it captured the feeling of growing up in New York City with more dreams than money. Tartt’s New York, like mine, is home to many social classes and subcultures living in close proximity but rarely intersecting. The first half of the book emphasizes the distance between these worlds and the illusions we spin about those who seem more fortunate than ourselves. Then a series of tragicomic twists brings the protagonist out of his grandiose isolation and into a humbled awareness of our common fate.

Best Nonfiction Book:

Michelle Alexander, The New Jim Crow: Mass Incarceration in the Age of Colorblindness (The New Press, 2010). This comprehensive study of racism in the criminal justice system is a must-read, particularly now, following the outcry over police brutality in Ferguson, MO.

Favorite Posts on the Block:

The Priesthood of All Survivors
I want to give and receive the support, spiritual insight, and deep friendship that a shared faith journey can offer. However, as I work towards higher levels of psychological integration and adulthood, I have to be part of a community that’s consciously working the same program. As I choose to break familial patterns of nonconsensual intimacy, I have to be part of a community that’s organized by consent and choice, not guilt-tripping the unchurched.

Why Believe in a Need-less God?
It’s a leap from “God doesn’t need Hir ego stroked”* to “God doesn’t need anything from us.” This doctrine, which we take for granted as orthodoxy, has hidden negative political and pastoral consequences. Because of what I’ve learned from feminist and disability theology, I am compelled to question the equating of “need” with weakness, imperfection, or immature egotism.

Becoming Church: My Field Trip to an Intentional Christian Community
Becoming Church is an umbrella organization for small-group churches (a dozen people maximum) that follow the Church of the Saviour model of “journey inward/journey outward“. Grounded in their faith in Christ, members support each other’s personal spiritual transformation and work together on service projects in [Washington, DC]. Their vision for social change is both radical and humble. Radical, because they want to be used by the Spirit to attack systemic injustice. They’re not content to provide palliative care to the less fortunate, or as they prefer to say, “the under-resourced”. Humble, because they try to operate on God’s timetable, not their own, and eschew ambitious arms’-length initiatives in favor of intensive long-term relationships with a few needy individuals at a time.

Most Useful Discovery:

Peggy Olson cures PTSD.

I’ve binge-watched all 6 1/2 seasons of Mad Men since July. This show’s deep resonance with me deserves its own blog post in the near future. For now, let me just say that Peggy, played by Elisabeth Moss, is the first female character on TV that I really identify with. She’s socially awkward, ambitious, creative, blunt-spoken, willing to make enemies, unashamed of her climb from working-class Brooklyn Catholic schoolgirl to Manhattan ad executive, has a weakness for ugly plaid outfits, and secretly wonders whether she’s failed to perform femininity properly. Near the end of Season 7A, she anticipated the concept of “family of choice” to sell fast-food hamburgers to modern women.

I used to be afraid of my chronic nightmares. Now, before I fall asleep, I imagine Peggy showing up in my dreams to kick ass. That recurring dream about being stranded on the highway? No problem. Peggy will give me a ride and bring bail money, just as she did for Don Draper when he crashed his car on a drunken joyride with his mistress. I’m sleeping much better now.

World’s Cutest Toddler:

shane_reindeer_2014

Happy holidays from Shane!

Poems from Pamela Uschuk’s “Blood Flower”

Pamela Uschuk is a shamanic poet, invoking the spirits of animals, mountains, and forests, to heal a world that humans have spoiled with war and greed. Her latest collection, Blood Flower (Wings Press, 2014), also gives a voice to her family’s ghosts, starting with her Russian immigrant ancestors, and moving on to her late brother and first husband, who were permanently scarred by their service in Vietnam.

I love the specificity of the nature images in Uschuk’s writing. These are not stylized, sentimental birds and flowers. They are “cliff swallows taking needles of twilight/into their open beaks, stitching/sky’s ripped hem.” They are the “red velvet vulva of roses” and “yellow ginkgo leaves/waxy as embalmed fans warm[ing] grave stones”. I can believe that they are just as real as the scenes of atrocities that surround us in the news media. Their beauty pulls a bright thread through the darkest stories she tells.

Among her many accomplishments, Pam is the editor of Cutthroat, A Journal of the Arts. Three of the poems in this collection won our 2011 War Poetry Contest at Winning Writers. She has kindly allowed me to reprint two more poems from Blood Flower below.

BLACK SWAN

Inside the photo’s tapestry, your silk sleeves
don’t reveal the slit wrists of madness
or the raw cortex of gang legends I loved—
police bullets slugging your car’s backseat
over my father’s young head as you ran
whiskey from Canada for the Purple Gang.
No one talks about your stints
in Joliet and Jackson Prison after you roped
concrete to a corpse you sank in the Grand River.

Who was he, Grandfather?
I feel cheated. Kto vui?
Who are you? I cannot find
your pauper’s grave.

Like Bogart’s in a film noir
your mouth is a tightset scar.
Did it elide vowels
fluid as trout in a cold stream
tearful over the Firebird’s Tale, or sneer
remembering your father’s ultimatum—
     leave Russia or join the Tsar’s army—
after your tantrum murdered his valet?

Charming pariah pitched across the Atlantic’s green remorse,
you vowed to send back your first son. But,
what promise did you ever keep?
Ellis Island misspelled your name,
deloused you like everyone else.
Russian was the official language
in your American house built with secret
hideaways beneath hollow attic steps, false
bedroom walls, as you tithed
gang money to Orthodox priests.

Grandfather, what purpose can you discern
now your entitled eyes are soil,
your heart going to anthracite?
Through the ghosts of your manicured hands
that never picked up a hammer or saw
pierce my curious roots.

Even in this distant pose, you glide,
the gorgeous black swan that rules
with fierce stiff wings
curled above a charred back, terrorizing
mallards with his hiss—
irresistable bully of the pond.

Cursed by indelible longing
for birch groves, balalaikas, whirling
Mazurkas, despite a day like today when the earth sinks
to its hips in the rare currency of peace, when
chickadees and finches bask
in the season’s final leaf-lit fling,
when squirrels nap after cannonballing
walnuts to the yard, when
nothing,
     nothing in particular
disturbs one molecule of the afternoon,
you smothered your future in Grandma’s yellow kitchen.

What is it in this decaying loam
that makes me cry? What impossible longing,
deformed as swallows reflected in a gazing globe,
when sun seems to illuminate the most stubborn shade?
The same chink in the genes?

Ya Ruskaya, Grandfather; look at the icons I keep—
an inlaid jewelry box from Siberia,
Minsk enameled knives,
the Orthodox cross or your portrait
arranged before the samovar
I carry from house to house.

Thirty-three, you died at thirty-three, syllables
shrill as ax blades sunk into a maple tree,
the same age as your savior
when he was crucified. Horosho.

Grandfather, tell me what fist beat
blue as lacy veins
trapped in our temples,
when you reached for the oven door,
blew out the pilot
     to suffocate our lives?

********

REMEMBERING THE TET OFFENSIVE AS TROOPS SHIP OUT FOR A U.S. ATTACK ON IRAQ
for Roger C. Frank

A fighter jet etches ink white as sperm
on the stark sky while January troops deploy
from Camp LeJeune, just like my first husband
did in 1968 on his way to Viet Nam
to wipe the Commie Gooks off the map.
Before he could spell Khe Sahn, think
massacre, he was machine-gunned
then bayoneted, left to die two days
in a jungle valley of shimmering green bamboo
near the clear stream he couldn’t reach
before the chop chop of the Medevac arrived.
One of three survivors of a whole company
of young marines slaughtered, he wanted to toss
the Purple Heart in the trash.
I remember during the long Michigan winter
his night sweats, the way
he’d shout the apartment walls awake, shake
to the screams of his buddies as they choked
on their own blood, clotted by indifferent flies,
some disemboweled, legs,
arms, faces blasted as frosted poppies.
He’d point to the mean hieroglyphs of red scars,
a pinched cummerbund of bullet
and stab wounds cinching his waist,
then ask me, new bride, too young
to be a Sphinx, the riddle I couldn’t reason out.
What was this for? What for?
as he headed to the kitchen for anesthetic beer,
the amber mattress of whiskey straight.
In three years he joined his company underground.

He was handsome, gung-ho like these teen soldiers
interviewed on CNN, cocky
as oiled M16s, proclaiming
their belief as each generation before them
that they will fight the war to end all wars.
Behind them, wives and girlfriends wave
small American flags that break
in the brittle wind.

Holiday Videos: “Joel the Lump of Coal” and More

It’s beginning to look a lot like…whatever winter holiday you celebrate! Here are some videos to get you in the mood.

This Hanukah song and dance medley is joyful and stylishly performed. I was almost certain I recognized the location as midtown Manhattan, but the YouTube credits say Daley Plaza in Chicago. No wonder I always felt at home in the Windy City.

Contemporary glam-rock band The Killers, better known for singing about obsessive love and murder, made this goofy yet ultimately profound video, “Joel the Lump of Coal“. This might be my favorite Christmas song of the year. I dislike the child-shaming moralism of the Santa myth, which has taken over a holiday that’s supposed to be about God’s forgiving and transforming love. The ending of this song made me think of Jesus’s words, “The stone that the builders rejected has become the chief cornerstone.”

Celtic folk band Nowell Sing We Clear performs their signature song “Chariots” in this video, a rousing welcome for the Prince of Peace. Lyrics by John Kirkpatrick below.

O Shepherd O shepherd come leave off your piping
Come listen come learn come hear what I say
For now is the time that has long been forespoken
For now is the time there’ll be new tunes to play
For soon there comes one who brings a new music
Of sweetness and clarity none can compare
So open your heart for the heavenly harmony
Here on this hill will be filling the air

REFRAIN:
With chariots of cherubim chanting
And seraphim singing hosanna
And a choir of archangels a-caroling come
Hallelujah Hallelu
All the angels a-trumpeting glory
In praise of the Prince of Peace

See on yon stable the starlight is shimmering
And glimmering and glistening and glowing with glee
In Bethlehem blest this baby of bliss will be
Born here before you as bold as can be
And you’ll be the first to hear the new symphony
Songs full of gladness and glory and light
So learn your tunes well and play your pipes proudly
For the Prince of Paradise plays here tonight

Bring your sheep bleating to this happy meeting
To hear how the lamb with the lion shall lie
It’s mooing and braying you’ll hear the song saying
The humble and lowly will be the most high
Let the horn of the herdsman be heard up in heaven
For the gates are flung open for all who come near
And the simplest of souls shall sing to infinity
Lift up and listen and you shall hear

The warmonger’s charger will thunder for freedom
The gun-maker’s furnace will dwindle and die
And muskets and sabers and swords shall be sundered
Surrendered to the sound that is sweeping the sky
And the shoes of the mighty shall dance to new measures
And the jackboots of generals shall jangle no more
As sister and brother and father and mother
Agree with each other the end to all war

As a candle can conquer the demons of darkness
As a flame can keep frost from the deepest of cold
So a song can give hope in the depths of all danger
And a line of pure melody soar in your soul
So sing your songs well and sing your songs sweetly
And swear that your singing it never shall cease
So the clatter of battle and drums of disaster
Be drowned in the sound of the pipes of peace

A Long-Overdue Education in Racism: Where to Begin?

As my readers doubtless know from the national news, the killing of unarmed African-American men and boys by white police officers has sparked protest movements across the country, challenging us white Americans to confront our participation in a racist law enforcement system.

On Aug. 9 in Ferguson, MO, Officer Darren Wilson shot unarmed 18-year-old Michael Brown; the grand jury declined to indict Wilson on Nov. 24, even though the conflicting testimony about what happened during the police stop would seem to warrant a jury trial. On July 17 in Staten Island, NY, police stopped Eric Garner for allegedly selling contraband cigarettes. Officer Daniel Pantaleo used a chokehold on him that was banned by NYPD rules, suffocating the unarmed and asthmatic Garner. Last week the NY grand jury declined to indict Pantaleo.

Meanwhile, on Nov. 22 in Cleveland, OH, a cop shot and killed 12-year-old Tamir Rice for playing with a toy gun at a playground. Twelve years old. A toy gun. Just think about that for a moment.

These are just two of the many unarmed black men and boys who are killed by the police each year in our “post-racial” society. Activists on Twitter have been posting their names in hashtags but can’t even keep up.

I honestly have not known what to write about this because there isn’t much I can say except “FUCK” and “I’m sorry”.

I’m not bringing this up now to get cookies for being an ally (a title I still have to earn). It’s just reached the point where not saying something would be a sign of not caring. As a white person, I have the dubious privilege of prioritizing other issues. But I don’t want to get off the hook.

I know how much I appreciate it when men believe women about sexism, or when people who’ve had normal families work to overcome their misconceptions about trauma survivors. In doing activism around the issues that affect me personally, I’ve gotten a glimpse of how it feels to suffer from other kinds of prejudice. I want to turn that empathy into effective action, and that starts with listening to African-American voices.

So I’m using the rest of this post to recommend some of the books, websites, and Twitter feeds that are helping me begin my education in racism and racial justice. Please feel free to share your own favorites in the comments.

Important advice: If you’re new to this issue and decide to check out these blogs and Twitter feeds, don’t jump into the conversation right away. Spend a good amount of time just reading and learning how this community sees the world, whether or not you agree. Remember that people are the experts on their own experience. No one is right all the time, but people of color have better attunement to racism than white people do, because they’re on the receiving end.

Books

Michelle Alexander, The New Jim Crow: Mass Incarceration in the Age of Colorblindness (The New Press, 2010)
Civil rights law professor lays out a devastating case that the criminal justice system created by the War on Drugs is rigged against men of color, at every stage from stop-and-frisk to sentencing.

Roxane Gay, Bad Feminist (HarperCollins, 2014)
Witty novelist and pop-culture critic explores the intersections and contradictions of our cultural myths around race and gender.

bell hooks, Ain’t I a Woman: Black Women and Feminism (South End Press, 1981) and All About Love: New Visions (William Morrow, 2001)
hooks’s passionate first book argues that black women have been doubly marginalized by white feminists and by black men trying to gain status in a patriarchal society. The first chapter, describing the systemic sexual abuse of black women under slavery, is harrowing but a must-read. All About Love is an incisive and uplifting book that proposes that real love is inseparable from justice, seeing and being seen authentically.

Websites

Colorlines is a daily news site about racial justice issues in politics, the arts, and the media, offering award-winning original reporting and news analysis. (Twitter: @Colorlines) Check out this article about how white Americans can unlearn racism.

The Crunk Feminist Collective features black women writers on topics such as media representation, discrimination and micro-aggressions in the workplace, police brutality, and abuses in the criminal justice system. (Twitter: @crunkfeminists)

Dear White People is the Tumblr companion to the 2014 movie, an excellent satire about black students at an elite university and the different strategies they use to navigate around cultural stereotypes and double standards. A book is forthcoming.

Gradient Lair is a womanist blog about black women and art, social media, social politics, and culture. (Twitter: @GradientLair and @TheTrudz)

Political Jesus is a multi-authored Christian theology blog with interests in social justice, science fiction, pop culture, and racial issues in the church. (Twitter: @Political_Jesus)

Twitter

@Karnythia (Mikki Kendall, fiction writer and blogger at hoodfeminism.com)

@ProfessorCrunk (Brittney Cooper, columnist at Salon)

@TaNehisiCoates (Ta-Nehisi Coates, columnist at The Atlantic, author of their 2014 cover story on slavery reparations)

@TheFerocity (Saeed Jones, poet and Buzzfeed LGBT columnist)

@TressieMcPhd (Sociology professor at Emory University, writes about racial issues in academia)

@WritersofColour (Media Diversified, a UK think tank tackling the lack of diversity in media)

Videos from Dead Poets Remembrance Day

This past October I participated in Dead Poets Remembrance Day, an annual reading series organized by Walter Skold of Dedgar.org. Walter is on a mission to host tribute readings at all the graves of notable poets in the U.S. He is working on a documentary that will incorporate video of these readings and other anecdotes of the poets’ lives.

I live across the street from a historic cemetery where Kashmiri-American poet Agha Shahid Ali is buried. Ali, who was a beloved professor at U Mass Amherst, introduced American writers to the classical Indo-Islamic poetic form known as the ghazal. On the afternoon of my reading, there was a torrential rainstorm, which was the perfect (if noisy) backdrop for two poems from Call Me Ishmael Tonight: A Book of Ghazals: “Even the Rain” and “After You”.

We are left mute and so much is left unnamed after you–
No one is left in this world to be blamed after you.

Someone has disappeared after christening Bertha–
Shahid, will a hurricane ever be named after you?

Now from Miami to Boston Bertha is breaking her bones–
I find her in the parking lot. She says, “I’m blamed after you.”

The Deluge would happen–it was claimed–after you
But the world did go on, unashamed, after you

ANDREW BERTHA CHARLES DAVID ELLA FLOYD GEORGE
but S comes so late in the alphabet that although
SHAHID DEVASTATES FLORIDA is your dream headline,
no hurricane will ever be named after you.

Agha Shahid Ali “Even The Rain” at his grave from Walter Skold on Vimeo.

Flash Fiction by Donal Mahoney: “Big Thanksgiving Snow”

The first snow of the winter is blanketing our Western Massachusetts region today, the day before Thanksgiving, which makes this a perfect time to post this short-short story by Reiter’s Block contributor Donal Mahoney. Enjoy, and drive safely.

Big Thanksgiving Snow

by Donal Mahoney

 

“Sometimes Jesus walked around with a big staff, just like me,” Mrs. Day says to herself as she looks at the frayed picture on her kitchen wall just above the little kitchen table. She cut that picture out of a magazine 50 years ago when she subscribed to Life and Look and Colliers magazines.

“Jesus doesn’t need that staff,” Mrs. Day tells herself. “It was a sunny day in Jericho, the article said. I’ll bet He used that staff to go up in the hills to pray. The Bible says He often left the apostles behind to go away and pray. I’d have kept an eye on Him if I was there.”

At 80 Mrs. Day is legally blind with one good leg. She has a staff of her own to help her walk to stores and then back to her little house. The staff is at least a foot taller than she is. It was a gift from a dead neighbor who was handy with tools and liked to carve and whittle. Mrs. Day needs that staff this Thanksgiving Day as she makes her way through drifts of snow, an unusual amount for this first big winter holiday.

With nothing in the fridge except old bread and prunes, Mrs. Day hopes to find a diner open. Even Jack in the Box is closed for Thanksgiving so there will be no coffee with a Breakfast Jack to go but Mrs. Day has time today to find a place that is open. And she knows that place will probably be Vijay’s Diner, where she’s a customer on days when every other place is closed.

Vijay came to the United States long ago when Mumbai was still Bombay. He cooks for everyone every day of the year, whatever God they worship or ignore. He makes fine Indian dishes for customers who emigrated from India as he did. And he makes fine American cuisine for people from the neighborhood, most of whom have yet to adjust to Indian dishes and their redolent spices.

“I have a nice turkey leg, Mrs. Day, if you’d like that,” he says, but all she wants is coffee, two sugars and a muffin to go.

“I’m on a diet,” she tells him.

Vijay puts her items in a small brown bag and adds a free candy bar, a Baby Ruth bar, a big one, for later tonight. Mrs. Day will be angry when she gets home and finds it but that’s okay. She can’t come out at night to look for something to eat. It’s tough enough for her to get around in sunlight.

Vijay waits for Mrs. Day to dig in her big purse and put all of her change on the counter. Then they count aloud together each coin that he picks up one at a time. Finally they agree he has the right amount even though Mrs. Day has trouble seeing the coins. Usually she can tell which are which by the feel of them. Now Vijay smiles at Mrs. Day, his customer on the holidays only.

“Happy Thanksgiving, Mrs. Day,” he says. “I hope you’ll come again. We’ll have leg of lamb on Christmas. And ham and yams on New Year’s Eve. I’ll make you a nice big sandwich. I know you’ll like it. You can skip the diet for one day.”

30 Poems in November: Your Turkey Day Reminder

Are you thankful that you can read this? Give the gift of literacy to new immigrants, and sponsor me in my 30 Poems in November fundraiser.

Here is today’s poem for your enjoyment. Have a tasty holiday!

Ode to Butternut Squash

Butternut squash, you are the War and Peace of vegetables.
So heavy, traditional, symbolic of grand ambitions unfulfilled.
Delusional, even, like Napoleon’s drive to conquer Russia,
which is what I assume Tolstoy’s classic is about,
though like most Americans tucking into their giblets this holiday,
I’ve never cracked the book on display in my living room.
Butternut squash, is this your destiny too?
Like the little Corsican exiled on Elba,
will you shrivel and sag in my refrigerator,
Thanksgiving come and gone, nothing to hope for
except that this time I’ll mean it when I glimpse you
behind the milk and say to myself,
“I really should cook that before it goes bad”?
Butternut squash, my knife shrinks from sawing into your rind,
your brute firmness, flesh pink and unmarked,
sized to give Anna Karenina the shivers.
I do not have the conquering spirit.
Because I am afraid, butternut squash,
that even if I can cut you in half without losing a finger,
and you yield your virgin territory
to be encrusted with sugared pecans like a Fabergé egg,
and I find the patience to bake you at 350 degrees
for longer than it takes to say “Andrei Nikolaevich Bolkonsky”,
my guests, who have never starved in the siege of Moscow,
will not be grateful for your sacrifice
and fill up on pie instead.

Poetry by Robert McDowell: “The Promise of Hunter’s Moon”

Poet, activist, and spiritual workshop leader Robert McDowell sent out this powerful poem in his e-newsletter to commemorate the International Day to End Violence Against Women (Nov. 25). McDowell’s work focuses on actualizing the sacred feminine to bring about gender equality and reconciliation. He has kindly allowed me to reprint it below.

The Promise of Hunter’s Moon
by Robert McDowell

At some point we’re all coming back as birds.
We’ll begin in the muck, unrecognizable, stinking,
Until creatures with hands or tools for hands
Scoop us up and start squeezing and pulling.
Suddenly there we are, unmistakably beaked,
Straining against thin leather thongs that someone
Had the good sense to tie around rocks and our twiggy legs.
It’s a good thing, this confinement, because free
We’d rip and tear apart anything we could reach.
The things with hands, or tools like hands, feed us
A mixture of water and the blood of the beheaded,
And with this inside of us we develop fast,
Looking more like giant birds you’d recognize
By the minute. Our feathers grow black and glossy,
And the thicker they become the meaner we feel.
When they just can’t grow anymore they fall out.
Our featherless bodies are disgusting to touch,
Hideous to behold. Where once we were murderous,
We grow timid under the mirror-hot sun. Then
More feathers appear, small, white feathers,
Beautiful, snowy plumes that dazzle in moonlight.
When we’re ready she comes. Out of the sea and sky,
Out of the barren ground she comes. Astonishing
Is her loveliness, perfected is her power.
She rises and walks among us as we bow,
Obedient, peaceful, and so in love.

New Poem by Conway: “Smell”

My prison pen pal Conway reports that the hearing on his petition for early release has been delayed until December, crushing his hope of being reunited with his family for Christmas. It’s been over two years since California voters passed Proposition 36, which was supposed to roll back the harsh sentences imposed on nonviolent offenders under the three-strikes law. This Nov. 14 L.A. Times article suggests the state is dragging its feet on releasing prisoners because the Department of Corrections benefits from their underpaid labor:

Federal judges on Friday ordered California to launch a new parole program that could free more prisoners early, ruling the state had failed to fully implement an order last February intended to reduce unconstitutional crowding.

The judges, for a second time, ordered that all nonviolent second-strike offenders be eligible for parole after serving half their sentence. They told corrections officials to submit new plans for that parole process by Dec. 1, and to implement them beginning January.

“The record contains no evidence that defendants cannot implement the required parole process by that date, 11 months after they agreed to do so ‘promptly,'” the judges wrote in Friday’s order.

Corrections department spokeswoman Deborah Hoffman said the agency would comply with the order.

But the federal judicial panel did not take action on other steps it had ordered California to take last February. Those include increasing the sentence reductions minimum-custody inmates can earn for good behavior and participation in rehabilitation and education programs.

Most of those prisoners now work as groundskeepers, janitors and in prison kitchens, with wages that range from 8 cents to 37 cents per hour. Lawyers for Attorney General Kamala Harris had argued in court that if forced to release these inmates early, prisons would lose an important labor pool.

Meanwhile, my friend Conway keeps his soul alive through creative writing. In addition to poetry, he is working on an autobiographical novel about growing up with his brothers and sisters in a gang-ridden neighborhood. I think he could be the next S.E. Hinton! I was struck by this poem’s taut rhythm and rapid-fire rhymes and wordplay.

Smell

This is the smell of a cell…
This is the smell of rust and dust, and sometimes lust.
Plus it’s the smell of double bar-locks, block and blocks, of towers
and useless clocks. If you don’t know what time it is, oh well!

Could it be the smell of a dirty-ass sock, or worn-out useless
fruitless talk? But still, it’s a voice you feel you might trust.
Not that, oh no!
This is the smell of nothing good. No pleasure, no sound,
nobody around to be found, nowhere to go.
Nothing to show, for all the shit you now know.

This is the smell of a place where no one belongs, but still
we’re stuck here. Because the court insists we’ve done something wrong.
This is that place where they’ll put you away, to serve
day after day. And you’ll rust in the smell of the dust and decay.

This is the smell you will always smell, unless
they tell you “your smelling is finally done.”
In this smelly assed life, that’s good for no-one.
This is the smell of no place to be, this is the smell I see.
This is the smell of just one prisoner’s tale.
This is the smell of that living hell.
This is the smell that I smell.
This is the smell of jail…

The Lion Under My Skin

Three weeks ago I made another one of my longtime fashion dreams come true.  I got my first tattoo.

lion_tattoo_2014

This lion who now lives on my left ankle represents Aslan, the Christ-figure in the Narnia books, as well as the courage of my male spiritual side. The original artwork by Nycci Traynor at InkWell Studio in Bristol, CT is based on our first Winning Writers logo. (Now that’s corporate loyalty.)

inkwell_tattoo_parlor

Oct. 30, 2014, 1 PM: I prepare to meet my fate.

I promised myself a tattoo when I finished the latest revision of The Endless Novel, back in August. As the appointment date approached, though, I was getting cold feet. I wasn’t anxious about the pain so much as the commitment. My beliefs, priorities, and personal style have gone through major changes several times already. What if the image I chose no longer represented me in a few years? I asked my oldest friend for advice. He said he was also contemplating a tattoo with a symbol that would remind him that God was always there for him. So that’s how I made my choice.

I’m glad he got me thinking about tattoos as a spiritual practice. Ink can be a beautiful, unique, and (after the first couple of weeks) zero-maintenance form of adornment. But beyond that, for me it’s a way of taking ownership of my body. Creative control, if you will. I can go beyond the limits of what I was given, and turn my body into a visible record of my inner journey.

In some indigenous cultures, tattoos and other forms of body modification play a role in rites of passage. They mark a permanent transition to adulthood and demonstrate the bearer’s physical endurance and bravery. This aspect of tattooing also became important to me when I was under the needle.

So how painful was it? It was pretty much what you’d expect from having needles stuck in your leg for two hours. In other words, equivalent to about five minutes on the phone with my childhood abuser. (This is the universal standard of measurement in our household.) And unlike such conversations, the emotional aftereffects of being inked were nothing but positive.

I didn’t enjoy the pain per se, but it turned out I enjoyed how tough it made me feel. As it was happening, I compared it to other types of pain I’ve experienced, and reassured myself that I could handle this. I gained a clearer perspective on the boundaries between pain, suffering, and abuse.

Buddhists distinguish between pain, the unpleasant sensation itself, and suffering, the way we compound our pain by proliferating fearful or angry thoughts about it. There was no suffering involved in my tattoo because it was purposeful, consensual, time-limited, applied by someone I trusted, and chosen from a position of self-affirmation. Compare, for example, the facial hair electrolysis I had in my 20s, which was the closest equivalent to the physical sensation, but was much more of a downer because I was doing it to fix something I felt was wrong with me, not to make my awesome self more awesome.

In the Endless Novel and my notes for the sequel, I’ve been struggling with how to interpret, and whether to judge, my characters’ risky sexual practices. I have less than zero erotic interest in pain in the bedroom, but one of my main characters has made it clear that he’s a kinkster and doesn’t want to be “cured” through trauma therapy. Meanwhile, at Winning Writers, I’ve just finished judging the Sports Fiction & Essay Contest, reading about athletes who subject their bodies to extreme hardships and sometimes permanent injuries, in pursuit of–what? Winning an arbitrary game, feeling tough, being admired, defying age and mortality? What does society consider a legitimate reason to override the animal instinct for self-preservation? What is the difference between BDSM and roller derby?

Last month, Sarah Bessey at Jesus Feminist put up a post saying that Christians should not engage in consensual sexual practices involving domination and pain. She argued that such fantasies trivialized the societal problem of abuse, and ran counter to the Christian ethic of nonviolent love.

Without any experience to contradict Bessey, I was inclined to agree with her, but two of the Christian feminists I most respect, Sarah Moon and Samantha Field, offered cogent rebuttals that opened my mind. From Field’s post:

What I love about kink is how it exposes us as a couple. It puts the amount of love we have for each other and how deeply we trust each other fully on display in a way that more vanilla sex just doesn’t. For me, when I’m subbing, there’s an unbelievable amount of anticipation that is almost joyful. I don’t know what he’s about to do, or where this is about to go, but I know that I’m going to love it.

The best part is that I have complete and total control over what happens. As a rape victim, I cannot overstate how much that means to me. When Handsome and I are in a scene, I know that if he attempts something that makes me uncomfortable I can put an instant stop to it–but that hasn’t even happened yet. While we’re playing, we’re attentive to each other in a way that we don’t quite attain when we’re having a missionary quickie. Whoever is on top is watching every single breath and twitch, and we’re communicating with each other more than any other time we have sex. And because I know he is watching me incredibly carefully, I’m free to let go; he’s pushed me in ways I didn’t think was possible, and that’s happened because I trust him and I know he loves me…

…[P]ain is not the same thing as violence, and causing pain is certainly not the same thing as abuse. That’s not even an argument that makes sense–everything in our daily lives belies that. It’s non-consensual pain (emotional or physical) that is an intrinsic violation and is always wrong, full stop.

To me, BDSM is about communication, and respect, and trust, and love, and commitment, and honoring each other. It’s about exploring, finding, and then keeping boundaries.

The anonymous guest writer at Moon’s blog shared similar thoughts about the satisfaction of pushing one’s limits in a consensual, trust-filled environment:

They tell me that my experience is less “true” than the narrative that BDSM critics try to impose. That the way I feel isn’t real, can’t be trusted. (You know this is gaslighting, right?)

Here is what it feels like for me, as a submissive who is otherwise a perfectionist, to be in the hands of a trusted partner: relaxation. Gratitude. Is it okay for me to be this lazy and still feel this good? No need to think, to stress. Just receive.

Here is what it feels like for me, a dominant who was raised in a culture where women aren’t really supposed to want power, let alone claim it: awe. Look at what I can do. Look what he wants from me, what he trusts me with. Look how wonderful he looks…

…Sex is fraught with connotations, with connections hidden in the subconscious. Power dynamics are also fraught. Examine everything. In fact, I will be prescriptive here: the more closely an action mimics oppressive power structures, the more closely you should examine it before acting on it or making it a deliberate part of your fantasy life.

And if an action seems to replicate those power structures too closely for your comfort, that is a good reason for you to refrain from an act. In fact, I think it’s a fantastic reason. Society does program us all in certain ways, and it is our duty and responsibility to be on the lookout for that.

But “too close for comfort” for you does not mean that other people can’t navigate it safely.

And assuming that one can draw a line in the sand where the actions on one side are “good” and the actions on the other side are “bad” is a practice that Christianity has engaged in for too long.

Because of how I felt while getting inked, these arguments resonate with me, in a way that might not have been possible before. Tattoos are more mainstream than they used to be, but a lot of people still judge tattooed women as rebellious, self-destructive, not respectable, etc. That’s why I placed mine on my ankle, where I could easily hide it with clothing when I need to look “professional”. (A demand that’s fortunately rare in the life of a poet.) Intent and effects matter more than some list of approved and un-approved actions tagged with pre-fab psychological explanations.

Is my painful body modification partly a response to my trauma history? Maybe so…but my response is…

ROAR!!