Category Archives: Site News

30 Poems in November: Your Turkey Day Reminder

Are you thankful that you can read this? Give the gift of literacy to new immigrants, and sponsor me in my 30 Poems in November fundraiser.

Here is today’s poem for your enjoyment. Have a tasty holiday!

Ode to Butternut Squash

Butternut squash, you are the War and Peace of vegetables.
So heavy, traditional, symbolic of grand ambitions unfulfilled.
Delusional, even, like Napoleon’s drive to conquer Russia,
which is what I assume Tolstoy’s classic is about,
though like most Americans tucking into their giblets this holiday,
I’ve never cracked the book on display in my living room.
Butternut squash, is this your destiny too?
Like the little Corsican exiled on Elba,
will you shrivel and sag in my refrigerator,
Thanksgiving come and gone, nothing to hope for
except that this time I’ll mean it when I glimpse you
behind the milk and say to myself,
“I really should cook that before it goes bad”?
Butternut squash, my knife shrinks from sawing into your rind,
your brute firmness, flesh pink and unmarked,
sized to give Anna Karenina the shivers.
I do not have the conquering spirit.
Because I am afraid, butternut squash,
that even if I can cut you in half without losing a finger,
and you yield your virgin territory
to be encrusted with sugared pecans like a Fabergé egg,
and I find the patience to bake you at 350 degrees
for longer than it takes to say “Andrei Nikolaevich Bolkonsky”,
my guests, who have never starved in the siege of Moscow,
will not be grateful for your sacrifice
and fill up on pie instead.

The Lion Under My Skin

Three weeks ago I made another one of my longtime fashion dreams come true.  I got my first tattoo.

lion_tattoo_2014

This lion who now lives on my left ankle represents Aslan, the Christ-figure in the Narnia books, as well as the courage of my male spiritual side. The original artwork by Nycci Traynor at InkWell Studio in Bristol, CT is based on our first Winning Writers logo. (Now that’s corporate loyalty.)

inkwell_tattoo_parlor

Oct. 30, 2014, 1 PM: I prepare to meet my fate.

I promised myself a tattoo when I finished the latest revision of The Endless Novel, back in August. As the appointment date approached, though, I was getting cold feet. I wasn’t anxious about the pain so much as the commitment. My beliefs, priorities, and personal style have gone through major changes several times already. What if the image I chose no longer represented me in a few years? I asked my oldest friend for advice. He said he was also contemplating a tattoo with a symbol that would remind him that God was always there for him. So that’s how I made my choice.

I’m glad he got me thinking about tattoos as a spiritual practice. Ink can be a beautiful, unique, and (after the first couple of weeks) zero-maintenance form of adornment. But beyond that, for me it’s a way of taking ownership of my body. Creative control, if you will. I can go beyond the limits of what I was given, and turn my body into a visible record of my inner journey.

In some indigenous cultures, tattoos and other forms of body modification play a role in rites of passage. They mark a permanent transition to adulthood and demonstrate the bearer’s physical endurance and bravery. This aspect of tattooing also became important to me when I was under the needle.

So how painful was it? It was pretty much what you’d expect from having needles stuck in your leg for two hours. In other words, equivalent to about five minutes on the phone with my childhood abuser. (This is the universal standard of measurement in our household.) And unlike such conversations, the emotional aftereffects of being inked were nothing but positive.

I didn’t enjoy the pain per se, but it turned out I enjoyed how tough it made me feel. As it was happening, I compared it to other types of pain I’ve experienced, and reassured myself that I could handle this. I gained a clearer perspective on the boundaries between pain, suffering, and abuse.

Buddhists distinguish between pain, the unpleasant sensation itself, and suffering, the way we compound our pain by proliferating fearful or angry thoughts about it. There was no suffering involved in my tattoo because it was purposeful, consensual, time-limited, applied by someone I trusted, and chosen from a position of self-affirmation. Compare, for example, the facial hair electrolysis I had in my 20s, which was the closest equivalent to the physical sensation, but was much more of a downer because I was doing it to fix something I felt was wrong with me, not to make my awesome self more awesome.

In the Endless Novel and my notes for the sequel, I’ve been struggling with how to interpret, and whether to judge, my characters’ risky sexual practices. I have less than zero erotic interest in pain in the bedroom, but one of my main characters has made it clear that he’s a kinkster and doesn’t want to be “cured” through trauma therapy. Meanwhile, at Winning Writers, I’ve just finished judging the Sports Fiction & Essay Contest, reading about athletes who subject their bodies to extreme hardships and sometimes permanent injuries, in pursuit of–what? Winning an arbitrary game, feeling tough, being admired, defying age and mortality? What does society consider a legitimate reason to override the animal instinct for self-preservation? What is the difference between BDSM and roller derby?

Last month, Sarah Bessey at Jesus Feminist put up a post saying that Christians should not engage in consensual sexual practices involving domination and pain. She argued that such fantasies trivialized the societal problem of abuse, and ran counter to the Christian ethic of nonviolent love.

Without any experience to contradict Bessey, I was inclined to agree with her, but two of the Christian feminists I most respect, Sarah Moon and Samantha Field, offered cogent rebuttals that opened my mind. From Field’s post:

What I love about kink is how it exposes us as a couple. It puts the amount of love we have for each other and how deeply we trust each other fully on display in a way that more vanilla sex just doesn’t. For me, when I’m subbing, there’s an unbelievable amount of anticipation that is almost joyful. I don’t know what he’s about to do, or where this is about to go, but I know that I’m going to love it.

The best part is that I have complete and total control over what happens. As a rape victim, I cannot overstate how much that means to me. When Handsome and I are in a scene, I know that if he attempts something that makes me uncomfortable I can put an instant stop to it–but that hasn’t even happened yet. While we’re playing, we’re attentive to each other in a way that we don’t quite attain when we’re having a missionary quickie. Whoever is on top is watching every single breath and twitch, and we’re communicating with each other more than any other time we have sex. And because I know he is watching me incredibly carefully, I’m free to let go; he’s pushed me in ways I didn’t think was possible, and that’s happened because I trust him and I know he loves me…

…[P]ain is not the same thing as violence, and causing pain is certainly not the same thing as abuse. That’s not even an argument that makes sense–everything in our daily lives belies that. It’s non-consensual pain (emotional or physical) that is an intrinsic violation and is always wrong, full stop.

To me, BDSM is about communication, and respect, and trust, and love, and commitment, and honoring each other. It’s about exploring, finding, and then keeping boundaries.

The anonymous guest writer at Moon’s blog shared similar thoughts about the satisfaction of pushing one’s limits in a consensual, trust-filled environment:

They tell me that my experience is less “true” than the narrative that BDSM critics try to impose. That the way I feel isn’t real, can’t be trusted. (You know this is gaslighting, right?)

Here is what it feels like for me, as a submissive who is otherwise a perfectionist, to be in the hands of a trusted partner: relaxation. Gratitude. Is it okay for me to be this lazy and still feel this good? No need to think, to stress. Just receive.

Here is what it feels like for me, a dominant who was raised in a culture where women aren’t really supposed to want power, let alone claim it: awe. Look at what I can do. Look what he wants from me, what he trusts me with. Look how wonderful he looks…

…Sex is fraught with connotations, with connections hidden in the subconscious. Power dynamics are also fraught. Examine everything. In fact, I will be prescriptive here: the more closely an action mimics oppressive power structures, the more closely you should examine it before acting on it or making it a deliberate part of your fantasy life.

And if an action seems to replicate those power structures too closely for your comfort, that is a good reason for you to refrain from an act. In fact, I think it’s a fantastic reason. Society does program us all in certain ways, and it is our duty and responsibility to be on the lookout for that.

But “too close for comfort” for you does not mean that other people can’t navigate it safely.

And assuming that one can draw a line in the sand where the actions on one side are “good” and the actions on the other side are “bad” is a practice that Christianity has engaged in for too long.

Because of how I felt while getting inked, these arguments resonate with me, in a way that might not have been possible before. Tattoos are more mainstream than they used to be, but a lot of people still judge tattooed women as rebellious, self-destructive, not respectable, etc. That’s why I placed mine on my ankle, where I could easily hide it with clothing when I need to look “professional”. (A demand that’s fortunately rare in the life of a poet.) Intent and effects matter more than some list of approved and un-approved actions tagged with pre-fab psychological explanations.

Is my painful body modification partly a response to my trauma history? Maybe so…but my response is…

ROAR!!

Sponsor Me: Fall Fundraisers for Literacy and Domestic Violence Services

Two opportunities are coming up for blog readers to sponsor me for a good cause.

First, I’ll be writing a poem a day in November to raise money for the Center for New Americans. CNA is a community-based, nonprofit adult education center that provides the under-served immigrant, refugee and migrant communities of Massachusetts’ Pioneer Valley with education and resources to learn English, become involved community members and obtain tools necessary to maintain economic independence and stability.

When I did CNA’s 30 Poems in November fundraiser in 2010 and 2011, it helped me recapture a sense of fun in my poetry and push myself to find fresh subject matter. The poem-a-day challenge generated prizewinning poems such as “After October Snow” and “Depression Is My Happy Place“, and other slightly less substantial works, like “The Ballad of Trader Joe’s Dimidiated Turkey”. The project wraps up with a group reading and celebration at Smith College in early December. Please join us if you’re in the area, and sponsor me at Razoo: Jendi Reiter’s 30 Poems in November

Second, our family-of-choice, a/k/a Freedom Team, will be walking in Northampton’s annual Hot Chocolate Run for Safe Passage on Sunday, December 7. This 5K run and 3K walk supports Hampshire County’s domestic violence shelter and advocacy organization. Please sponsor my page or Shane’s page at PledgeReg!

Now, for your delectation, the official poem for November 17, 2010:

The Ballad of Trader Joe’s Dimidiated Turkey

When only half a turkey will do,
When only half a turkey will do,
When there’s an empty place at table and you’ve eaten all you’re able,
Baby, I’m the better half for you.

You been stirring up that pot of beans ‘n rice,
You been stirring up that pot that smells so nice,
Cook that dinner year on year, while he sits ‘n drinks his beer,
Baby, you won’t have to heat me twice.

Grandma’s boyfriend took her on a cruise,
You sit and watch the blizzard on the news,
When your daughter calls collect, ’cause her flight did not connect,
Baby, I got just one wing and it’s for you.

You been rollin’ out that cherry pie,
You been rollin’ out sweet cherry pie,
He’s lost in halftime doze, dripping gravy on his clothes,
C’mon baby, lemme show you some thigh.

That tender meat is fallin’ off the bone,
You can share it with your friends or eat alone.
Serve me hot with sausage stuffin’, and I won’t let on you’re bluffin’
When you smile and say you made it all at home.

On Finishing (Sort of) the Endless Novel

Dear readers, join me in the happy dance:

I HAVE FINISHED* THE ENDLESS NOVEL**.

(*a good major revision of)

(**Book One of Two in the series)

 

Paraphrasing French author Paul Valéry, the poet W.H. Auden famously observed that “A poem is never finished, only abandoned.” This quote sticks in my mind as I sort through my many feelings and questions about reaching this milestone in the writing process. Questions like: Do I have the right to say it’s “finished” when I know there will be more edits from my critique readers and my (as yet hypothetical) publisher? Can I celebrate publicly even though someone is sure to find imperfections in the manuscript? I keep expecting someone to spring out from behind a tree and taunt “Ha-ha!” like the bully Nelson in “The Simpsons”. How could you ever imagine this was good enough? Who do you think you are?

Rather than “abandoned”, I like the word “released”. This manuscript is ready to be given a little freedom to fend for itself, like my son going off to preschool next month. In both cases, the freedom is carefully bounded. A two-year-old by himself can’t choose trustworthy companions and roam the neighborhood with them. I have to select an environment that looks safe, stay involved, remain grounded in my own authority, and pray for the best. Similarly, I think that a fledgling manuscript needs to meet the world in stages, not all at once. I’m taking the advice that I give to aspiring authors all the time: choose only a few critique readers, selected for their sympathy to your style of work and their ability to give ego-free feedback, and remember that you are the ultimate authority on what feels right.

This is counterintuitive advice in a culture where we’re accustomed to ranking everything on the Internet. Much has already been written about how the Facebook “Like” button flattens and trivializes our responses to the world on our screens. This single option is supposed to be an equally adequate reaction to a funny cat picture and a news story about police brutality. Plus, social media’s built-in expectations of “liking”, re-tweeting, pinning, and voting can give us a false sense of entitlement to judge others.

I got a Kindle Paperwhite for my birthday, which I like very much, but every time I finish a book, it invites me to rate it from one to five stars on Amazon. Online reviews are very useful–sometimes more entertaining reading than the book itself–but the star system, standing alone, has begun to strike me as absurd. What does it even mean to rank The Goldfinch and an upright vacuum cleaner according to the same metric?

The Buddha spoke of the Eight Worldly Winds: pleasure and pain, loss and gain, praise and blame, and ill-repute and fame. The enlightened person seeks equanimity no matter which wind is blowing, not being tossed about by every change in circumstance. Her self-concept is larger and more flexible than any one instance of praise or blame, for example.

For a quick exercise in equanimity, check out the Amazon or Goodreads reviews of any book that you really loved or really hated. You’ll find equally passionate one-star and five-star reviews, sometimes based on the same exact thing about the book.

So I am going to celebrate, and have faith that my book will reach the right people at the right time. And always support it with a mother’s love, even if it poops its pants on picture day.

Hail Thee, Festival Day!

Happy Easter, dear readers! Today we celebrate the miracle of God’s love triumphing over sin and death. Two years ago, on Holy Saturday, my own little miracle came into the world:

Shane had a wonderful time at the Easter service today at St. John’s. The handbell choir was his favorite!

I bit my nails less frequently for Lent. Because I knew you all were watching.

Ginger Selfies

Quentin Crisp. Queen Elizabeth I. And me.

Last week I joined the ranks of fabulous faux redheads, thanks to Robin LaFleur at Hair Etc. in Northampton.

I’ve always been entranced by red hair. From second grade through freshman year in high school, I had a ridiculous crush on a boy several grades ahead of me, about whom I knew hardly anything, except that he had a lion-esque mane of coppery curls. Before that, when I was four, I wanted to marry my grandmother’s marmalade cat (who turned out to be female).

So I figured, a little peroxide wouldn’t hurt my brain function in any noticeable way.


(Google Images approximation of Sidney the cat. I should only look so good. Source here.)

The two-hour process began with application of the “head condom”, a very tight rubber cap to protect my underlying natural color while highlights were applied to selected strands of hair. Said strands were picked up off my scalp, with a device resembling an awl, to make them protrude through holes in the cap, like so:


Can you hear my eyebrows squeaking?

Next, Robin painted peroxide on the top strands to lift off the dark color, then encased them in a baggie to bake under the dryer.


The production budget for “Ride of the Valkyries” was low this year.


Reading “The Goldfinch” at the salon like the aesthete I am.

Just when I was realizing why I don’t perform femininity more often, Robin turned off the Shake-n-Bake. This is what I look like as a blonde:


Dr. Frankenstein, we have a problem with the electricity.

My head was repainted with the red dye and left to soak for 25 minutes en plein air, followed by a refreshing shampoo. I went home to terrify my family with my new fashion personality.


Hell yeah, I’m gonna finish my novel.

Reiter’s Block Year in Review: 2013

It’s time once again for our annual roundup of the books, blog posts, and discoveries that made the most impact on me this year. Thanks for your loyal readership. Feel free to share your own favorite reads and revelations from 2013 in the comments. Books need not have been published in the current year.

Most Self-Esteem You Can Buy for $25:

Right now, it’s only a Halloween wig, but it’s inspiring me to fulfill a lifelong dream. Go ginger in 2014!

Strangest Discovery at a Church Tag Sale:

My astute husband spotted this planter at the Christmas fair at First Churches in Northampton, which was Puritan theologian Jonathan Edwards’s church during the First Great Awakening. Edwards was kicked out of the pulpit eventually because he made too much fuss about teen boys reading dirty books. One can only imagine how he’d feel about this porcelain beauty, who has succulents growing out of her pelvis and right breast. My friends who remember pre-feminist kitsch have informed me that she was originally an ashtray: the matches go in the boob-hole and the cigarettes go, uh, down there. Which is even more disturbing.

Runner-up for Previous Award:

My church is nothing if not broad-minded. Thanks, St. John’s Christmas Fair. I’m looking forward to learning all about the Holy Foreskin.

Best Poetry Books:

So many this year, I can’t pick just one.

Natalie Diaz, When My Brother Was an Aztec (2012)
With furious beauty and Promethean boldness, Diaz rewrites our cultural myths to speak her truth as a Mojave woman, a lover, an activist, and a sister bereaved by addiction.

Minnie Bruce Pratt, Crime Against Nature (2013)
This groundbreaking book recounts how the author lost custody of her sons when she came out as a lesbian, then forged a beautifully honest relationship with them later in life. First published in 1989, it was reissued this year by A Midsummer Night’s Press in collaboration with the journal Sinister Wisdom.
Read my full review and excerpt here.

Jamaal May, Hum (2013)
This electric debut collection explores what it means to be an African-American man in Detroit, finding beauty in the ruins of the machine age. Read my full review and excerpt here.

Best Novel:

Susan Stinson, Spider in a Tree (2013)
Set in Western Massachusetts in the 18th century, during the religious revival known as the First Great Awakening, this luminous novel re-creates the domestic life and spiritual development of the theologian Jonathan Edwards. Stinson allows the complexity of the Puritan worldview to speak for itself, setting Edwards’s mystical delight in nature and his deep compassion alongside his severe views of God’s judgment and his defense of slave-owning.

Best Nonfiction Book/Best Parenting Book:

Alice Miller, Banished Knowledge: Facing Childhood Injuries (1991)
With bracing clarity, this maverick psychoanalyst explains how all kinds of cruelty, from child abuse to genocide, has its roots in traumatic and oppressive child-rearing practices. The child had to identify with the perpetrator’s perspective in order to survive, but is then at risk for revisiting this pain on the next generation. Healing comes when you finally stand on the side of the child you once were, validating her innocent needs and feelings, instead of continuing to internalize the judgments your parents projected onto you. Warning: this book may expose many of your religious beliefs as denial mechanisms…but that’s a subject for another post.

Favorite Posts on the Block:

The Gorgon’s Head: Mothers and “Selfishness”
I’ve come to believe that mothers trigger perceptions of “selfishness” in so many people, regardless of which choices the mother is making, because people are unconsciously angry about their own unmet childhood needs. Someone who had distant and unfeeling parents may view working mothers harshly, while someone who had smothering and needy parents may have a similar disdain for stay-at-home mothers.

National Child Abuse Prevention Month: Why It’s Personal
I don’t know how you’d put this on a flag, but my version of awareness would be more radical. It would emphasize what survivors have in common–with each other, across different kinds of abuse, and with everyone who breathes in abuse-enabling myths in the air of our culture. We may not all be in a position to identify abused children and find services for them, but we can all ask ourselves: What do I believe–about God, power, knowledge, sexuality–that contributes to the silencing and minimizing of abuse? What might I be telling myself to silence myself?

Abuse and the Limits of the Welcoming Church
Overreacting against fundamentalist divisiveness, our churches minimize genuine distinctions of culpability and power within the community we are creating. If inclusion is our only defining value, where is the conversation about accountability and transformation?

Belonging, Believing: A Tension at the Heart of Church
What happens when we have developed close personal ties to a community, but discover that we can’t accept what they believe? The peer pressure to maintain those ties can distort or suppress our search to know God’s will for ourselves.

And finally, the most important award of them all…

World’s Best Toddler:



Happy New Year from Shane!

Celebrate Poetry and Dance at Ollom Art Festival Aug. 9-10 in Northampton

This weekend in Northampton, I’m hosting a literary reading as part of the Ollom Art Festival, an interdisciplinary event on the theme of Body, Mind & Heart. Please join us!

Choreographer John Ollom and Ollom Movement Art celebrate the release of his new book, Internal Landscapes, with the Ollom Art Festival on August 9-10 in Northampton, MA. This multimedia event includes the premiere of his show “Prisoner of My Projection” at the Academy of Music Theatre, short films, visual and performance art installations, and a literary reading hosted by Winning Writers.

Come to the Neilson Library Browsing Room at Smith College at 4 PM on August 10 for an hour of poetry and prose by Jendi Reiter, Diana Holdsworth, Ellen LaFleche, Lesléa Newman, Charlie Bondhus, Robert F. Gross, and an excerpt from Internal Landscapes. Proceeds from the festival benefit Diabetes Education. Purchase tickets from the Academy of Music website.

John has been a great influence on my creative process. Inspired by Jungian depth psychology and ancient myths, his work centers on finding one’s inner truth and overcoming shame.

For a glimpse of his teaching style and Internal Landscapes, his original method of “archetypal movement that leads to art creation”, watch this 5-minute video by Emma McCagg, whose work will also be on display at the festival.


Talkback to Sinatra: My Poem “I Wish I Were in Love Again”


My poems “I Wish I Were in Love Again” and “third day” have just been published as contest semifinalists in Issue #7 of OSA Enizagam, the magazine (get it?) of Oakland School for the Arts. “I Wish…” is a critical gloss on Frank Sinatra’s ballad of the same name, which romanticized a violent conflict between lovers. This poem originally appeared in Atlanta Review. (That’s right, OSA E will take previously published work. How cool are they?)

“third day” is a collage poem using phrases from a news story about the desecration of a gay man’s corpse in Senegal. The formatting can’t be reproduced in this blog template, so you’ll just have to go buy this great magazine, which features work by Donna Steiner, Anneliese Schultz, Linda Leedy Schneider, and many other accomplished poets and storytellers.

I Wish I Were in Love Again

When Sinatra sings,
I wish I were in love again,
I imagine Love is the name
of a violent town in Texas
where the one stoplight
took a bullet long ago,
dusting the dry street with ruby glass.

Where the sheriff,
big-bellied as Cupid,
didn’t see the evidence
of the split rope, the double-smudged lipstick,
the blacksnake-cold gun under the belt.

Sinatra’s voice pours the golden
whiskey of nostalgia to shimmer
over the icy rocks, like the foothills
outside Love where nothing
lives but tumbleweeds and chicken thieves.
He misses the spat of cat and cur,
the flying fur, the sparks
that burned down Love’s one church
when the preacher’s daughter
fell asleep smoking.

Lucky in Love
is the man who didn’t miss the train
in or out of town.

Love is a Many-Splendored Thing,
the mayor says,
hoping to attract
a branch of the Houston bank,
a brassworks factory or even a circus
to settle in Love,
create jobs for the men
and scarcer women who lie
in saloon alleys all night clutching
souvenirs of Love to their hearts:
a postcard, a clump of red dirt.
Who wouldn’t want such a loyal workforce?

Love is just around the corner,
if you’ve got a first-class horse.

City-trippers in the mood
for the blackened eyes
Sinatra sighs for
take the spur line to Love
en route to Laredo or Dallas.
Fanning themselves with transfer tickets,
the ladies breathe,
I’ve never been in Love before,
mistaking the crash of plates
for an emphatic whorehouse piano.

The general store hawks banjos
with one string, plasters for the knees
of old folks who fall in Love too easily,
and of course, bullets.
If you break a hip in Love
you know what happens.

Despite the weather,
Love’s no place to retire.
The all-you-can-eat buffet closes at five.
When the moon climbs the sky again
like a drunk husband going upstairs,
the city ladies take their seats
in the second-class carriage,
each with a purple bloom
aching under her blouse, or against her cheek.
It won’t fade for days.
It’s almost like being in Love.


My Poem “Robot Deer Shot 1,000 Times” at New Millennium Writings


I was privileged this spring to receive publication in New Millennium Writings, one of my favorite literary journals. My poem “Robot Deer Shot 1,000 Times” won an honorable mention in their Winter 2011-12 contest. The winners of the shared first prize included my dear friend Ellen LaFleche. Read more poetry from the current issue here. (“Robot Deer” is on page 146 of the issue, page 28 of the PDF.) The current contest, with prizes of $1,000 for poetry, fiction, flash fiction, and essays, is open through June 17; this deadline is typically extended to July 31.

This poem was inspired by one of those “News of the Weird” wire stories about a mechanical deer that cops deployed to trap poachers. The hunter’s backstory, however, simply emerged on its own as soon as I put pencil to page. You never know what your imaginary friends will tell you over a few drinks.

Robot Deer Shot 1,000 Times

Some buckshot-toting boys can’t resist
that hat-rack head lofting into view
in the sweep of the pickup’s dusty headlights,
a come-on like the barmaid’s at the Blue Note
when she slaps your hand but you know she means maybe
by how her tail switches away.
It’s poaching to shoot from the road
at night, one of those rules
on the same page as don’t drink with a married woman
or drive a locked van to Mexico,
even if your brother asks.
Maybe the barmaid can tell a pro tattoo
from the tic-tac-cross your cellie carved with a pen filler.
But you believe the buck is real
and that its brown eyes, glassy
with trust, are the worn-down night’s gift to you,
even when you shoot and shoot but it won’t fall,
clicking its proud head slowly round
like the barmaid’s heels when she glides
her tray of foaming mugs over to the college boys.
Then the Staties roll up with their toy-car lights
joking Bambi sure can take a beating,
amd cuffed on the hood you’re forced into a close-up
of the felted frame, pocked with pellets,
and it looks like your brother’s skin after the last radiation.
Tomorrow you’ll be more of a fool
at the Blue Note than you were today,
not because of the deer but the white envelopes
the cops found stuffed in your glove compartment
with poems inked on them, that some joker will shout out
during a lull in the jukebox,
and you’ll think the barmaid, brown eyes soft, is listening.