New Reviews for “Made Man” and a “Two Natures” Book Talk Video

Last month I had the pleasure of co-hosting a Zoom book talk with Canadian novelist Jessica Pegis, “Divine Non-Duality and the Queer Body”. We read excerpts from my gay male coming-of-age novel Two Natures (Saddle Road Press, 2016) and her new book The God Painter (Stone Table Books, 2021) and explored their common themes of exile, divine love, and spiritual and sexual integration. The God Painter is a work of Catholic-infused speculative fiction in the tradition of Mary Doria Russell and Ray Bradbury. Intersex aliens rescue humanity from our destroyed planet, but are they angels, demons, or something outside our limited categories altogether? Watch the 80-minute video on the Winning Writers YouTube channel:

Poet and critic Michael McKeown Bondhus wrote a wonderful review of my new poetry book, Made Man (Little Red Tree, 2022), for Full Stop Magazine this month. I have this novelty greeting card on my office shelf where one 1950s lady exclaims to another, “Sometimes I wish someone who understands me would tell me what I mean!” Michael has done just that…and saved me the labor of explaining myself to cis people quite so much. The review captures the specificity of gender transition but also its continuity with the dynamism of human life (however much we try to arrest its progress with laws and dogmas). We are not, after all, foreign objects or monsters compared to the rest of you.

As much as people claim to loathe change, it is also understood to be an elemental part of existence. The need to change one’s body, then, can be read as another manifestation of this universal impulse. Therefore, Made Man becomes an examination and celebration of change writ broadly along with all its magickal implications.

…Is Made Man’s goal, at least in part, to simultaneously muddy and clarify gender? Desire seems simple — person A wants person B — yet it is full of contradictions and taboos. Racist uncles are clearcut assholes, yet their worldviews are rooted in a version of reality they have absorbed from outside sources, including Russian bots. Gender, as Reiter and many others suggest, is both a social construction and an intimate part of the self. It can appear to be reducible to labels like trans man and genderqueer, yet those labels carry different meanings from person to person. By highlighting ambiguity and algorithms in some of their poems, Reiter finds another, less direct way to address the messiness of gender and compares it to the messiness of so many other parts of our lives.

Goodreads reviewer Transgender Bookworm rates Made Man 5 stars, saying:

Poet Jendi Reiter has written a beautiful and inventive collection of poems that explore gender and the pain of existing beyond society’s rigid binary in a new and exciting way. Tackling subjects both serious and lighthearted Reiter explores the way our absurdly gendered world informs our understanding of each other and the world at large. I found myself chuckling on one page and then gripping my seat in anger the next.

Enjoy this sample poem. Or don’t. I don’t care.

 

Prettyboy in Pink

This generation of lavender-haired pronouns only knows Molly Ringwald as hot Archie’s small-town mom on “Riverdale”. They play the torso drinking game as russet-top KJ Apa square-jaws his way from high school wrestling showers to prison cagefight to skinny-dip in the lake of girls beside the maple sugar factory. Who knew there was so much wealth in syrup? Like his nipples stretched immobile over muscle, mother Mary/Molly is contractually slated to appear in every episode, offering pants-suit credibility to his scheme to rescue the malt shop from mafiosi.

But we assigned-X’ers will forever stan Molly’s bricolage of girlhood, pretty in pink slicing and stitching the bridesmaid shells of teen tulle into a skin she could survive in. Lovestruck Duckie was too much a sister to her, with his manic pompadour and emotional hands. She required the prep-school prince’s genes for her supreme tailoring experiment. When Archie’s done running through his day’s foolish script, those maple-golden eyes go blank. It’s her body now, her finest dress.

“Made Man” Makes News: BGSQD Reading Video and Solstice Lit Mag Review

The Bureau of General Services-Queer Division (BGSQD), the queer bookstore at The Center NYC, hosted a fabulous launch reading for me and poet Steven Riel (Edgemere) this past weekend, which you can watch on their YouTube channel:

Being back in person in a queer arts space was a sacred experience, enhanced by Frank Mullaney’s “Wallpaper Saints” photo exhibit, which you can view behind us. Please support this essential cultural haven by purchasing books from their website. If you don’t see Made Man or Edgemere on their site yet, email Greg Newton at contact@bgsqd.com to purchase your copy.

In other news, Solstice Lit Mag poetry editor Robbie Gamble just published a great review of Made Man in their Spring 2022 issue. Gamble says, “The reader is in for a comitragic, day-glo accented, culture-hopping, snort-inducing, gender-interrogating rollercoaster of a ride… In the current season of culture wars, where state legislatures are enacting ‘Don’t Say Gay’ bills, and trying to reframe gender-affirming treatments as parental abuse, Made Man stands as a testament to the humanity of trans people everywhere. It’s also chock-full of intelligent, often hilarious and sometimes biting poems that will leave you spinning and exhilarated.”

Other great stuff in this issue of Solstice includes Richard Jeffrey Newman’s sexual abuse memoir “The First Time I Told Someone” and MC Hyland’s prose-poem “Five Short Essays on Open Secrets”. Check it out and subscribe to their free e-newsletter.

My Poetry Book “Made Man” Is Here!

My third full-length collection, Made Man, officially launches March 1 from Little Red Tree Publishing.

Staci Wright at the American Library Association’s Rainbow Round Table Reviews says:

A mix of somber moments and charming wit, Reiter’s collection makes space for humor in the maelstrom of navigating gendered experiences. Their poems synthesize recent historical moments and deeply personal anecdotes to create commentary that dares you to question binaries and social construction itself. Reiter sources material from the nooks and crannies of the human experience; they sculpt each poem using anything from Scholastic Book Club books to Jewish folklore to 1970’s photography series to Manhattan dumpling houses.

Poet and literary critic Stephanie Burt says:

Dense with figure and dense with thought, full of fun and full of anguish, superbly conscious of every rule they break, sometimes giving us comfort and sometimes “another live coal in your mouth,” the poems in this collection work and play and travel in many directions, speak through many and varied masks. Then they come back together to point to a confident future, a nonbinary embodiment, a way past the limits of what other people have told us counts as feminine (“the mermaid bleeds lipstick”), as masculine (“chaos softboy”), as sacred, as childhood (“happy as a rubber ball”), parenthood, adulthood (“I didn’t grow up. I had more laundry”).

I regret that I did not send the poem below to queer theorist Leo Bersani, author of the seminal-in-all-senses text Is the Rectum a Grave? And now he has gone to the great bath house in the sky. Dr. Bersani passed away at age 90 on Feb. 20. From the NY Times obit:

Dr. Bersani was best known for his 1987 essay “Is the Rectum a Grave?,” a dense, polemical critique of the tendency among some gay activists to respond to AIDS by downplaying their sexuality and emphasizing the need to replicate bourgeois heterosexuality.

Male homosexuality was not the mirror image of heterosexuality, he argued, but something radically different, lacking many of the patriarchal inequalities that he said defined straight life.

“Far from apologizing for their promiscuity as a failure to maintain a loving relationship,” he wrote, “gay men should ceaselessly lament the practical necessity, now, of such relations, should resist being drawn into mimicking the unrelenting warfare between men and women.”

This poem (like many of my best works) was inspired by a joke from my husband, so I guess marriage is good for something. FYI, the opening line of Bersani’s famous essay is “There is a big secret about sex: most people don’t like it.”

 

Is the Roasting Pan a Grave?

There is a big secret about turkey: most people don’t like it.
One November day’s duty, otherwise ignored, the bottom.

When the legs are moist, the breast’s dried out
With a hellbound heart, closeted clerics exhort the bottom.

The more savored the taste, the more later despised:
Rest now, fabulous martyrs who whored the bottom.

Play families, play natives’ welcome spread for the plagued men:
Our schoolboy histories will not record the bottom.

But for one night, we feast together in a dying year —
What, then, that too much stuffing may distort the bottom?

We “failed to find the idea of the holocaust unbearable”:
Rather police meat market into pastoral, report the bottom.

Give thanks to ghosts, our unquenchable forefathers,
Pilgrims of filth, who on their knees adored the bottom.

TL;DR? Should Bersani’s words prove dry,
Read the foil pan embossed: ALWAYS SUPPORT THE BOTTOM.

Reiter’s Block Year in Review: 2021

How it started:

Jennifer Melfi - Wikipedia

How it’s going:

Silvio Dante Picture

Another year around the Block. I definitely don’t take that for granted. It’s one thing to know intellectually that life is short and unpredictable, entirely another thing to feel that urgency as one wakes up every day in a country under threat from fascism and disease. What am I waiting for?

High Spirits: I tried marijuana edibles for the first time in November. It was pleasant to feel my brain slow down for about 5 hours. No time to do it again till February, I imagine. I really need to readjust my work-life balance.

Salem’s Lot: Studying witchcraft this year has brought me great satisfaction, mind-body integration, and optimism. ICYMI, I blogged about it earlier this month. My first year of training will wrap up in March 2022. Time to start selecting my magickal name, which may coincide with applying for a new passport and driver’s license with a male gender marker. (My desire for gender affirmation conflicts with my basic laziness regarding paperwork and my Ron-Swanson-esque opinion that my gender is none of the government’s business anyway.)

Personal Soundtrack: Remember that week in January when everyone was singing sea shanties on TikTok? I got hooked on The Longest Johns, and particularly their song “Bones in the Ocean”, a poignant ode to survivor guilt that seemed extra meaningful as America’s COVID death toll reached 800,000. The Young Master independently discovered this song at summer camp and now we listen to shanties together on Spotify. His fourth-grade music teacher also introduced him to 2Cellos, an energetic pair of HOT guys who play pop tunes in a classical style. And I still can’t get enough of that German Karneval music.

Bookbag: Some of the extremely homosexual books I enjoyed this year were Aden Polydoros’ Jewish paranormal mystery The City Beautiful, Brandon Taylor’s literary short fiction collection Filthy Animals, and the poetry collections Mutiny by Phillip B. Williams and The Malevolent Volume by Justin Phillip Reed. I’d been meaning to read Glen David Gold’s historical novel about vaudeville magicians, Carter Beats the Devil, for almost 20 years, and it was all I hoped for and more. Julie Murphy’s queer YA romance Pumpkin gave me the courage to sign up for a transgender runway show next month. Pictures forthcoming!

The Writing Life: I finished a major revision of my novel Origin Story with guidance from the peerless editor/sensitivity reader Denne Michele Norris, co-host of Food 4 Thot Podcast and the new editor-in-chief of Electric Lit.

Once again, I took part in the 30 Poems in November fundraiser for the Center for New Americans, while binge-watching “The Sopranos” on HBO’s streaming service. The conjunction of those two pastimes generated The Waste-Management Land, a poetry chapbook manuscript in need of a good home.

My third full-length poetry collection, Made Man, comes out in February from Little Red Tree and is now available to pre-order. Cover art and interior illustrations by Tom W. Taylor a/k/a The Poet Spiel. This book explores female-to-male transition and gay masculine identity through the voices of unusual objects and fictional characters. Enjoy the opening poem, first published in Crosswinds Poetry Journal.

Self-Portrait as Pastry Box

Under my roof, cathedrals of piped
icing breathe out the sacred stale
sweetness of cream and cardboard
white as a right-hand man’s
final satin bed.
Under my roof we pay our respects.
The family is a thin shelter, soon wet.
If you don’t believe me, open
and see the red smash where tiered berries kissed
the jostled lid. No shifting
the ingredients. No loose knots in the string.
Under my roof I’ll thank you
not to take knives in vain.
Remember him who was lifted
from the river, from the box he was sealed in.
The snapped wafer laid on your tongue like a secret
recipe. Religion‘s root means to tie
string round the wrists, the trash
bag sinking, the harbor’s surface restored.
Under my roof the family’s bound
to gasp, glorying in the sugared name
I display to be sliced after the blown-out wish.
Take the cannoli, broken for you.

July Links Roundup: Free at Last

Readers of this blog may remember my pen pal “Conway”, the poet and artist who was serving 25-to-life under California’s three-strikes sentencing law for stealing a motorcycle. This Independence Day finally has real meaning for him, because he is FREE! He is thriving in a re-entry program in Los Angeles, reuniting with his devoted daughters and learning how to use the Internet. He dreams of opening up his own auto repair shop and tattoo parlor. Read more of his poetry here and here, or browse the Prison Letters category on this blog.

Several factors converged to make this miracle happen (if you can really call it a miracle for a man to spend 29 years of his life in jail for petty theft). The new Los Angeles County D.A. is no longer opposing early-release petitions under Prop 36, the 2008 referendum that retroactively repealed the harsh sentencing law. Stanford Law School’s pro bono clinic continues to help my friend navigate the legal system that profits from keeping people under perpetual surveillance, even when they’ve served their time–and then some. And I applied the full force of four months of witchcraft training to send him protective energy and courage.

Though Conway’s exodus is cause for tremendous rejoicing, millions more Americans are still trapped in prisons and jails that violate their human rights to medical care, adequate food and shelter, voting access, and speedy trial, among other indignities. In June, Harper’s Bazaar, in partnership with the PEN Prison Writing Program, published this worthwhile feature: “5 Formerly or Currently Incarcerated Writers on What Freedom Means to Them”. The personal essays include criminal justice reform leader Vivian D. Nixon on reclaiming the freedom to use African-American Vernacular English, and Elizabeth Hawes on music and literature as a lifeline behind bars.

In the late 19th and early 20th centuries, Native American and Canadian Indigenous children suffered another type of unjust incarceration in euphemistically named “residential schools”. Governments run by white people stole the children from their families, with the goal of eradicating Native languages and cultures. This genocidal project has been in the news lately with the discoveries of mass graves on the sites of some schools. Many more doubtless remain to be unearthed, as conditions at the schools were brutal. This online curriculum from Facing History describes the shameful role of Christian missionaries and educators in running these institutions.

To help bring justice to Native Americans today, consider donating to Lakota People’s Law Project. Their initiatives include fighting for voting rights, creating community centers for Native youth, and protecting the land and water from pipeline pollution.

Truly the best essay I’ve read in a long time is queer theorist Eve Kosofsky Sedgwick’s “Paranoid Reading and Reparative Reading” from the 2002 anthology Touching Feeling. Eve understands what’s wrong with The Discourse. Does debunking everything make you feel better? Does it help you understand what to do about the brokenness of the world? Especially in 2021, is the trash fire even news? Suspicion is not always the most progressive hermeneutic. Nor is exposure automatically effective at producing change, because people may still be apathetic, wedded to fake news, or too hopeless to act on what they’ve learned. Sedgwick suggests that one can see systemic oppression clearly, yet still be committed to a reparative approach that aims at maximizing love and pleasure, rather than the paranoid priority of avoiding all bad surprises.

45 Shining Harvey Milk Quotes - SayingImages.com

Reiter’s Block Year in Review: 2020

Your humble transmasculine fashion influencer has had an intense year. As have we all.

Greatest accomplishment: Staying alive.

Other greatest accomplishment: Finished a draft of Origin Story, my second novel about butts and sadness.

Currently writing: Poems about dinosaur masturbation and vat-grown human flesh steaks for my third collection in progress, Made Man.

Soundtrack of my days: Lana Del Rey’s “Norman Fucking Rockwell”; various artists, “Karneval Top 50: The Very Best of German Karneval”

New obsession: Jigsaw puzzles. We were given a ridiculously difficult Harry Potter puzzle last year that we dug out of the closet during the first weeks of lockdown. I discovered that putting physical objects in order is extremely soothing when the world is falling apart. Also, that all puzzle manufacturers are not created equal. I give top marks to Ravensburger, Pomegranate, and New York Puzzle Company.

Edward Gorey book covers puzzle (Pomegranate)

Most ridiculous purchase: Doll-sized penises on Etsy for my FTM Barbies.

Binge-watching: “Bob’s Burgers” on Hulu. I was a Tina who grew up to be a Gene.

Feeling Meme-ish: Bob's Burgers - Paste

Best novel read in 2020: Eve Tushnet’s second novel, Punishment: A Love Story, was the first work of fiction I read this year, and nothing has quite equaled it. No one is better at exploring the blurred lines between self-destruction, kinky submission, and religious humility. Set at a Washington, DC halfway house for former prisoners re-integrating into society, this wickedly funny tale includes (among other things) a predatory cult, a tender romance between a male sex worker and a figure skater who calls himself “Trash”, and a stolen owl who might be the Holy Spirit.

Best memoir: Obviously, Daniel M. Lavery’s essay collection Something That May Shock and Discredit You (published as Daniel Mallory Ortberg). The humorist who co-founded The Toast finds transmasculine resonance in a wide range of stories, from Greek mythology to “Columbo” and “Star Trek”. The comical riffs bookend deeper reflections about the self-mistrust and emotional shutdown he learned from his evangelical upbringing, and how these factors delayed his transition.

Goals for 2021: Hahahaha.

Latest Bobs Burgers GIFs | Gfycat

Have a safe and peaceful holiday season, readers.

 

 

Election Day Poetry by Carolyn Howard-Johnson: “We Will…”

An Election Day poem by my book marketing guru, Carolyn Howard-Johnson, author of the Frugal Book Promoter series. Also check out her human rights themed poetry collection Imperfect Echoes with cover art by Richard C. Jackson, known to readers of this blog as Conway. (He is still waiting for a hearing on his early release petition since 2008!)

We Will…

Today we will line up.
We will line up in the heat…
We will line up in the cold with scarves around our necks,
hot coffee steaming from paper take-out cups…
We will line up, leaning into Santa Ana Winds or hurricanes
named after Greek letters…
We will line up in fire storms and bitter ashes…
We will do what persevering voters did in ‘64
with a new voting bill as assurance we should be there.
Today we will line up
with that bill clawed away
because “there is no longer a need,”
our postal service disrespected,
our drop boxes suspect or gone.
We will line up today, tomorrow and tomorrow…
We will line up wearing our masks…
We will line up six feet apart
with space enough
to dance,
to sing
to vote.

My Poem at Flowers & Vortexes Online: “Self-Portrait as Pastry Box”

This poem of mine was first published in Crosswinds Poetry Journal, Vol. 5, and reprinted at Flowers & Vortexes Online this month. I wrote it during 30 Poems in November 2019, the annual fundraiser for the immigrant literacy and job-training organization The Center for New Americans. Sponsor me again this year!

Self-Portrait as Pastry Box

Under my roof, cathedrals of piped
icing breathe out the sacred stale
sweetness of cream and cardboard
white as a right-hand man’s
final satin bed.
Under my roof we pay our respects.
The family is a thin shelter, soon wet.
If you don’t believe me, open
and see the red smash where tiered berries kissed
the jostled lid. No shifting
the ingredients. No loose knots in the string.
Under my roof I’ll thank you
not to take knives in vain.
Remember him who was lifted
from the river, from the box he was sealed in.
The snapped wafer laid on your tongue like a secret
recipe. Religion‘s root means to tie
string round the wrists, the trash
bag sinking, the harbor’s surface restored.
Under my roof the family’s bound
to gasp, glorying in the sugared name
I display to be sliced after the blown-out wish.
Take the cannoli, broken for you.

 

My Tran-niversary: One Year on T

Sept. 2019

Oct. 2020

 

One year ago I began HRT. I’m really happy that I did. It’s been something positive to think about during our year of national disasters. Like slowly but steadily assembling a jigsaw puzzle, monitoring the growth of my tiny soul patch gives me a sense of clarity and empowerment when life feels out of control. I wake up grateful and believing in magical manifestation. (And also terrified of being sneezed on by fascists, but that’s 2020.)

I understand “gender euphoria” now because I enjoy being photographed, for the first time since before puberty. A lot of days I walk down the street feeling like John Travolta in the opening scene of “Saturday Night Fever”. But dysphoria is also heightened sometimes, since the more I let myself realize what I want, the more I feel the grief of not having had it sooner, and the anticipatory disappointment that I may never fully achieve it. I can stop policing my own body language as insufficiently graceful and delicate, and worrying that I’m not pretty because I’m fat–but I sometimes make myself equally self-conscious with fears that my vocal intonation, head tilt, or stance aren’t masculine enough. Then I remember I’m a gay nonbinary trans guy and this is all cis-heteronormative brainwashing. In general, being more present in my body heightens all sorts of emotions, positive and negative.

Until recently, I felt that medical transition was completely out of reach. My adored husband, whose masculinity is not threatened by the fact that I now have more leg hair than him, loves boobs and hates beards (on me anyway). Without top surgery and whiskers, I didn’t think I would ever “pass”, so why give up my privilege as an average-looking woman? But last summer my gender therapist sent me some articles about micro-dosing T for that androgynous look. That seemed like a compromise everyone could agree on, so I made an appointment with an endocrinologist and started the gel in October. Hello, little chin hairs and constant horniness.

Thank our terrible American health care system for what happened next. My little bottle of Love Potion Number 9 cost $375 a month with insurance, while the more common delivery method of weekly injections was one-tenth the price despite generating more medical waste. Get you a man who’ll buy you a sharps disposal container for Valentine’s Day. Results from the gel had leveled off; my voice wasn’t deepening and I didn’t see any muscle growth. Hubby and I attended the trans conference First Event in Boston in February, which clarified for both of us that I wanted to progress further down this path, and that other couples had successfully adapted.

In February I started injections. I quit for a little while because the injection site in my thigh hurt a lot for several days afterward. My trans support group leader suggested alternatives. Never been so glad to have a fat butt. Results from the new method: wider face, deeper voice, arm muscles, somehow lost 10 pounds (though that could be because I haven’t had onion rings since the restaurants were closed for COVID), annoying neck pimples, minor bisexuality, general sense of wellbeing.

Whither the future? Well, except for top surgery, I expect to go through the usual stages of transmasculinity: baseball caps, writing an autobiographical webcomic, Satanism. Meanwhile, some life hacks for my fellow bois:

Wearing men’s underwear (by which I mean, underwear for men, though if you want to bring home other men and put on their underwear, good on ya) brought me a surprising amount of gender euphoria. Jockey’s boxer briefs have a nice pouch in front that make you look like you’ve got a real package. Plus, their browser cookies will make pleasantly distracting images of male bulges follow you around when you’re reading the news online.

Compression sports bras are a comfortable alternative to binders. Brooks Running makes a nice one.

Follow Phil Powell (@DandyYour), Queer Eye‘s Jonathan Van Ness (@jvn), Jeffrey Marsh (@thejeffreymarsh), and Pose star Billy Porter (@theebillyporter) on Twitter to remember that you don’t have to give up beauty and bling.

Reiter’s Block: DECADE in Review! 2009-2019

July 2009…

…November 2019.

Greetings, loyal readers! It’s been a decade to remember. As my 30s segued into my 40s, I changed my gender, pronouns, religion, and pants size; fired my abusive mother; adopted Lord Bunbury, the cutest boy to ever eat a quarter-pound of lox in one bite; and published five books of sad poetry and smutty fiction.

Julian says, “You just get better with age, darling.”

Biggest Decision of 2019: Starting HRT.

Since October I’ve been taking low-dose testosterone in gel form. (I know, I know, real men shouldn’t be afraid of needles…) Not much visible change yet, but I feel very handsome and full of creative ideas.

Speaking only for myself here–you don’t have to do anything medical to be a “real trans”!–bringing my subjective sense of masculinity into objective physical reality via HRT has felt like an act of magical manifestation. I grew up in a home dominated by gaslighting. Maintaining my inner truth against constant assaults was exhausting. Being trans sometimes feels that way too. If my womanhood falls in the forest but everyone still calls me “Ma’am,” does it make a sound? My little bottle of Love Potion Number 9 gel is something I can point to, a fact in the world, a self-affirming decision to be myself outwardly and not only in my fantasy life. It tells my younger psychological parts that we’re finally safe to come out of the closet (and give away those uncomfortable high heels).

Happiness Comes in a Pill: For the first time in my life as a congenitally anxious person, I’m also taking Effexor, a mild anti-anxiety drug. The main benefit is that I sleep more deeply and have vivid dreams that seem meaningful at the time. For instance, a couple of weeks ago I dreamed I was re-creating the Bloomsbury Group out of Lego. Thanks a lot, Carolyn Heilbrun.

Lytton Strachey, Dora Carrington, and Virginia Woolf.

I Wrote Some Stuff: I participated in the Center for New Americans’ 30 Poems in November fundraiser again this year, writing more strange poetry for a new chapbook. It’s not too late to contribute to this great organization that provides literacy instruction, job training, and naturalization assistance for immigrants in Western Massachusetts. Visit my sponsorship page here.

In addition, my poem “psalm 55:21” won the local category of the 2019 Broadside Award and Glass Prize from Slate Roof Press. The award was $250 and publication as a limited-edition broadside. You can read the winners on their website.

Young Master Update: His Nibs earned an orange belt in Tae Kwon Do this year, switched his allegiance from Pokémon to Minecraft, and learned to read chapter books on his own. (Shout-out to the “Captain Underpants” book series for making one of its main characters gay in the last installment.)

Fractions, Mommy!

We undertook a perilous trip by plane (me) and car (Daddy and Shane) in an April snowstorm to visit Shane’s birth mother in Wisconsin, where she was hospitalized for liver failure. Sadly, Stephanie passed away this August at age 45. She lives on in his happy-go-lucky personality, mechanical skills, and love for the arts and animals.

Stef and the Bun in October 2012.

Highlights Reel: With some trepidation, I have combed the Reiter’s Block archives for posts from the past decade that I still agree with. Sometimes I’m embarrassed by how passionately (and dickishly) I defended beliefs that let me down in the end. But as Julian would say, you can only wear the clothes you have. Some people grow up by learning from failed love affairs. My method was to throw myself fully into the best available worldview at the moment, searching for an ethical foundation and a compassionate space where I could discover myself. What if I’d known about FTM transition in 1983, or demisexuality in 1997, or trauma theory in 2006? Well…I didn’t. Here’s what I did instead.

2009: I was really preoccupied with how to be a Bible-believing yet gay-affirming Christian, because I still had faith that good theological arguments would make a difference. Sigh. If this is your jam, check out the posts “Writing the Truths of GLBT Lives” and “Liberal Autonomy or Christian Liberty”. Also, my most ambitiously insane chapbook, Swallow, was published by Amsterdam Press. Now out of print; email me for a copy.

Swallow

2010: More gay Christian angst. I noticed the questionable respectability politics of some gay-affirming theology in “The Biblical Problem of the Prostitute”. Seriously starting to wonder why writing as fictional “Julian” felt autobiographical: “Straight Women, Gay Romance”. Marched in Northampton Trans Pride as an ally. Didn’t blog much that year because secretly coping with failed-adoption trauma and abusive mom meltdown. Another chapbook published: read the title poem in the post “‘Barbie at 50’ Wins Cervena Barva Poetry Prize”. Also received Massachusetts Cultural Council fellowship in poetry. Misery has never stopped me from being productive.

2011: I went no-contact with my mother, and shortly thereafter, mom-of-choice Roberta left her as well. I was still under the social workers’ microscope in the adoption process so I barely posted anything about my personal life on the blog. In September, Stef contacted us through our adoption website, and the rest is history. The series “Letter to an Evangelical Friend, Part 1: Why I Don’t Read Anti-Gay Theology” and “Part 2: Obeying Jesus Without Knowing Him?” is the culmination of 5 years wrestling with the gay Christian issue, and in retrospect, already shows the de-conversion that I would take several more years to admit to myself and others. I also gave myself this advice on my 39th birthday: “Every five years, you will completely change your mind about something important, so don’t be a butthole to people who disagree with you now.”

2012: Welcome, Bun!! I blogged about why “Adoptive Families Are Queer Families”. In other news, the title story of my eventual debut collection An Incomplete List of My Wishes won an award from Bayou Magazine. I read Judith Herman’s Trauma and Recovery. I turned 40 and wrote a three-part roundup of the books that influenced my youth.

2013: Is it gender dysphoria or is it sexism? Less filling, tastes great! I battled cultural expectations of femininity and motherhood in “The Gorgon’s Head: Mothers and ‘Selfishness'”. (Thanks to Bun for sleeping through the night at 6 months old, so I had the energy to string sentences together.) I self-identified publicly as a child abuse survivor for the first time in “National Child Abuse Prevention Month: Why It’s Personal”. In “Imitation of Christ, or Substitute Savior?” I questioned whether it’s possible to write a “Christian” novel without romanticizing codependence. In “Framing Suffering: Survivors, Victims, and Martyrs”, I began asking the church to consider liberation theology from an abuse-survivor standpoint–a project I’d ultimately drop after recognizing its basic incompatibility with mainstream Christianity.

2014: I dyed my hair red. Many boxes of books were given away, with “Thoughts from the Great Book Purge of 2014” surveying how my beliefs had changed. I wrote a series on Survivors in Church: “Between Covenant and Choice”, “Our Spiritual Gifts”, and “Insights From Disability Theology”. But it became evident that I had to leave church altogether: see “The Priesthood of All Survivors”. After 6 turbulent years, I finally finished an acceptable draft of the Endless Novel a/k/a Two Natures. To celebrate, I got a tattoo.

2015: I began studying Tarot, as described in “The Spiritual Gift Shop: Or, Living in Syncretism”. My second full-length poetry collection, Bullies in Love, was published by Little Red Tree. In “The Hierophant or the Ink Blot Test”, I explored where accountability can be found in a self-directed spiritual practice. I met Elisabeth Moss, who played my favorite character on “Mad Men”! The Supreme Court ruled that same-sex couples have a constitutional right to marriage equality. I won $1,000 from Wag’s Revue for a poem about buying a plastic dick. (No wonder that was their last issue.)

2016: Two Natures was published by Saddle Road Press! I blogged about why I write explicit sex in my fiction (“Sex God”), and the pros and cons of the radical feminist critique of Christianity (“Christianity, Patriarchy, and Abuse: Cross Purposes”). I tentatively came out as genderqueer in “Nonbinary Femme Thoughts”. My story “Taking Down the Pear Tree”, a semi-autobiographical tale of painful setbacks on the road to adoptive parenthood, won the New Letters Prize for Fiction. However, the year ended badly for the planet with the election of Tan Dumplord.

2017: Our storage unit raised their prices, so we let the lease expire and brought back a truckload of memorabilia to Reiter’s Block HQ. Some of my archeological finds are described in “Killing You in My Mind: My Early Notebooks”. I self-diagnosed as being on the autism spectrum. The Aspie community’s acceptance of finding emotional qualities in “inanimate” objects (“Autistic Pride Day: Everything is Alive”) paved the way for me to study Magick. I took charge of the Young Master’s religious education with a family trip to NecronomiCon Providence (“The Cthulhu Prayer Breakfast and the Death of White Jesus”). I killed off my menstrual cycle with the Mirena IUD, ending three decades of disabling chronic pain from endometriosis (and, as it turned out, gender dysphoria). Our high school had a collective reckoning with the #MeToo Movement on our alumni Facebook page.

2018: My debut story collection An Incomplete List of My Wishes was published by Sunshot Press, an imprint of the journal New Millennium Writings. Adam and I celebrated our 20th wedding anniversary. I took an online course from anti-racist group White Awake about decolonizing our New Age spirituality (“Problems of Lineage and Magic”). Christian feminist author Emily Joy’s Lenten journaling workbook Everything Must Burn helped me process my spiritual trauma. I regret that I didn’t write to Dr. James Cone before he passed away, because our church small group was passionately inspired and challenged by his book Black Theology and Black Power. (I was embarrassed to imagine that he’d say, “Well, light dawns over Marblehead, white ladies!” Centering my own feelings like a typical whitey…) For the same class, I did a 40-day Bible journal (“Daily Bible Study Is My Problematic Fave”) and tried not to laugh at evangelical prayers like “invade me with your burning fire”. (Okay, I didn’t really try.) But it helped me get through losing one of my best friends. “Drawn That Way: Finding Queer Community at Flame Con” recounts my trip to an LGBTQ comics convention for research on the Endless Sequel.

2019: I did another purge of books and clothes that didn’t spark genderqueer pagan joy (“Facing Literary Impermanence with Marie Kondo”). As more research for the Endless Sequel, and let’s face it, to buy gay erotica, I attended Queers & Comics at the School of Visual Arts (“Mama Tits, Pregnant Butch, and More”). I considered the symbolic appeal of Satan and Cthulhu for spiritual-abuse survivors in “Two Varieties of Post-Christian Experience”.

In the year ahead, I hope we can elect a Democratic president and reverse course on the imminent destruction of democracy and the planet. Beyond that, my goals are the same as before: Be more trans, do more magic, lift more weights, write more words! Thanks for traveling with me.